High Dive - Hardcover

"Lee’s powerful novel is an extraordinary performance: vividly written, painfully human and fully fleshing the inner lives of its characters." (Sunday Times)

"High Dive did for the Brighton bombings what Garth Risk Hallberg's overhyped City on Fire attempted to do for the New York City blackout - it's a multivoiced epic that builds towards a stunning finale. I loved it." (Alex Preston Observer - Best Novels of 2015)

"Achingly good ... Satisfyingly tricky when it comes to speeding up and slowing down, keeping readers off balance, teasing them about when what’s already irrevocable is actually going to happen ... At his best – and he is at it often – Lee displays a nimble metaphysical wit and a verbal ingenuity on a par with Martin Amis ... In High Dive, the ticktock means more than the boom... The novel’s last, almost whispered word about the bombing’s carnage is left to stand among the most devastating observations ever made about terrorism: “Someone had considered this fair”. It is Jonathan Lee’s great achievement to have written, on this of all subjects, one of the gentlest novels in memory." (The New Yorker)

"Jonathan Lee [is] a wordsmith of incomparable eloquence...High Dive is a work of serious and thoughtful integrity." (Independent)

"An ingenious and original mixture of the domestic and the political, set in the days leading up to the Brighton bombing of 1984. At its heart is a father-and-daughter relationship that feels uncannily real and wonderfully touching." (David Nicholls Observer, Summer Reads)

"Achingly good ... on a par with Martin Amis ... In High Dive, the ticktock means more than the boom... The novel’s last, almost whispered word about the bombing’s carnage is left to stand among the most devastating observations ever made about terrorism: “Someone had considered this fair”. It is Jonathan Lee’s great achievement to have written, on this of all subjects, one of the gentlest novels in memory." (The New Yorker)

"Hauntingly atmospheric ... Lee is quite brilliant at excavating the disappointment of characters constantly chasing lost opportunities." (Guardian)

"Devastating ... Inspired ... We make so many complex emotional investments in the lives of Lee's characters that it takes a monk's restraint not to flip to the very end of the book before you get there." (New York Times)

"High Dive is a novel so smart and compassionate and beautifully written that it asks for total immersion. A reader will hold her breath for long, perfectly-paced stretches, and she will surface, dizzied, at the end." (Lauren Groff, author of Fates and Furies)

"The novel is full of gentle humour: its tones are mostly warm and compassionate...High Dive is a moving and charismatic novel...It succeeds, through its multiple sympathies and scrupulous empathy, on its own terms" (Financial Times)

In September 1984, a man calling himself Roy Walsh checked into The Grand Hotel in Brighton and planted a bomb in room 629. The device was primed to explode in twenty-four days, six hours and six minutes, when intelligence had confirmed that Margaret Thatcher and her whole cabinet would be staying in the hotel.

Taking us inside one of the twentieth century’s most ambitious assassination attempts – 'making history personal', as one character puts it – Lee’s novel moves between the luxurious hospitality of a British tourist town and the troubled city of Belfast, Northern Ireland, at the height of the armed struggle between the Irish Republican Army and those loyal to the UK government.

Jonathan Lee has been described as ‘a major new voice in British fiction' (Guardian) and here, in supple prose that makes room for laughter as well as tears, he offers a darkly intimate portrait of how the ordinary unfolds into tragedy.