Reseña del editor:
The Renaissance was one of the great periods of creative and intellectual achievement. This 'age of genius', from its origins in the thirteenth century to its zenith in sixteenth-century Rome, produced some of the most fascinating and dynamic artists of all time - Donatello, Michelangelo, Raphael, Titian, and Leonardo da Vinci. In his adventurous new book, lavishly illustrated with 125 color illustrations, acclaimed art critic Andrew Graham-Dixon takes a fresh look at this most exciting period in art history, challenging many of the myths and misconceptions surrounding the Renaissance. The Italian scholars who first dreamed of a Renaissance wished to revive the spirit of classical antiquity after the darkness - as they saw it - of the medieval and Byzantine periods. Graham-Dixon argues, however, that the Renaissance represented a culmination rather than a complete rejection of those earlier influences. Starting in the Middle Ages with the impact of the Franciscan movement on painting in Italy, Graham-Dixon's reappraisal of the Renaissance takes us through the key moments of its development, focusing on the major artists and architects of the time: the Early Renaissance in Florence - Giotto, Masaccio, Donatello, and Brunelleschi; the Northern Renaissance - Durer, Cranach, and Brueghel; Venice - Titian, Palladio, and Tintoretto; and, the High Renaissance in Rome - Michelangelo, Leonardo, and Raphael. "Renaissance" also outlines the historical context of this time of great social as well as artistic change. It reveals the social climate in which these artists worked: the power struggles between the Renaissance rulers of the Italian city-states, the French invasions of Italy, the invention of printing, and the Protestant Reformation. Along with his vivid, highly original, and often extremely entertaining descriptions of the works themselves, Graham-Dixon not only reassesses but also brings to life one of the most glorious periods in history.
Nota de la solapa:
"Renaissance reflects the intensely personal and passionate involvement of the author in his subject. In his analysis and his judgments, Graham-Dixon is original, daring, occasionally iconoclastic, and never dull or pedantic. The result is a book both more spirited and more accessible than Kenneth Clark's Civilization."Gene Brucker, author ofFlorence: The Golden Age, 1138-1737
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.