Global Icons: Apertures to the Popular - Softcover

"One cannot but be grateful for a book that establishes the rich liveliness of mass mediated figures and the multiple worlds that they come to inhabit." -- Parma Roy * Cultural Critique * "This highly sophisticated book offers important theoretical insights and interesting material and will be of great interest to scholars studying visual culture, globalisation, media, popular culture, gender and post-colonial studies." -- Paolo Favero * Journal of South Asian Studies * "[Global Icons] provides stimulating and important theoretical interrogations that help understand the social life and `cultural work' of global icons.... This highly sophisticated book offers important theoretical insights and interesting material and will be of great interest to scholars studying visual culture, globalisation, media, popular culture, gender and post-colonial studies." -- Paolo Favero * South Asia * "This book would be a useful read for students of semiotics, literature and the social sciences.... [An] original contribution." -- Arun de Souza * Economic and Political Weekly * "The book will be of interest to scholars interested in media and cultural studies, and those interested in the ways in which iconic images become means for social groups to assert their aspirations." -- Daniel A. Jasper * Journal of Asian Studies * "The book of Ghosh is an endless source of discoveries and provocative thinking in the field of postcolonial studies and the way in which she continues to disclose throughout the whole book always new dimensions of the three examples studied is admirable, but beyond this discipline it offers also many innovative insights at the crossroads of star studies, audience studies, and critical theory. It offers an extremely valuable contribution to the study of the `life' of icon." -- Jan Baetens * Leonardo * "[C]an global icons become driving forces of world historical transformation? Global Icons may not offer a definitive answer, but Bishnupriya Ghosh's incisive reflections grant extraordinary insight into the popular runes of our time. Global Icons is therefore an invaluable guide to contemporary public culture and deserves a wide audience." -- Jeremy Prestholdt * Indian Economic and Social History Review * "[A] pathbreaking book. . . ." -- C. S. Venkiteswaran * The Hindu * "This is an ambitious account of the plastic potentialization of images in the age of iconoclashes. To the impersonal world of global mass communications, Bishnupriya Ghosh restores the richness of gender, god, nature, and chaos, making our epistemological encounters with mundane objects the ingredients of a sumptuous materialist media theory of the bio-icon."-Rey Chow, author of Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility "Global Icons is a thoughtful intervention into vital issues not usually examined together: the political potential of contemporary mass-mediated `bio-icons' and embodied engagements with media images at the current conjuncture of neoliberalism and globalization. Bishnupriya Ghosh compellingly revitalizes materialist analyses of media, of iconic efficacy, and of neoliberal image regimes and, while she's at it, performs a refreshing deprovincialization of the `global.'"-Kajri Jain, author of Gods in the Bazaar: The Economies of Indian Calendar Art

A widely disseminated photograph of Phoolan Devi, India's famous bandit queen, surrendering to police forces in 1983 became an emotional touchstone for Indians who saw the outlaw as a lower-caste folk hero. That affective response was reignited in 1994 with the release of a feature film based on Phoolan Devi's life. Despite charges of murder, arson, and looting pending against her, the bandit queen was elected to India's parliament in 1996. Bishnupriya Ghosh considers Phoolan Devi, as well as Mother Teresa and Arundhati Roy, the prize winning author turned environmental activist, to be global icons: highly visible public figures capable of galvanizing intense affect and sometimes even catalyzing social change. Ghosh develops a materialist theory of global iconicity, taking into account the emotional and sensory responses that these iconic figures elicit, the globalized mass media through which their images and life stories travel, and the multiple modernities within which they are interpreted. The collective aspirations embodied in figures such as Barack Obama, Eva Peron, and Princess Diana show that Ghosh's theory applies not just in South Asia but around the world.