Essay on the Nature & Conduct of the Passions & Affections with Illustrations on the Moral Sense (Natural Law and Enlightenment Classics) - Softcover

Essay and Illustrations, one of the finest examples of moral-theoretical argumentation in the literature of philosophy, has long been hard to find in any form and has never appeared, in its entirety, in a serious scholarly edition . . .The present volume therefore fills a genuine need, and on the whole it does so impressively.

Eighteenth-Century Scotland
Why read Hutcheson? Most students know of him vaguely, mainly as a precursor of Hume. "There is little or nothing in Hume's moral philosophy that cannot be traced to Hutcheson, but in Hume it is all more clear and pointed," wrote Arthur Prior in 1949 (Logic and the Basis of Ethics, 31). Many important strands of Hutcheson's thought do recur in Hume: his defence of the new theory of a moral sense and his rejection of rationalist theories of ethics, for instance, which, having quickly provoked objections from John Clarke, John Balguy and Gilbert Burnet, led to many of the revisions introduced in later editions of these two works. (The present text-critical editions make it possible for the first time to view these changes synoptically.) But Hutcheson's work explores other topics, many of them interesting in their own right, all of them of historical interest.

His central idea is that we have, in addition to the five external senses, also a sense of beauty and a moral sense. These senses were introduced in Inquiry (the two main parts of which, published in 1725, will be referred to as T1 and T2). Over time, the number of senses grew, among them, in Essay (also in two parts [1728]: T3 and T4), the public sense and the sense of honor. Experiences conveyed by these senses determine us, he argued, to judge things good or bad, and to decide for or against a course of action, without regard to self-interest: this anti-egoism mattered most to him.

Hutcheson explores other matters too, of course, in these important volumes. Morals without faith: He disputes the thesis that every action is a sin if it is undertaken without considering God. It would have the repugnant consequence that "the best of men are infinitely evil" (T4: 6.1, 187). The problem of evil: He also argues that contemplating the natural world will lead us to belief in a benevolent God. "How can anyone. . .even question a perfectly good Providence?" (T3: 6.3-4). Moral matters: the "conduct of the passions and affections" (roughly: the emotions and desires) covers a wide range, some of which, like his condemnation of the character traits Hume later described as the "monkish virtues," seems now mainly of historical interest. Others, for example those concerning honor killings and the sense of honor generally (T3: 5.8), have gained renewed relevance. Beauty: He insists, in Inquiry, on the beauty of the theorems and theories (T1: 3) offered by the deductive sciences (mathematics, physics), a kind of beauty neglected by all subsequent writers on aesthetics. (He also mentioned natural law theory like Pufendorf's, but omitted this in the fourth edition of T1.) Hutcheson also maintained that our delight at the works of nature is at least equal to, or else greater than, that inspired by works of art (T3: 6.2, 115).

Like other Liberty Fund publications, these volumes are elegantly designed, excellently produced, and moderately priced. To handle and read them is a pleasure.

Thomas Mautner
Australian National University
Ideas, Esthetics, and Inquiries in the Early Modern Era
Volume 11
English moral philosopher Hutcheson (1694-1746) noted criticism and commentary on his first publication, in 1725, when he wrote the double piece here, published in 1728. Garrett (philosophy, Boston U.) says his works were widely influential in England, continental Europe, America, and especially in Scotland after the last Jacobite rising in 1745. This edition is collated with Hutcheson's revision of 1742.

Reference & Research Book News
February 2004

In An Essay on the Nature and Conduct of the Passions and Affections, with Illustrations on the Moral Sense, Francis Hutcheson answers the criticism that had been leveled against his first book Inquiry into the Original of Our Ideas of Beauty and Virtue (1725). Together the two works constitute the great innovation in philosophy for which Hutcheson is most well known.

The first half of the Essay presents a rich moral psychology built on a theory of the passions and an account of motivation, deepening and augmenting the doctrine of moral sense developed in the Inquiry. The second half of the work, the Illustrations, is a brilliant attack on rationalist moral theories and is the font of many of the arguments taken up by Hume and used to this day.

As editor Aaron Garrett notes, ?In the Essay Hutcheson provides his crucial argument against Hobbes and Mandeville, that not just egoistic self-preservation, but also benevolence, is an essential feature of human nature.”

Professor Garrett has constructed a critical variorum edition of this great work. Because there are no manuscripts of the work, this could be done only by comparing all extant lifetime editions. Three such editions exist: those of 1728, 1730 (chiefly a reprint of the 1728 edition), and 1742. The Liberty Fund edition collates the first edition with Hutcheson’s revision of 1742.

Francis Hutcheson was a crucial link between the continental European natural law tradition and the emerging Scottish Enlightenment. Hence, he is a pivotal figure in the Natural Law and Enlightenment Classics series. A contemporary of Lord Kames and George Turnbull, an acquaintance of David Hume, and the teacher of Adam Smith, Hutcheson was arguably the leading figure in making Scotland distinctive within the general European Enlightenment.

Aaron Garrett is Associate Professor of Philosophy at Boston University.

Knud Haakonssen is Professor of Intellectual History and Director of the Centre for Intellectual History at the University of Sussex, England.