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Buchbeschreibung Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Artikel-Nr. GRP70127108
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Buchbeschreibung Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects. Artikel-Nr. 4805787-6
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Buchbeschreibung Zustand: As New. Used book that is in almost brand-new condition. Artikel-Nr. 10466530-6
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Buchbeschreibung Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR011262817
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Buchbeschreibung 1. Aufl. Photography has become an increasingly pervasive medium of choice in contemporary art practice and is even employed at times by artists who do not necessarily consider themselves to be photographers. How did this come to be? The Last Picture Show will address the emergence of this phenomenon of artists using photography by tracing the development of conceptual trends in postwar photographic practice from its first glimmerings in the 60s in the work of artists such as Bernd & Hilla Becher, Ed Ruscha and Bruce Nauman, to its rise to art-world prominence in the work of the artists of the late 70s and early 80s including Sherrie Levine, Richard Prince and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the checklist will include a wide array of works examining a range of issues: performativity and photographic practice; portraiture and cultural identity; the formal and social architectonics of the built environment; societal and individual interventions in the landscape; photography`s relationship to sculpture and painting; the visual mediation of meaning in popular culture; and the poetic and conceptual investigation of visual non-sequiturs, disjunctions and humorous absurdities . (Sehr gut erhalten - kleine Lagerspuren ! / in very good condition - minor shelf-wear) Sprache: Englisch Gewicht in Gramm: 2300 ill. OLeinen / Hardcover (cloth). Artikel-Nr. 410668
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Buchbeschreibung Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1550grams, ISBN:0935640762. Artikel-Nr. 9885824
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Buchbeschreibung Hardcover. Zustand: New in publisher's shrink wrap. First edition. Quarto. 304pp. Original gray cloth with b/w photo laid to debossed frame on cover with white lettering on spine. Printed belly-band. "In 1976 critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Transversing the fine line between artists who are photographers and artists who use photography. The Last Picture Show traces the development of Conceptual trends in postwar photographic practice from their first glimmerings in the 1960s in the work of artists such as Bernd and Hilla Becher, Bruce Nauman, and Edward Ruscha to their rise to art world prominence in the work of the Picture Theory artists of the late 1970s and early 1980s, including Silvia Kolbowski, Richard Prince, and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the exhibition includes a wide array of works by Vito Acconi, John Baldessari, Gilbert George, Yves Klein, Barbara Kruger, Gordon Matta-Clark, Charles Ray, Jeff Wall, Andy Warhol, William Wegman, and others." (Publisher). Artikel-Nr. 51263
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Buchbeschreibung Hardcover. Zustand: gebraucht; wie neu. Nummeriertes Exemplar, ungebraucht. Artikel-Nr. 504-4-1-18
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