The Plays and Poems of William Shakspeare, Vol. 21: With the Corrections and Illustrations for Various Commentators; Comprehending a Life of the Poet, ... History of the Stage (Classic Reprint)

Excerpt from The Plays and Poems of William Shakspeare, Vol. 21: With the Corrections and Illustrations for Various Commentators; Comprehending a Life of the Poet, and an Enlarged History of the Stage

But Shakespeare, the plebeian driller, was Founder' d In his Pericles, and must not pass. Verses by J. Tatham, prefixed to Richard Brome' S Jovial Crew, or The Merry Beggars, 4to. 1652.

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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Plays and Poems of William Shakspeare, Vol. 21: With the Corrections and Illustrations for Various Commentators; Comprehending a Life of the Poet, and an Enlarged History of the Stage

The story on which this play is formed, is of great antiquity. It is found in a book, once very popular, entitled Gesta Romanorum, which is supposed by Mr. Tyrwhitt, the learned editor of The Canterbury Tales of Chaucer, 1775, to have been written five hundred years ago. The earliest impression of that work (which I have seen) was printed in 1488; in that edition the history of Appolonius King of Tyre makes the 153d chapter. It is likewise related by Gower in his Confessio Amantis, lib. viii. p. 175-185, edit. 1554. The Rev. Dr. Farmer has in his possession a fragment of a MS. poem on the same subject, which appears, from the handwriting and the metre, to be more ancient than Gower. The reader will find an extract from it at the end of the play. There is also an ancient romance on this subject, called Kyng Appolyn of Thyre, translated from the French by Robert Copland, and printed by Wynkyn de Worde in 1510. In 1576 William Howe had a licence for printing The most excellent, pleasant, and variable Historie of the strange Adventures of Prince Appolonius, Lucine his Wyfe, and Tharsa his Daughter. The author of Pericles having introduced Gower in his piece, it is reasonable to suppose that he chiefly followed the work of that poet. It is observable that the hero of this tale is, in Gower's poem, as in the present play, called Prince of Tyre; in the Gesta Romanorum, and Copland's prose Romance, he is entitled King. Most of the incidents of the play are found in the Confessio Amantis, and a few of Gower's expressions are occasionally borrowed. However, I think it is not unlikely, that there may have been (though I have not met with it) an early prose translation of this popular story, from the Gesta Romanorum, in which the name of Appolonius was changed to Pericles; to which, likewise, the author of this drama may have been indebted. In 1607 was published at London, by Valentine Sims, "The Patterne of painful Adventures, containing the most excellent, pleasant, and variable Historie of the strange Accidents that befell unto Prince Appolonius, the Lady Lucina his Wife, and Tharsia his Daughter, wherein the Uncertaintie of this World and the fickle State of Man's Life are lively described. Translated into English by T. Twine, Gent."

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.