Young Artist's Assistant, or Elements of the Fine Arts: Containing the Principles of Drawing, Painting in General, Crayon Painting, Oil Painting, ... Engraving, &C., &C (Classic Reprint) - Softcover
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Excerpt from Young Artist's Assistant, or Elements of the Fine Arts: Containing the Principles of Drawing, Painting in General, Crayon Painting, Oil Painting, Portrait Painting, Miniature Painting, Designing, Colouring, Engraving, &C., &C
But though genius is absolutely necessary, since nothing excellent can be done without it, yet it will not alone suffice. Like a rich but uncultivated soil, it would be fruitful only in weeds, were not its exu betances corrected by the rules of art, by reflection, and a strict attention to nature, which as the grand object of a painter's meditations, ought never to be, out of his sight; itis the only source of beauty, since nothing can be pleasing that is not natural.
An intimate knowledge of the works of the ancients will be of the greatest advantage; they made nature their peculiar study, and transmitted to us examples which have ever been considered as forming a perfect rule of beauty.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Reseña del editor:
But though genius is absolutely necessary, since nothing excellent can be done without it, yet it will not alone suffice. Like a rich but uncultivated soil, it would be fruitful only in weeds, were not its exu betances corrected by the rules of art, by reflection, and a strict attention to nature, which as the grand object of a painter's meditations, ought never to be, out of his sight; itis the only source of beauty, since nothing can be pleasing that is not natural.
An intimate knowledge of the works of the ancients will be of the greatest advantage; they made nature their peculiar study, and transmitted to us examples which have ever been considered as forming a perfect rule of beauty.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Young Artist's Assistant, or Elements of the Fine Arts: Containing the Principles of Drawing, Painting in General, Crayon Painting, Oil Painting, Portrait Painting, Miniature Painting, Designing, Colouring, Engraving, &C., &C
OF the different methods OF painting oil painting ot pamtmg Flesh. Prinpal colours from which all the tints of the Flesh are made, and then qualities In painting o Prmpal tints composed from the foregoing principal colours, and necessary for pamting flesh v o o o o Fnst stage, or dead-colourmg of Flesh Second painting, or second stage o third painting, or fimshmg o Ofpamtmgdraperies ofpaintingback grounds Of painting Landscapes first painiing or dead colouring o thiidandiastpainting o o crayonpaintingoooooooooooooooooooo Of the Materlals used in Crayon painting o Of rollmg the Crayons and disposnig them for painting 24) miniaturepaintingo.0.00009009000000 Colours used In miniatnre Paintmg 244. Gnndmg the colours and prepanng them for the pallet: 245 Of hair pencils. Manner of choosmg them, &c. O Ivory. Method of choosmg, bleachmg, and preparing It 2-17 Instructlons for mixing compound nuts for the tace o o 950 Of colours proper for men's drapertes. O 252 Of pamtmg the face In mmiature encaustic painting OF painting 0n glass OR back painting o 950 201 OF enamel painting Of the substances used for formmg Fluxes Of substances used for forming the body of enamel, or fluxes 271 Of the substances used foi pioducmg a tte colour In ena.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
OF the different methods OF painting oil painting ot pamtmg Flesh. Prinpal colours from which all the tints of the Flesh are made, and then qualities In painting o Prmpal tints composed from the foregoing principal colours, and necessary for pamting flesh v o o o o Fnst stage, or dead-colourmg of Flesh Second painting, or second stage o third painting, or fimshmg o Ofpamtmgdraperies ofpaintingback grounds Of painting Landscapes first painiing or dead colouring o thiidandiastpainting o o crayonpaintingoooooooooooooooooooo Of the Materlals used in Crayon painting o Of rollmg the Crayons and disposnig them for painting 24) miniaturepaintingo.0.00009009000000 Colours used In miniatnre Paintmg 244. Gnndmg the colours and prepanng them for the pallet: 245 Of hair pencils. Manner of choosmg them, &c. O Ivory. Method of choosmg, bleachmg, and preparing It 2-17 Instructlons for mixing compound nuts for the tace o o 950 Of colours proper for men's drapertes. O 252 Of pamtmg the face In mmiature encaustic painting OF painting 0n glass OR back painting o 950 201 OF enamel painting Of the substances used for formmg Fluxes Of substances used for forming the body of enamel, or fluxes 271 Of the substances used foi pioducmg a tte colour In ena.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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- VerlagForgotten Books
- Erscheinungsdatum2018
- ISBN 10 1334037604
- ISBN 13 9781334037603
- EinbandTapa blanda
- Anzahl der Seiten342
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