Reseña del editor:
Excerpt from The Journal of the British Archaeological Association, 1917, Vol. 23: Established 1843 for the Encouragement and Prosecution of Researches Into the Arts and Monuments of the Early and Middle Ages
Masonic Emblems and Jewels and Treasures at Free masons' Hall, London. By william hammond, e.s.a. 228.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Reseña del editor:
Excerpt from The Journal of the British Archaeological Association, 1917, Vol. 23: Established 1843 for the Encouragement and Prosecution of Researches Into the Arts and Monuments of the Early and Middle Ages
Seaton Church: from the South; from the North; the Chancel; the Sedilia and Piscina; interior looking West; the Chancel Arch; Capitals Of Chancel Arch, North Side (2) Capitals of Chancel Arch, South Side North Nave Arcade; South Nave Arcade; the South Aisle East End of South Aisle the South Doorway; Capitals Of South Doorway, East Side; Capitals of South Doorway, West Side the South Porch Ancient Chest Portions of Cross Coffin Lids from the East 1.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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