Sartain's Union Magazine of Literature and Art, Vol. 6: January-June, 1850 (Classic Reprint) - Softcover

Excerpt from Sartain's Union Magazine of Literature and Art, Vol. 6: January-June, 1850

The Return. By Sui-um, The Dancing Lesson. By Sass, Washington Monument. By Glues, The Passage efthe Bed Sea. By Dammit, The Dead Adonis. By Glues, Fashion Plate. By Gmos, The Death of Las Casas. By Burns, The Mother's Blessing. By Bios m Bums, Portra'it of Jenny Lind. By Omen, Coast of the Red Sea near Rephidim. By Drvnrex, 427 Summer in the Country. By Gmon, Fashion Plate. By Gmes, Tn Summer mm. By Glues, via. The Melancholy Jacques, The Inhut, The Schoolboy, The Lover, mrmn wrm annona puma. As us arr m on: a name.

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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Sartain's Union Magazine of Literature and Art, Vol. 6: January-June, 1850

A! U S I 0. He Lnllsby Serenade. By Jon Rm, The Pearl Oyster. By Jon B. Buns, 168 The Soldier's Wedding. Music by Cm W. Gwyn, 181 Oh! Best Thee, Bebe, Best Thee! From the Opersof Our time, 2m.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.