A History of English Romanticism in the Eighteenth Century (Classic Reprint) - Softcover

Excerpt from A History of English Romanticism in the Eighteenth Century

On the other hand, it is asserted that the work of mediaeval poets and artists is marked by an excess of sentiment, by over-lavish decoration, a strong sense of color and a feeble sense of form, an attention to detail, at the cost of the main impression, and a con sequent tendency to run into the exaggerated, the fantastic, and the grotesque. It is not uncommon.

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Historians of French and German literature are accastomed to set off a period, or a division of their subject, and entitle it Romanticism or the Romantic School Writers of English literary history, while recognizing the importance of England sshare in this great movement in European letters, have not generally accorded it a place by itself in the arrangement of their subject-matter, but have treated it cursively, as a tendency present in the work of individual authors; and have maintained a simple chronological division of eras into the Georgian, the Victorian, etc. The reason of this is perhaps to be found in the fact that, although Romanticism began earlier in England than on the Continent and lent quite as much as it borrowed in the international exchange of literary commodities, the native move ment was more gradual and scattered. It never reached so compact a shape, or came so definitely to !a head, as in Germany and France. There never was I precisely a romantic school or an all-pervading romantic fashion in England.
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