I Sang the Unsingable: My Life in Twentieth-Century Music - Hardcover

I Sang the Unsingable was listed by Alex Ross as a noted book of the year for 2017 on his blog The Rest is Noise. This is a book about a truly remarkable American singer...Beardslee was indispensable to the whole Princeton/New York new music scene and her contacts with figures like Martha Graham, Stravinsky, and Boulez also make for fascinating reading, all written in an engagingly informal style. MUSICAL OPINION QUARTERLY

Bethany Beardslee collaborated with Igor Stravinsky, Milton Babbitt, George Perle, and Peter Maxwell Davies. Her detailed, plain-spoken memoir, co-written with her goddaughter, addresses sources of her inspiration. OPERA NOW

Entertaining and highly personal...From reminiscences of major figures such as Stravinsky, Boulez, Martha Graham and many others unjustly neglected, to pithy observations about new music and the art of singing, this is essential reading. Five Stars. BBC MUSIC MAGAZINE

American soprano Bethany Beardslee rose to prominence in the postwar years when the modernist sensibilities of European artists and thinkers were flooding American shores and challenging classical music audiences. With her light lyric voice, her musical intuition, and her fearless dedication to new music, Beardslee became the go-to girl for twelve-tone music in New York City. She was the first American singer to build a repertoire performing the music of Arnold Schoenberg, Anton Webern, Alban Berg, Milton Babbitt, and Pierre Boulez, making a vibrant career singing difficult music.

I Sang the Unsingable is the autobiography of the acclaimed twentieth-century art-song soprano. In her memoir, Beardslee tells the story of how she made her way from inauspicious depression-era East Lansing to Carnegie Hall, and how her unique combination of musical gifts and training were alchemy for challenging mid-century music. This is Beardslee's own perspective on a formidable catalog of premieres, a forty-six-year career, and a deep and lifelong dedication to performing the work of the composers of our time.

Born in 1925 in Lansing, Michigan, Bethany Beardslee is an American soprano. She is noted for her collaborations with major twentieth-century composers.

Minna Zallman Proctor is a writer, critic, and translator. She is editor-in-chief of The Literary Review and the author of Do You Hear What I Hear? and Landslide: True Stories.

Support for this publication was provided by the Howard Hanson Institute for American Music at the Eastman School of Music at the University of Rochester.