Resplendent Synagogue (TAUBER INSTITUTE FOR THE STUDY OF EUROPEAN JEWRY SERIES) - Hardcover

"Hubka's book exhibits a fine blend of scholarship, accessibility, and panache. In fact, Hubka's is the only book in the field of Jewish architecture that attempts to contextualize a building with such specificity and with such a broad sense of the way it belongs in its immediate and more extensive cultural surroundings. It is unique in using architecture to fill in details of the relatively undiscovered country of pre-Hasidic Eastern Europe. The extrapolations it invites are essential to understanding the period and place, making Hubka's thesis a force to be reckoned with."-Marc M. Epstein, Associate Professor, Religion and Jewish Studies, Vassar College, author of Dreams of Subversion in Medieval Jewish Art and Literature

Thomas C. Hubka, an architectural historian known for his work on American vernacular architecture, immersed himself in medieval and early-modern Jewish history, religion, and culture to prepare for this remarkable study of the eighteenth-century Polish synagogue in the town of Gwozdziec, now in present Ukraine. Hubka selected the Gwozdziec Synagogue-one of the finest examples of a small-town wooden synagogue from the former Polish-Lithuanian Commonwealth-because of the completeness of its photographic and historical records. This truly resplendent synagogue exemplified a high point in Jewish architectural art and religious painting, a tradition that was later abandoned by Eastern-European Jewish communities in the nineteenth and twentieth centuries. Because the Gwozdziec Synagogue, like so many others, was destroyed by the Nazis, this book revives a spiritual community lost to history. Graced with nearly 200 historical photographs, architectural drawings, maps, diagrams, and color illustrations, Resplendent Synagogue vividly recreates the spiritual heart of a once-vibrant Jewish community. Hubka"reads" the synagogue both as a historical document and as a cultural artifact. His interpretation of its art and architecture-and its liturgy-enables him to recreate a pre-modern Jewish community seen in relation to both its internal traditions of worship and its external relations with Gentile neighbors. Hubka demonstrates that while the architectural exterior of the synagogue was largely the product of non-Jewish, regional influences, the interior design and elaborate wall-paintings signified a distinctly Jewish art form. The collaboration of Jewish and Gentile builders, craftsmen, and artists in the creation of this magnificent wooden structure attests to an eighteenth century period of relative prosperity and community well-being for the Jews of Gwozdziec. This unique exploration of a lost religious and cultural artifact breathes new life into a forgotten but fascinating aspect of eighteenth-century Polish Jewry and is certain to incite discussion and debate among modern readers.