Peter Pan (Barnes & Noble Classics Series)

&&LDIV&&R&&LDIV&&R&&LDIV&&R&&LI&&RPeter Pan&&L/I&&R, by &&LSTRONG&&RJ.M. Barrie&&L/B&&R, is part of the &&LI&&RBarnes & Noble Classics&&L/I&&R&&LI&&R &&L/I&&Rseries, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of &&LI&&RBarnes & Noble Classics&&L/I&&R: &&LDIV&&R

• New introductions commissioned from today's top writers and scholars
• Biographies of the authors
• Chronologies of contemporary historical, biographical, and cultural events
• Footnotes and endnotes
• Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
• Comments by other famous authors
• Study questions to challenge the reader's viewpoints and expectations
• Bibliographies for further reading
• Indices & Glossaries, when appropriate

All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. &&LI&&RBarnes & Noble Classics &&L/I&&Rpulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.&&L/DIV&&R&&L/DIV&&R&&L/DIV&&R&&LDIV&&R&&LI&&R&&L/I&&R &&L/DIV&&R&&LDIV&&R&&LI&&RPeter Pan&&L/I&&R first flew across a London stage in 1904, overwhelming audiences with its tale of a magical boy who never grows up, who lures young Wendy and her brothers to Neverland where they meet pirates, Indians, fairies, and the Lost Boys. Following the play’s astonishing success, &&LB&&RJ. M. Barrie&&L/B&&R revised and expanded the story and published it as this novel, originally titled &&LI&&RPeter and Wendy &&L/I&&Rwhen it appeared in 1911. For children, it remains a marvelous mix of fantasy and adventure, featuring unique, imaginative characters, who frisk and frolic in an enchanting land.&&LBR&&R&&LBR&&RFor adults, the story of Peter and the Lost Boys works on a much deeper level, speaking to them about the inevitable loss of childhood and the ability “to fly.” The climactic duel between the “proud and insolent youth” (Peter Pan) and the “dark and sinister man” (Captain Hook) is both a swashbuckling romp and a moving metaphor for the complex, poignant struggle between innocent but irresponsible youth and tainted but dependable maturity. Neither side wins, for the one inevitably becomes the other. Of course, the ageless Peter Pan is the happy exception.&&L/DIV&&R&&LDIV&&R &&L/DIV&&R&&LDIV&&R&&LP style="MARGIN: 0in 0in 0pt"&&R&&LSTRONG&&RAmy Billone&&L/B&&R teaches at the University of Tennessee, Knoxville. She received her Ph.D. in Comparative Literature at Princeton University, where she wrote her dissertation on women’s involvement with the nineteenth-century sonnet.&&L/P&&R&&L/DIV&&R&&L/DIV&&R&&L/B&&R&&L/B&&R

Amy Billone teaches at the University of Tennessee, Knoxville. She received her Ph.D. in Comparative Literature at Princeton University, where she wrote her dissertation on women’s involvement with the nineteenth-century sonnet.