Intimate Enemy: Images and Voices of the Rwandan Genocide - Hardcover

Intimate Enemy is primarily composed of duotone photographs of the Hutu murderers of the Tutsi in Rwanda, now serving prison sentences. Photographer Lyons (Another Africa, with Chinua Achebe) shows seemingly 'normal' individuals, with little or no malice in their faces. This aspect of everyday ordinariness staggers the mind: these people include teachers, businessmen, a plumber, farmers, an accountant, etc., who committed horrific crimes. Most confessed to killing, and few will be allowed to leave prison. There are images of Tutsi survivors as well. The accompanying text by former Nairobi-based journalist Straus (political science, Univ. of Wisconsin, Madison) is somber in tone, giving us a historical lesson few will forget. The interviews with these killers are straightforward and direct, lacking hyperbole and sensationalism. -Library Journal The testimony, preceded by only the briefest of explanations, is often chilling, and the photos are poignant in this stirring look at the Rwandan genocide. -Booklist While raw, unanalyzed interviews given by these Rwandans with Scott Straus, an expert on violence in Africa open the book, it's the striking black and white portraits taken by Robert Lyons which are so absorbing.... Photography this poignant is a good reminder that a picture really can speak a thousand words. This is a hauntingly beautiful book. -Embassy

Testimony and photographs from the Rwandan genocide, providing a rare look at both perpetrators and survivors. In 1994, an interim government in Rwanda orchestrated one of the world's worst mass crimes: a 100-day extermination campaign that took half a million lives. At the time, Rwanda's genocide went largely unnoticed by the outside world. Today there is growing interest in the Rwandan experience as many discover the horror that took place and seek to understand how and why violence of this character and magnitude could have happened in our time. Intimate Enemy is a rare entree into the logic, language, and imagery of Rwanda's violence. The book presents perpetrator testimony along with photographs of Rwandans, both perpetrators and survivors. The images and words are raw and unanalyzed; the reader is left to make sense of the killers and their would-be victims. Intimate Enemy challenges our assumptions about the genocide and about those who perpetrated it. It also prods us to consider how to represent and imagine violence on the scale of Rwanda.