Zu dieser ISBN ist aktuell kein Angebot verfügbar.
Alle Exemplare der Ausgabe mit dieser ISBN anzeigen:Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Versand:
Gratis
Innerhalb der USA
Buchbeschreibung Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects. Artikel-Nr. 17254165-20
Weitere Informationen zu diesem Verkäufer | Verkäufer kontaktieren
Buchbeschreibung Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Artikel-Nr. GOR004124587
Weitere Informationen zu diesem Verkäufer | Verkäufer kontaktieren
Buchbeschreibung Paperback. Zustand: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Aged book. Tanned pages and age spots, however, this will not interfere with reading. Artikel-Nr. CHL9611392
Weitere Informationen zu diesem Verkäufer | Verkäufer kontaktieren
Buchbeschreibung Paperback. Zustand: Very Good. It was never a sure thing that James Ensor, the great Belgian painter of macabre and ghoulish scenes, would become a nationally revered figure. James Ensor was unusual in many ways. Apart from his training in Brussels, he spent his entire long life in Ostend, seemingly the opposite of cosmopolitan. Later on he was expelled by the group Les XX for a particularly controversial canvas: "The Entry of Christ into Brussels", which he had painted in 1889. An expressionist before the term was coined, he used the iconography of masks and skeletons to point up the essential horrors of life, and often underwrote his images with a sardonic gallows humour. It has been said that he appropriated the subject matter of a Bosch or Bruegel and revisioned them using the techniques of Manet or Rubens. But this is to diminish his own unique take on both art and experience. A genuine maverick in the way that so many Belgian artists are (lest we forget Magritte), James Ensor can claim a dark and distinctive place in the art histories of the last hundred years. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR003226871
Weitere Informationen zu diesem Verkäufer | Verkäufer kontaktieren