Valerie and Her Week of Wonders

"The book is a tour de force in that Nezval adopts the genre of the pulp novel for his own arch purposes. Have literary historians noticed that it is a precursor of some of our own aesthetic concerns, in other words a sort of pre-postmodern fantasy?" -- John Taylor, The Antioch Review

"Gothic sleazefest, menstrual fantasy, dime-store pulp fiction Valerie and Her Week of Wonders is a collage of a collage of a collage, a dream of a dream, an important early-century surrealist novel only now translated from its native Czech into English by the able David Short." -- New York Press"

"Somewhere between the existential fables of Franz Kafka and the macabre animations of Jan vankmajer lies Vit zslav Nezval. Valerie and Her Week of Wonders reminded me of a hyperactive Hammer Horror film as directed by Luis Bunuel." -- The Absinthe Literary Review"

Written in 1935 at the height of Czech Surrealism but not published until 1945, Valerie and Her Week of Wonders is a bizarre erotic fantasy of a young girl's maturation into womanhood. Drawing on Matthew Lewis's The Monk, Sade's Justine, K. H. Macha's May, and Murnau's Nosferatu as well as the form and language of the pulp serial novel, Nezval has constructed a lyrical, menacing dream of sexual awakening involving a vampire with a taste for chicken blood, changelings, a lecherous priest, a malicious grandmother desiring her lost youth, and an androgynous merging of brother with sister. Part fairy tale, part Gothic horror, the novel is a meditation on youth and age, sexuality and death - an exploration of the grotesque that juxtaposes high and low genres with shifting registers of language and moods, thus placing it squarely in the tradition of the Czech avant-garde.