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Zustand: New.
Verlag: CHIZINE PUBN, 2018
ISBN 10: 1379078865ISBN 13: 9781379078869
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: Chandos (CODAEX Deutschland),, 1993
Anbieter: Licus Media, Utting a. Ammersee, Deutschland
Verbandsmitglied: BOEV
Audio CD. Zustand: Sehr gut. 1 CD, 14,2 x 12,1 x 1,0 cm, Sehr gut erhalten. Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. Sprache: Deutsch Gewicht in Gramm: 220.
Verlag: Si Trova In Parigi Appresso L Teofilo Barrois, In Milano, 1818
Anbieter: Burwood Books, Wickham Market, Vereinigtes Königreich
Verbandsmitglied: PBFA
Hardcover. Zustand: Good. 95; 111; 114pp. Small 8vo. Three uniformly printed Italian dramas seemingly excerpted from the publisher's series Teatro Italiano o Scelta delle Migliori Opere di Goldoni, Metastasio, Alfieri [et al], the title page of volume II of which has been accidentally bound in. Contemporary calf with spine decorated gilt and red spine label lettered gilt ('Italian Plays'). Slightly rubbed with front exterior joing cracking but binding still sound and no loose pages. Few light pencil annotations. Otherwise very goood.
Zustand: Good. Milano: Casa Ricordi, 1983. Edizione del libretto. Drammaturgia Musicale Veneta 24. 8vo. 466pp. Italian. Good book and slipcase. Spine and slipcase edges faded. Inquire if you need further information.
Verlag: Mailand, 1983
Anbieter: Musikantiquariat Raab, München, Deutschland
Qu-fol., LXXXI, (466) S., Oln., im Schuber. Drammaturgia musicale veneta Bd. 24.
Verlag: Brepols 2024, 2024
Anbieter: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgien
Verbandsmitglied: ILAB
Paperback, 480 pages, Size:178 x 254 mm, Language: English. ISBN 9782503604367. Summary Pietro Metastasio (1698-1782) can be considered as the most renowned operatic dramatist of eighteenth-century Europe. His drammi per musica travelled all around Europe - and beyond - throughout the eighteenth century and the early years of the nineteenth. Courts, palaces, and public theatres were eager to perform his dramas, and so hundreds of composers set them to music, sometimes on more than one occasion. This volume lets the surviving textual and musical traces speak for themselves. As a catalogue of the sources of five of Metastasio's most successful titles - Didone abbandonata, Alessandro nell'Indie, Artaserse, Adriano in Siria, and Demofoonte -, it offers their most complete chronology up to date, as well as a detailed presentation of the printers and the theatres in which these texts became alive. In the case of the majority of these works, thousands of manuscripts and copies attest to more than one hundred complete musical versions and over two hundred and fifty productions. They may thus rightly be considered witnesses to the operatic fever that took Europe by storm in the Enlightenment. TABLE OF CONTENTS Foreword, by lvaro Torrente Acknowledgements List of abbreviations List of institutions Introduction 1. Didone abbandonata (1724-1832) Ana Llorens and Gorka Rubiales Zabarte 2. Alessandro nell'Indie (1730-1831) Ana Llorens and Valentina Anzani 3. Artaserse (1730-1850) Ana Llorens and Gorka Rubiales Zabarte 4. Adriano in Siria (1732-1828) Ana Llorens and Tatiana Ar ez Santiago 5. Demofoonte (1733-1821) Ana Llorens, Gorka Rubiales, and Nicola Usula Bibliography Main bibliographic tools Indices I. Chronological indices Ia. Chronological index: by years and cities Ib. Chronological index: by date and title II. Onomastic index - composers III. Onomastic index - printers IV. Index of theatres 0 g.
Verlag: LIGHTNING SOURCE INC, 2015
ISBN 10: 1340911671ISBN 13: 9781340911676
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: Pendragon Press, New York / G. Ricordi & C. Milano 1986. XXXIV, 295 S. Goldgepr. Original-Leinenband. Gr. 4° ca. 37 x 27 cm, 1987
ISBN 10: 0918728320ISBN 13: 9780918728326
Anbieter: Antiquariat im Lenninger Tal, Lenningen, Deutschland
Buch
Zustand: Gut. Von den auf 18 Bänden angelegten kritischen Gesamtausgabe der Werke Pergolesis sind bisher vier erschienen, darunter 1986 als erstes "Adriano in Siria". Aufwendige Ausgabe. *Der Einband weist eine unauffällige, dünne, ca. 15 cm lange Kratzspur auf. Ecken minimal bestoßen. Innen tadellos. Sprache: Englisch Gewicht in Gramm: 4000.
Verlag: Gale Ecco, Print Editions, 2010
ISBN 10: 117017907XISBN 13: 9781170179079
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: Ricordi, [Milano], 1983
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Oblong folio. Original publisher's full yellow cloth with titling to upper board and spine. 1f. (recto series title, verso blank), 1f. (recto title, verso copyright statement), 1f. (blank), 1f. (recto title for article "Metastasio e le Sintesi della Contraddizione" by Jacques Joly, verso blank), ix-lxiv (article), 1f. (recto title to libretto, verso blank), lxvii-lxxxiii (libretto), [i] (blank), 1f. (recto title to music, verso blank), 1f. (recto reproduction upper wrapper, verso blank), 5 (reproduction manuscript title), 6-466, 1f. (recto illustration, verso blank), 1f. (recto contents, verso colophon) pp. Volume 24 in the Ricordi series Drammaturgia Musicale Veneta. Libretto by Pietro Metastasio. "The total number of Anfossi's operas, both heroic and comic, has not been established, but is certainly over 60 and possibly 70 or more . Anfossi's early style is close to Piccinni's, a reflection of their close professional relationship . His melodies . contain moments of elegance and warmth . Several stylistic changes are noticeable in his later works: textures are lighter, and there is more effective use, both in accompaniments and melody, of pauses and rests; there are fewer embellishments and ornamental notes in the melodic parts; the orchestration is more colourful, partly because of a more imaginative use of wind instruments. Gerber noted the originality of his finales . Anfossi was particularly successful at depicting sentimental characters and situations ." Michael F. Robinson, Mary Hunter and Marita P. McClymonds in Grove Music Online.