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Verlag: Venice, ex Bibliotheca Aldina (Paulus Manutius), 1570
Anbieter: Hellmut Schumann Antiquariat, Zurich, Schweiz
With large Aldus anchor device on title and last leaf verso. Printed in Italics. 104 leaves. Small 8vo. Contemp. limp vellum with spine label (somewhat stained, small piece lacking from lower edge). From the collection of Hendrik D. Vervliet. Venice, ex Bibliotheca Aldina (Paulus Manutius), 1570. Aldine edition of the collected Latin works of Jacopo Sannazaro (1456?-1530), printed in Italics. Born in Naples to a noble family, he was probably the most popular Italian poet of his day using the vernacular, who wrote both in elegant Italian and in Latin. The edition contains "De partu Virginis", the most splendid example of humanistic religious poetry, which describes the nativity of Christ in metaphors of non-Christian classics, in imitation of the Eneid of Vergil. In addition, there are ecolgues, elegies and epigrams. - Waterstain in outer margin throughout, some worming from leaf 80 onwards in upper gutter, sometimes just touching letters. - STC (Italian) 605; Adams S-314; Renouard 211.20; Ahmanson Murphy coll. (1995), p. 33; Ebert 20260. HUMANISM ;
Verlag: ex typographia Dominici Guerrei, & Io. Baptistae [Domenico & Giovanni Battista Guerra], Venetiis [Venezia], 1568
Anbieter: Second Story Books, ABAA, Rockville, MD, USA
Hardcover. Octavo, [8], 98 (=100) leaves. In Very Good condition. Bound in later half vellum with red lion patterned paper to boards, spine with black label and gilt lettering. Light shelfwear and rubbing. Faded ink name to tail of title page. Light pencil markings in first half of volume. Numbering for pages 31/32 duplicate. Woodcut device of a phoenix on title page. Shelved case 3. USTC: 854703. CNCE: 35997. Works of the humanist poet Jacopo Sannazaro who is perhaps best known as the author of Arcadia. Texts in this volume include De Partu Virginis, elegies, epigrams, and other poetical works. 1377488. Shelved Dupont Bookstore.
Anbieter: Antiquariaat Brinkman, since 1954 / ILAB, Amsterdam, Niederlande
Frankfurt, heirs A. Wechel, 1586. 2 vols in 1. Folio. [xvi],792,169,[3]-[xii],280,94,[2] pp. Marbled sheep, gilt spine with 5 raised bands. (label lacking; leather wrinkled, sl. soiled, and a bit chafed; fly-leaves sl. dam.; old annotation on title: "auctoris damnati cum expurgatione tamen permissa". Brunet II, 725: "Édition estimee", The Latin translation is of S. Gelanius; this edition preferred to the reprint by the same publishers of 1691, that has many failures. (Schweiger I, 99; Hoffmann I, 582; Dibdin I, 508.).
Verlag: Amsterdam (Amstelaedami), Apud viduam Gerardi onder den Linden, 1728., 1728
Anbieter: Antiquariaat Fragmenta Selecta, AMSTERDAM, Niederlande
8vo. (II),(XVI),(II errata),632,(20 index & errata) p., frontispiece, 1 engraved plate, 1 text engraving. Green vellum. 20 cm (Ref: STCN ppn 189042265; Brunet 5,127: 'Bonne édition'; Graesse 6/1,265; Ebert 20263) (Details: This book has 2 different title pages. This anomaly tell us about a publisher's death, and the efforts of his widow to continue the firm. The very first title, bound before the frontispiece, is printed in black, has no printer's mark, and shows the impressum: 'Amstelaedami, Apud Gerardum Onder de Linden, 1727'. The second title, bound after the frontispiece, is printed in red and black, has a printer's mark, but is now dated 1728, and published 'apud Viduam Gerardi Onder de Linden'. Gerard Onder de Linden died in 1727, leaving Vlaming's Opera edition of Sannazarius unfinished. In the 'Boekzaal der geleerde waerelt' volume 25, of december 1727, the public was informed that the widow, who hoped to continue the business with the help of God, was planning to publish the Sannazarius' edition soon. ('De Weduwe Gerard Onder de Linden, (die in afwagtinge van Godts hulp met hare winkel enz., in alles zal continueren), zal in 't kort uitgeven 'Actii Sinceri Sannazarii . Opera') We couldnot find in the STCN, and KVK, any copy of Vlaming's edition dated 1727. The title page of 1727 was apparantly removed in most copies. In the mean time the widow had apparantly decided to print a more posh red-and-black title adorned with a printer's mark. She added also a nice frontispiece with her name on it, designed and executed by 2 wellknown Dutch artists. She did so in cooperation with the Amsterdam printer Hermannus Uytwerf, who brought copies on the market with his own imprint. The rest is identical. § Vellum dyed green. Back with 5 raised bands, and a red morocco shield in the second compartment. Edges dyed red. The frontispiece, designed by J. Goeree and executed by J. Houbraken, depicts a bare-breasted Fama holding in her right hand her trumpet and a shield with the portrait of Sannazarius; on the shield his name: Actius Sincerus Sannazarius; under the left arm of Fame rests a scroll with the table of contents. § Printer's mark on the title, depicting Fama flying above symbols of wisdom, and blowing her trumpet. The motto is derived from Martial X,2,12 and reads: 'Non norunt haec monumenta mori', 'These monuments donot know how to die'. § Text engraving on page 491, at the beginning of a biography of Sannazarius by Joannes Antonius Vulpius; depicted are both sides of a bronze medallion, on the recto the portrait of Sannazarius and on the verso a scene with the birth of Christ, referring to Sannazarius' 'De partu Virginis'. At p. 526 has been inserted a full page engraving of the 'Sannazaro Monument', in the church 'Santa Maria de Parto', a church built on the initiative of Sannazarius, on a piece of land donated by king Frederick (Frederigo) of Aragon. The mausoleum, erected in 1537, is a highlight of Napolitan Renaissance art. It was probably made after a design by Sannazarius himself) (Condition: Binding scuffed, and worn at the extremes. Head and tail of the spine chafed. Corners bumped & slightly creased. Both joints splitting, but strong. An old ink insciption on the 1728 title has been wiped out, resulting in some stains. Paper yellowing) (Note: The Italian and Neo-latin poet Jacopo Sannazaro, 1458 -1530, in Latin Jacobus Sannazarius, also known as Actius Sincerus, was of noble birth, and a courtier at the court of the royal House of Aragon, kings of Naples. Here he found a humanist atmosphere favourable for the development of his talents. The humanist Giovanni Gioviano Pontano, 1426-1503, advisor and chancellor of the Aragonese dynasty, became his intellectual mentor. He took his young student in his Academy, the 'Accademia Pontaniana', under the name of 'Actius Sincerus'. There he deeply influenced his pupil's philological approach to antiquity and his knowledge of classical culture. After Pontanus' death Sannazarius became the head of this Academy. Sannazarius' masterwork 'Arcadia', written in Italian, exercised a great influence on European poetry, instituting the theme of the idyllic land Arcadia. After having written the 'Arcadia' in vernacular, Sannazarius devoted the last decades of his literary activity exclusively to Neo-Latin poetry, modelled on Vergil. In the normative 'Tati Renaissance Library' Sannazarius is advertised as 'the finest Neo-Latin poet of the Italian Renaissance'. His 'corpus' of Latin poetry, written in an elegant style, was small but nevertheless very influential and widely read. We counted in KVK ca. 30 editions of his 'Opera Omnia' printed before 1730, the first of which was published by Aldus in 1535. His 'De partu Virginis', an epic of ca. 1450 verses, published in 1526, brought him the title of the 'Christian Vergil'. His style is said to be equal to Vergil, with whom he emulated. In his other works he also emulated with Ovid and Horace. § In this edition of 1728 we find in the first half Sannazaro's poetry; the collection opens with: 'De partu Virginis', a poem which Erasmus is said to have liked, though he found this poem on the birth of Christ too secular. Follows a short 'De morte Christi Domini ad mortales lamentatio', then 6 'Eclogae', which renewed the bucolic genre, the traditional shepherds of Virgil being replaced here by fishermen. Follow 3 books of Sannazarius' 'Elegiae', and 3 books of 'Epigrammata'. The section on Sannazaro ends with a number of 'Carmina de Sannazario et ad Sannazarium'. The second half of the book contains the short 'Epithalamium' of Gabriel Altilius, called 'Sannazarii sodalis', and the even shorter 'Salix' of Daniel Ceretus. The greater part of the second half is filled with the 'Carmina' of the brothers Hieronymus, Jo. Baptista and Cornelius Amaltheus (Jeronimo, born 1507, Giambatista, born 1525, and Cornelio Amaltheo) together 175 pages, edited previously in 1689 by J. Graevius under the title 'Trium fratrum Am.
Verlag: Legare Street Press, 2022
ISBN 10: 1016981058ISBN 13: 9781016981057
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: Firmin-Didot, Paris, 1926
Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USA
Erstausgabe
Hardcover. Zustand: g to vg. First edition. Small folio (12 x 8 1/4"). [4], lxxx, 1050 columns (525pp), [1051]-1053 (3pp) (Vol. 1); [6], 1425 columns (712pp), [1426]-1428, [1]pp (4pp) (Vol. 2); 8, cccvi, [3]pp, 1153 columns, [1154]-1168, [1]pp (Vol. 3). Modern grey cloth, with gold lettering to spines. This first edition of Syriac Patrology is a collection of early Christian texts in Syriac, edited by French orientalist René Graffin, and translated and annotated by Jean Parisot, François Nau, and Michael Kmosko. The "Patrologia Syriaca" was started in 1894 with the aim of publishing a collection that would contain Oriental texts, edited in the original tongues with a translation into Latin or a modern, Western language. In this case, Syriac, a Christian Aramaic dialect is translated into Latin, whereby each page is separated into two columns (the Syriac text facing the Latin). The topic is mainly hagiography (biographies of biblical figures). Ex-library bookplate on inside of each front cover, and pocket on inside of back covers. Stamp at top and bottom edges. Minor shelf wear. Pages slightly age-toned throughout. Text in Latin and Syriac. Bindings in overall good to good+, interior in good to very good condition.
Verlag: Coloniae, Sumptibus Mauritii Georgii Weidmanni / Köln, Moritz Georg Weidmann 1690., 1690
Anbieter: Franz Kühne Antiquariat und Kunsthandel, Affoltern am Albis, Schweiz
2 Bände (cpl.). Wohl erw. 3. und letzte Auflage dieser Version. Folio (36 x 25 x 7.5 bzw. 8 cm). 69 Bll., 916 SS., 20 Bll. u. 2 Bll. (davon 1 Titel), 1544 sp., 22 Bll., 308 SS., 4 Bll. Schriftsatz grösstenteils zweispaltig. Titel in Rot und Schwarz, mit gest. Druckermarke von J. C. Böcklin (11.5 x 13 cm), etliche gest. Zierstücke. HLdr. (d.Zt.) mit mont. Rückenschildern. Bd. 1 neu gebunden (ORücken remont., neuer Deckelbezug in Kiebitzpapier; Bd. 2: marmor. Bezug), Bd. 2 etwas berieben und bestossen. Seiten unterschiedlich gebräunt, stockfleckig u. feuchtigkeitsrandig (stellenweise stärker), etliche Reparaturstellen. Alters-, Lagerungs- u. Gebrauchsspuren. Gesamthaft recht ordentliches Exemplar - - Meist Griechisch-Lateinischer Paralleltext - VD17 23:265320G - Digitalis. in EROMM - Diese Version mit Fédéric Morel erstmals wohl Paris, Claude Morel 1609-1611; zweite Auflage 1630. - Gliederung des Inhalts : Bd. 1 : 1.1 Oratio in Sanctos Martyres, contra Arrianos Graece (unpag.); 1.2 Epistolae decem Graece & Latine (Morel, Übers.; unpag.); 1.3 Testamentum S. Gregorii (Jac. Sirmundo, i.e.Sirmond S.J., Übers.; unpag.; mit Vita Gregors); 1.4 Note in 53 orationes & Epistolas: 'causas [.], ob quas in Pontum fugerit, posteaquam Presbyter creatus fuisset, ac rurlum Nazianzum redierit: in quo, quae Sacerdotis professio sit, docet, & qualem Episcopum esse oporteat (Jac. de Billy, Übers.; 53 Reden u. 232 Briefe; pp. 1-916). Mit Registern / Bd. 2 : 2.1 Eliae Cretensis commentarius in Gregorii Nazianzeni orationem primam, sui scholia Iac. Billi sunt inserta (Spalten sp. 1-1320); 2.2 Scholia Jacobi Billii in B. Gregorii Nazianzeni Vitam, resp. Scholia in Carmen de suis rebus (sp. 1321-1520): 2.3 Jacob Billius: Gregorii Sententiae (sp. 1521-1544; lat. Texte mit griechischen Zitaten). Mit Registern (schliessen mit FINIS). Nachgebunden : a. Vita Gregorii Nazianzeni Graece et Latine; b. Gregorii Nazianzeni de rebus suis Carmina, quibus nos ad piam vitam et Christo dignam, occulte cohortatur (308 SS.; griech.-lat. Paralleltext; spez. Inhaltsverzeichnis nach dem Titel). -- Gregor von Nazianz (d.J.; c. 329-390), Erzbischof von Konstantinopel, Kirchenlehrer, gen. der 'Theologe', war "eine ästhetisch fein und tiefempfindende [.] Dichternatur [.], ein hoch gefeierter Meister der Rede [.]. [.] Seine literarische Hinterlassenschaft besteht in Reden, Gedichten und Briefen. Die noch erhaltenen 45 Reden, [.] die einen Michael Psellos zur grössten Bewunderung hinrissen, sind anerkannte Meisterstücke der Rhetorik. Von den dogmatischen Reden sind die bedeutendsten die sogenannten 5 theologischen Reden [.], die die Verteidigung der orthodoxen Trinitätslehre gegen Eunomianer und Mazedonianer zum Ziele haben. Zwei Reden (Or. 4 u. 5) wenden sich gegen Julian. Gregors Philosophie, die in den Reden und Briefen ihren Niederschlag gefunden hat, bewegt sich in den Bahnen des Platonismus. Daneben sind aber für das ethische Gebiet die Einwirkungen des Kynismus nicht zu übersehen [.]." (Ueberweg 2, 11. Aufl. 1928, p. 82 f.) -- Vom Bearbeiterkollektiv her bedeutende Werkausgabe des 17. Jhs. als Sammlung von mittelalterlichen und frühneuzeitlichen Bearbeitungen. Der Kommentar des Elias Cretensis "ist sowohl für die Textkritik der Reden des hl. Gregor, als zur Beleuchtung der mittelalterlichen Gracität von Bedeutung; sein Verfasser zeigt grosse Vertrautheit mit den griechischen Classikern und Vätern und gewährt manchen Einblick in die Literaturgeschichte der griechischen Kaiserzeit." (Wetzer/Welte 4, 1886: sp. 373 f.) - Fédéric Morel (1552-1630), "fut professeur et interprète du roi de France; et son imprimeur ordinaire pour l'hébreu, le grec , le latin et le français" (F. X. de Feller, 6, 1818, p. 424 f.). -- NETTOGEWICHT / Net weight / Poids: 6.8 kg - VERSANDKATEGORIE / Weight category / Poids brut 10 kg - Sprache: gr, la.