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Verlag: Cambridge University Press, 2013
ISBN 10: 1108065171ISBN 13: 9781108065177
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Verlag: Boydell & Brewer Ltd 1931-01-01, Clarabricken, 1931
ISBN 10: 0863141145ISBN 13: 9780863141140
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
hardback. Zustand: New. Language: ENG.
Verlag: FRANKLIN CLASSICS TRADE PR, 2018
ISBN 10: 0353319988ISBN 13: 9780353319981
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: Cambridge University Press, 2014
ISBN 10: 1108065155ISBN 13: 9781108065153
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This 1831 work, based on popular lectures delivered in Oxford and London, includes a penetrating assessment of contemporary musical taste.
Verlag: Ohne Ort, um 1850., 1850
Anbieter: Antiquariat Thomas Rezek, München, Deutschland
Kunst / Grafik / Poster
circa 12,4 x 21,1 cm. 1 Blatt verso weiß Brustbild-Portrait, darunter faksimilierte Unterschrift. Zu sehen ist der englische Komponist William Crotch (1775-1847), Organist in Oxford und Mitglied der Philharmonic Society of London. - Etwas knapp beschnitten. Gut erhalten.
Verlag: ANDESITE PR, 2015
ISBN 10: 1297531981ISBN 13: 9781297531989
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New.
Verlag: LIGHTNING SOURCE INC, 2021
ISBN 10: 1013960920ISBN 13: 9781013960925
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: Published and sold by Robert Bliss, Bookseller, Oxford. Printed by N. Bliss., 1809
Anbieter: Simon Beattie ABA ILAB, Chesham, Vereinigtes Königreich
Kunst / Grafik / Poster Erstausgabe
Soft cover. Zustand: Fair. 1st Edition. First edition: Crotch s first published set of etchings, made with the help of the London engraver John Girtin and published by Crotch s brother-in-law Robert Bliss, jr, in Oxford; the topicality of the event gave interest to the set, which was widely advertised at 12s., or 26s. on India paper, and was sold in London (Alexander, Biographical Dictionary of British and Irish Engravers, p. 253). Crotch the composer was also remarkable as an artist, exhibiting a number of times at the Royal Academy. He had drawn since childhood, and in Oxford became acquainted with the drawing master John Malchair (c.1730 1812), a fellow musician, and it has been argued that Malchair s teachings found their most influential advocate in Oxford s Professor of Music, William Crotch, who passed on the old man s theories to someone who could put them to best advantage John Constable. Because of their mutual interest in both music and art, Malchair and Crotch became firm friends, and they discussed every possible aspect of Malchair s theories. When Crotch arrived in London, he met Constable (around 1806), and this friendship, too, soon developed [They] both came from the eastern counties, and although Crotch had not been brought up in the country, as Constable had, he was nevertheless strongly attracted to the small cottages and village churches, the cornfields and the oak trees, and the infinitely variable aspects of the sky, which formed the ever-recurring themes of both men s artistic work (Rennert, William Crotch: Composer, Artist, Teacher, p. 94). The fire had broken out in buildings on Christ Church s Tom Quad on the night of 3 4 March 1809; so fierce was the blaze that there were fears for both the Hall and Tom Tower. The whole property was consumed with the exception of some books and manuscripts, which, being kept in a room on the ground floor, were rescued from the flames, (as it was reported,) through the exertions of a person acquainted with their value and situation (p. [3]). Small folio (352 × 265 mm), pp. 6, [2], plus an engraved plan by Girtin and 6 etchings by Crotch, one in two states, all prepared by Girtin, numbered 1 4, 4 , 5 6; slightly creased in places, the title and final blank page finger-marked/soiled and a little ragged, the plates likewise finger-soiled, short tear to the lower corner of two plates, marginal inkstain to five of them, the final plate a little dusty and ragged (old tape repairs to verso), lower left-hand corner torn away, not touching the image; stitched as issued and preserved in a paper wrapper, with remains of the original front cover, with printed paper label, laid down.
Verlag: Longman, Hurst, London, 1812
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
Erstausgabe
hardcover. Zustand: very good(+). First. 4 black & white copper engraved plates, many pages of music. 59 pages, early owner's name on top of title page. Slim 4to, 3/4 brown calf, burgundy leather label, marbled boards (lightly rubbed). London: Longman, Hurst, Rees, Orme & Brown, 1812. First Edition. Very good (+). Scarce.
Verlag: Legare Street Press, 2022
ISBN 10: 1016654294ISBN 13: 9781016654296
Anbieter: moluna, Greven, Deutschland
Buch
Kartoniert / Broschiert. Zustand: New.
Verlag: Legare Street Press, 2022
ISBN 10: 1016648944ISBN 13: 9781016648943
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New.
Verlag: London: Rt. Birchall, [c.1810]. *, 1810
Anbieter: Travis & Emery Music Bookshop ABA, London, Vereinigtes Königreich
Noten
Folio (34 x 26cm). iv, 157 pages. Disbound, volume in several pieces. Half leather and marbled boards detached and worn and back board missing. Previous owner's signature and date to title page.
Verlag: London: Rt. Birchal,l [Wm1813]. *, 1813
Anbieter: Travis & Emery Music Bookshop ABA, London, Vereinigtes Königreich
Noten
Folio (34 x 26cm). 21, 165 pages. Disbound. Half leather and marbled boards detached and worn and back board missing.
Verlag: London: The Royal Harmonic Institution, p/no.2161 [c.1825]. *, 2161
Anbieter: Travis & Emery Music Bookshop ABA, London, Vereinigtes Königreich
Noten
Folio (37 x 27cm). 159 pages. Original boards, worn. Title page beginning to detach and previous owner's label to front endpaper.
Verlag: London: Rt. Birchall, [Wm1813]. *, 1813
Anbieter: Travis & Emery Music Bookshop ABA, London, Vereinigtes Königreich
Noten
Folio (34 x 26cm). 21, 165 pages. Half leather and marbled boards, worn. Marbled endpapers.
Verlag: Cramer, Addison & Beale [PN 2552], London, 1839
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Large folio. Full dark blue cloth with titling gilt to spine. 1f. (recto title, verso blank), 189, [i] (contents) pp. Engraved. With signature of musicologist and organist William A. Little to front pastedown. Binding worn, rubbed, and bumped; head and tail of spine frayed with some loss; endpapers worn and stained. Minor wear; light uniform browning; corners slightly creased; tear to pp. 97/98 repaired with archival tape. Palestine was first performed in London on 21 April 1812. "[Crotch] was an exceptional child prodigy and became one of the most distinguished English musicians of his day . In London [he] became well known as a teacher, composer and scholar. In April 1812 came the performance of his oratorio Palestine, his most conspicuously successful work. It was repeated many times in London and the provinces, though Crotch never printed the score and charged 200 guineas for the loan of the instrumental parts and his own attendance as conductor at each performance. . His contemporary reputation was founded on his oratorio Palestine, the first even moderately successful oratorio composed in England since Handel's day." Nicholas Temperley and Simon Heighes in Grove Music Online.
Verlag: London, Longman Rees Orme Brown Green and Longman 1833. *, 1833
Anbieter: Travis & Emery Music Bookshop ABA, London, Vereinigtes Königreich
Small 4to. Green cloth, backstrip worn and partially detached. 4 plates, 2 of which fold out. With 59 pages of musical examples. Publisher's catalogue of new works tipped into the front.
Verlag: London: Printed for Longman, Hurst, Rees, Orme, & Brown, 1812. First edition. *, 1812
Anbieter: Travis & Emery Music Bookshop ABA, London, Vereinigtes Königreich
Large 4to xii, 136, 59pp. Original plain boards, a little spotted and worn. Edges rubbed and dusty, corners bumped, backstrip torn, but binding sound. Frontis., 59 pages of music examples and IV plates. Occasional pencil markings and light foxing throughout. 4 page 8vo advertisement for "Excursions through England, Wales, Scotland and Ireland" bound in before f.e.p.