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Verlag: Oxford University Press,, 2000
ISBN 10: 0195116585ISBN 13: 9780195116588
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Buch
Zustand: Used - Like New. Oxford University Press, . New York, NY, 2000. Cloth. 8vo. Book is As New. D-j is As New.
Verlag: Oxford, 2001
ISBN 10: 0195116585ISBN 13: 9780195116588
Buch
Hardcover with dust jacket. VG/VG, bumped board corners. 238 pp.
Verlag: Oxford University, 2001
Anbieter: Cambridge Rare Books, Cambridge, GLOUC, Vereinigtes Königreich
Hardback. Zustand: VERY GOOD. 2001. Oxford University. Hard Cover. Book - VG. Dj - VG, spine sunned. 9.5x6.5. 238pp.
Verlag: Baltimore (MD): The Johns Hopkins University Press, 1993
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Buch Signiert
Reprint, stapled. Zustand: Gut. pp. 189-234. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - With dedication by the author to Jeffrey Henderson. - A very good and clean copy. - From the text: The Tereus of Aristophanes Birds is a remarkable character whose dramatic function as a self-professed refugee from the tragic stage and mediator continues to engage students of the play. Much work on Birds implicitly addresses the questions "Why has Aristophanes chosen Tereus as his intermediary between men and birds?" and "What connection might exist between the legends of Tereus, their literary treatments, and the design of Birds?"- Though a Thracian, Tereus in the comedy speaks a colloquial Attic as well as an exalted, mock-tragic Greek. He is at times pathetic, at times genial, and always funny. Sprache: Englisch Gewicht in Gramm: 550.
Verlag: Chapel Hill, N.C.: University of North Carolina Press, 1997, 1997
Anbieter: Steven Wolfe Books, Newton Centre, MA, USA
Dobrov, Gregory W., 1957-. The city as comedy: society and representation in Athenian drama. Chapel Hill, N.C.: University of North Carolina Press, 1997, xix, 355pp., PAPERBACK, very good. 9780807846452 ISBN 0807846457.
Verlag: Oxford, 2001
ISBN 10: 0195116585ISBN 13: 9780195116588
Anbieter: Cambridge Rare Books, Cambridge, GLOUC, Vereinigtes Königreich
Buch Erstausgabe
Hardback. 1st Edition. 2001. Oxford. First. Book- VG. DJ- VG. 9.5x6.5. 238pp.
Verlag: New York: Oxford, 2001
ISBN 10: 0195116585ISBN 13: 9780195116588
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Buch
Zustand: Gut. 238 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - In perfect condition. - Content: This book is situated at the crossroads of several disciplines classical philology, dramatic theory, literary criticism and many separate lines of inquiry. It is therefore written with an eye to a wider audience outside classics. I argue that the emergence of drama in classical Athens marks the invention of sophisticated, self-aware genres in which the "play" was, fundamentally, play with already established fictions (of myth, epic, lyric, drama, etc.). This playful more precisely, metafictional temperament manifests itself in a variety of phenomenologically distinct "figures of play," whereby drama reveals and exploits an awareness of its own theatricality. Like a figure of speech, each of my "figures of play" is a unique strategy of dramatic syntax that is used to extend and complicate the signifying process; and, like figures of speech, these theatrical strategies mask a high degree of reflexivity and artifice with the pretense of innocence. Such is the theory. In practice, I take a close look at a series of plays where this more abstract "syntax" is applied to specific and familiar terms. Hence the other meaning of "figures of play," stage-figures, that is, characters in the plays chosen here as test cases for my argument: Aias, Pentheus, Bellerophontes, Tereus, and Herakles. Each of these figures acts as a focal point for the transformational poetics of the script in which he has the leading role. The mythological lineup appears to be uniform, but it conceals a generic divide, as Aias and Pentheus operate in the world of tragedy, while the latter three are comic protagonists who have been "recycled" from tragedy. This study deviates from scholarly tradition by engaging tragedy and comedy simultaneously from a single theoretical perspective. Anxiety about the strict separation of genres is as old as Plato, but it is encouraging to see a new wave of comparative work unintimidated by ancient strictures. In fact, it is fair to say that scholars currently studying the intertextual and metatheatrical aspects of Greek drama have recently established a thriving subfield with strong theoretical links to many fields outside classics. It is my hope to further encourage communication across the generic divide and between the equally formidable divides of discipline and theoretical orientation. Readers will not find here evidence of strict adherence to a single theoretical school or critical trend, though the influence of Russian formalism may be detected here and there. The uncharacteristically modern look of ancient theater in this study has less to do with theory per se than with a tradition of defining the poetics of contemporary genres against the past, with Greek drama the naive child of the European canon. I prefer to let the evidence our texts and testimonia speak for itself. However, just as native speakers of a given language will he perfectly competent without necessarily understanding the complex phonology, morphology, and syntax which they control, so the artists of the ancient Greek stage did much for which they may not have had an explicit vocabulary or conceptual framework. We, as students of antiquity, owe our contemporaries an account of our analytical framework for, if one thing should be obvious at this late point, no intellectual enterprise can honestly claim to be "theory-free." Finally, this study is an expression of love for literature that has been with me since childhood. I have felt, at times, a sort of hubristic joy in daring to formulate my own approach to material freighted with tradition and a long critical reception. For the hubris I take full credit; for the daring and good sense to try, I thank the one who taught me to read in the first place my father. ISBN 9780195116588 Sprache: Englisch Gewicht in Gramm: 491 Original hardcover with foiled dust jacket.
Erscheinungsdatum: 1995
Anbieter: Librairie Le Trait d'Union sarl., TROYES, Frankreich
Verbandsmitglied: ILAB
Zustand: Très bel ex. Atlanta, Scholars Press, 1995. In-8,br., 209 pp. /12A.
Verlag: OUP USA, 1995
ISBN 10: 0788501402ISBN 13: 9780788501401
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New. KlappentextrnrnThis collection of essays is devoted to the most important changes - in theme, language, structure, style, and production - that characterize the transformation of Athenian Comedy from the mid-fifth through the fourth century.
Verlag: OUP USA 1995-05-01, New York, 1995
ISBN 10: 0788501402ISBN 13: 9780788501401
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
paperback. Zustand: New. Language: ENG.
Verlag: University Of North Carolina Press, Chapel Hill, 1998
ISBN 10: 0807823376ISBN 13: 9780807823378
Anbieter: Any Amount of Books, London, Vereinigtes Königreich
Buch Erstausgabe
Large 8vo. pp xx, 355. Original publisher's red cloth over Illustrated orange boards, lettered black on spine. ISBN: 0807823376 Very good.
Verlag: Atlanta: Scholars, 1995
ISBN 10: 0788501402ISBN 13: 9780788501401
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Buch
Original brochure. Zustand: Gut. 209 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Chipped binding, otherwise flawless. - Content: Myth, Parody, and Comic Plots: The Birth of Gods and Middle Comedy - Heinz-Gunther Nesselrath; The Fabrication of Comic Illusion - Niall W. Slater; The Poet s Voice in the Evolution of Dramatic Dialogism - Gregory W. Dobrov; The Continuity of the Chorus in Fourth-Century Attic Comedy - Kenneth S. Rothwell, Jr.; Plato Comicus and the Evolution of Greek Comedy - Ralph M. Rosen; The Maculate Music: Gender, Genre and the Chiron of Pherecrates - Gregory W. Dobrov and Eduardo Urios-Aparisi; Beyond Aristophanes - Jeffrey Henderson. ISBN 9780788501401 Sprache: Englisch Gewicht in Gramm: 315.