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Verlag: Metropolitan Museum of Art, 2021
ISBN 10: 1588397327ISBN 13: 9781588397324
Anbieter: Monster Bookshop, Fleckney, Vereinigtes Königreich
Buch
Hardcover. Zustand: New. BRAND NEW ** SUPER FAST SHIPPING FROM UK WAREHOUSE ** 30 DAY MONEY BACK GUARANTEE.
Verlag: METROPOLITAN MUSEUM OF ART, 2021
ISBN 10: 1588397327ISBN 13: 9781588397324
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New. This illustrated history highlights the diversity and innovation of American ceramics in the late nineteenth and early twentieth centuries, as artists responded to historical precedents and emerging modernist styles around the worldKlappentextr.
Verlag: Vendome Press, 2005
ISBN 10: 0865651639ISBN 13: 9780865651630
Anbieter: primatexxt Buchversand, München, Deutschland
Buch
Gebundene Ausgabe. Zustand: Sehr gut. 224 Seiten Text Englisch - Einband und Schnitt leicht berieben/verstaubt - SU minimal beschädigt - Buch sonst in Topzustand, wie neu und ungelesen - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 2050.
Verlag: VENDOME PR, 2012
ISBN 10: 0865652961ISBN 13: 9780865652965
Anbieter: AHA-BUCH, Einbeck, Deutschland
Buch
hardcover. Zustand: Gebraucht. Gebraucht - Sehr gut SG - leichte Beschädigungen oder Verschmutzungen, ungelesenes Mängelexemplar, gestempelt - Experts in the field of Louis Comfort Tiffanys work, Nancy A. McClelland and Lars Rachen have made a selection of exceptional lamps many of which have rarely been seen or published and nearly every one has been newly photographed to reveal in extraordinary detail the revolutionary artistic quality of Tiffanys glass and the high craftsmanship of these masterpieces of decorative art. Noted authorities on Tiffany, Martin Eidelberg and Alice Cooney Frelinghuysen, have contributed essays on the history of these objects enlarging our understanding of Tiffanys achievement. They have drawn upon a host of previously unpublished photographs, paintings, and watercolors by Tiffany and other artists in his employ, as well as on working drawings and studio photographs, and images evoking the lost gardens and interiors of Tiffanys country estate, Laurelton Hall, that so inspired him. They outline the development and manufacture of the Tiffany lamp from freehand sketch to finished form, as well as the chief decorative themes in Tiffanys glass masterpieces and their relation to the work of other fin-de-siècle glassmakers.