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Verlag: London: Royal Academy of Arts in, 1981
Anbieter: Books From California, Simi Valley, CA, USA
paperback. Zustand: Good.
Verlag: SAGWAN PR, 2018
ISBN 10: 1296782875ISBN 13: 9781296782870
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: CHIZINE PUBN, 2018
ISBN 10: 1376470438ISBN 13: 9781376470437
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: SWING, 2015
ISBN 10: 1297880978ISBN 13: 9781297880971
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.
Verlag: SWING, 2015
ISBN 10: 1298963753ISBN 13: 9781298963758
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New.
Verlag: LIGHTNING SOURCE INC, 2015
ISBN 10: 1341294471ISBN 13: 9781341294471
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: Spicer Brothers; W. Clowes & Sons, Printers. 1851, 1851
Anbieter: Jarndyce, The 19th Century Booksellers, London, Vereinigtes Königreich
40pp cata.; a few leaves roughly opened. Contemp. brown binder's cloth, spine simply lettered in gilt; front board sl. marked. A nice copy. From the collection of Robert Marshall, chemist, of Boston, Lincolnshire.
Verlag: George Virtue, London. 1851, 1851
Anbieter: Paul Foster. - ABA & PBFA Member., London, Vereinigtes Königreich
Buch Erstausgabe
Hardcover. Zustand: Very Good. 1st Edition. FIRST EDITION. Folio. (13.2 x 10 inches). Packed with 100's of detailed mono line drawings, the work provides not only a catalogue of the Great Exhibition but its history. A very good copy in attractive early leather binding of full red morocco. Spine with raised bands, the compartments ruled, lettered and fully decorated in gilt. Elaborate decorative gilt panel within single gilt ruled and two blind ruled borders on both boards. Bevelled edges. Gilt inner dentelles. Coated yellow endpapers. All edges gilt. Bound by Lewis and Williams binders of Cardiff and with their small label to the inner rear board. Noted Irish author Joyce Cary's copy with his ex libris, and his son Michael's just below, on the front pastedown endpaper. Some minor rubbing to the edges but overall a very good copy. --- More photos available on request.
Verlag: London: Printed for the Royal Commission, William Clowes & Sons, 1852, 1852
Anbieter: Peter Harrington. ABA/ ILAB., London, Vereinigtes Königreich
Erstausgabe
Presentation edition, with a copy presented to every exhibitor at the Great Exhibition of 1851; trade editions were also produced. The book is a key contemporary document for the Exhibition, giving the jury awards and details of the 30 categories of exhibit, and was selected in Printing and the Mind of Man as the representative book for the Exhibition. Printing and the Mind of Man 331. Quarto. Original red cloth, spine and front cover lettered in gilt, spine and covers decorated with a wreath design in gilt and blind, yellow endpapers, gilt edges. Preserved in a custom slipcase. With 3 chromolithograph plates. Bookplate to front pastedown. Expertly recased, spine ends and corners a little rubbed; a very good copy.
Verlag: Tokyo, Kodansha., 1981
Anbieter: Manfred Nosbuesch, Kuchenheim, Deutschland
Large 8°. 365pp. With numerous illustrations. Orig. cloth with dj. Very good copy.
Verlag: Tokyo, Kodansha., 1981
Anbieter: Manfred Nosbuesch, Kuchenheim, Deutschland
Large 8°. 365pp. With numerous illustrations. Orig. cloth with dj. Very good copy.
Verlag: London, 1858
Anbieter: Antipodean Books, Maps & Prints, ABAA, Garrison, NY, USA
Erstausgabe
Ephemera. Zustand: Very good overall. First printing. Handbill advertising the opening of the London Crystal Palace on December 1, 1858, soliciting "Applications for the remaining Space are requested to be made forthwith." The handbill touts the fair is "the largest number of First-class Exhibitors of any Building in Europe. THE PHOTOGRAPHIC ESTABLISHMENT IS THE FINEST IN LONDON." For the Sale of all kinds of Useful and Fancy Articles." 5 1/2 x 8 5/8", black type on cream paper, verso has ad for Slate Billiard Tables by Messrs. Thurston & Co. Right edge slt. chipped.
Verlag: Spicer Brothers & W. Clowes & Sons, London, 1851
Anbieter: Rooke Books PBFA, Bath, Vereinigtes Königreich
Verbandsmitglied: PBFA
Cloth. Zustand: Good. Not Stated (illustrator). The richly illustrated three volume catalogue of the exhibits of the 1851 Crystal Palace Exhibition, the first in a series of World's Fairs. With a further supplementary volume also. A fascinating record of the exhibits, exhibitors, and prize winners, of the Great Exhibition of 1851. This catalogue is valuable as a source of information on the state of industry and the arts in the mid-nineteenth century.Volume I contains an Index and Introduction, and Section I: Raw Materials, Classes 1 to 4; Section II: Machinery, Classes 5 to 10.With an illustrated title page, colour folding map, four folding plates - one tinted - and a further twenty-one plates. Collated, complete.Volume II contains Section III: Manufactures, Classes 11 to 29; Section IV: Fine Arts, Class 30, and 'Colonies'.Illustrated with ninety-three plates, including one folding and four in colour. Collated, complete.Volume III consists of 'Foreign States'.Collated, illustrated with one-hundred and forty-five plates. Lacking one double page plate.The fourth volume present here is titled 'Part V', and is a supplementary volume contains additions to volume I, II and III, and has facsimile title pages for those two volumes. The commissioners of the work wanted to issue the Official Catalogue before the Exhibition closed, thus omitting many illustrations and important late-entry descriptions, some of which are included here.Part V is illustrated with an illustrated title page and forty plates. With the stamp of the Wales Parliament Library throughout the first three volumes, including to title pages, and reverse of each plate.With seventy-one pages of advertisements to the rear of volume I. In the publisher's original cloth binding. Final volume rebacked, with boards restored, endpapers renewed, and with original cloth back strip loosely inserted. Head of volume I rear joint starting, with cloth back strip detaching, but boards holding firm. Volume II joints starting, with cloth detached to head of back strip. Hinges of first three volumes all starting, with volume II front hinge repaired with tape, and all boards holding firm. Instances of discolouration to back strips and boards. Internally, bindings of first three volumes lightly strained. Instances of spotting and some foxing to each volume. Library stamps throughout the first three volumes. One page of vol I advertisements detached. Good. book.
Verlag: London, Royal Academy of Arts., 1981
Anbieter: Manfred Nosbuesch, Kuchenheim, Deutschland
4to. 365pp. With numerous illustrations in colour and black and white. Orig. pict. boards. Exhibition catalogue. - Very good.
Verlag: Paris, Galeries Nationales du Grand Palais, 1976., 1976
Anbieter: Emile Kerssemakers ILAB, Heerlen, Niederlande
4to. Printed boards. lxxii,326 pp. Richly illustrated, some in colour. - (spine and covers sl. worn, although still good copy).
Verlag: London : Royal Academy of Arts London, 1981., 1981
Anbieter: Antiquariat Hans Hammerstein OHG, München, Deutschland
Orig.-Broschur, 365 S. mit etwa 400 Abb.
Verlag: LIGHTNING SOURCE INC, 2016
ISBN 10: 1354501497ISBN 13: 9781354501498
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New.
Verlag: Legare Street Press, 2022
ISBN 10: 1018461418ISBN 13: 9781018461410
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New.
Verlag: John Tallis & Co. 1851, 1851
Anbieter: Jarndyce, The 19th Century Booksellers, London, Vereinigtes Königreich
Fronts. (folding chromolitho. front. vol. I), plates; some light spotting. Contemp. half black calf, gilt spine; some rubbing to extremities. A decent copy. Although issued with a list of illustration, Tallis appears to have used whatever pictures were available to him at the time, with some conforming to the contents, and numerous others not. From the collection of Robert Marshall, chemist, of Boston, Lincolnshire.
Verlag: Eyre & Spottiswoode, London, 1876
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Erstausgabe
Hardcover. Zustand: Black buckram, Very good. First edition. 424 pages. 23 x 19 cm. Exhibitors' commercial guide. Ex-library, dampstains at head, not affecting text, lacks title page, clean copy.
Verlag: New Burlington Galleries / Women's Printing Society, Ltd, [London], 1936
Anbieter: Lorne Bair Rare Books, ABAA, Winchester, VA, USA
Erstausgabe Signiert
First Edition. Slim octavo (24cm); pictorial wrappers, saddle-stitched; 31,[1]pp. French gallerist and art dealer Pierre Loeb's copy, with "Exemplaire de Pierre Loeb" in red ink on title page by E.L.T. Mesens, along with his signature, and those of the following individuals associated with the exhibition directly beneath: Shiela Legge, André Breton, Jacqueline B. (Jacqueline Lamba, Breton's wife), Roland Penrose, David Gascoyne, Humphrey Jennings, Hans Arp, and George Reavey. Light external wear and dust-soil, wrappers starting to pull away from staples, with some scattered discoloration to rear wrapper; a few very light pencil marks in-text, else contents quite fresh; Very Good+. Housed in a custom clamshell case. Well-preserved catalog of the first Surrealist art exhibition in England, organized by artist Roland Penrose and poet David Gascoyne, and held at the New Burlington Galleries from June 11th - July 4th, 1936. A ground-breaking event, described alternately as chaotic, indecent, and inspiring, the organizers assembled nearly 400 paintings and sculptures by 71 Surrealist artists, including Hans Arp, Jacqueline B., Hans Bellmer, Constantin Brancusi, Alexander Calder, Salvador Dali, Marcel Duchamp, Alberto Giacometti, René Magritte, Joan Miró, Paul Nash, Pablo Picasso, Man Ray, Yves Tanguy, and others. The three-week event was a true spectacle, involving Dalí delivering a lecture (and nearly passing out) while wearing a full deep-sea diving suit, Sheila Legge's performance as "The Phantom of Sex Appeal" in Trafalgar Square, and poet Dylan Thomas circulating among the guests at the opening, offering them cups of boiled string. In addition to listing all 392 works in the exhibit, the catalog features a cover illustration by Max Ernst, an English-language preface by André Breton (translated by Gascoyne), and an introduction by Herbert Read. A significant copy, signed by several artists and presented to French gallerist Pierre Loeb, one of the great champions of Surrealism. On its own, a somewhat elusive catalog, rarely seen with such a collection of signatures, the auction record showing the last such copies for sale in 1976 (George Hugnet's copy, signed by nine) and 1973 (Suzanne Malherbe and Claude Cahun's copy, signed by 11). [53024].
Verlag: Day & Son [1864], London, 1864
Anbieter: Lorne Bair Rare Books, ABAA, Winchester, VA, USA
Erstausgabe
First Edition. Large octavo (26cm). Publisher's embossed, cloth-covered boards, decoratively titled in gilt on spine and front cover; xxiv,447pp; 431 wood-engraved text-figures; 39 inserted leaves of engraved plates, most folding. Neatly rebacked; some spotting and soiling to boards, spine cloth slightly dulled. Endpapers soiled, with faint marginal tidemark to preliminary leaves, but in all a tight, complete, Very Good copy. Ownership signature on front endpaper of a William John [Lafferty?], Belfast, dated 1866. A significant work, infrequent in commerce. Especially valuable for its coverage of early railway technology, an area in which the author was himself expert, as he had served as a Consulting Engineer for the Great North of Scotland Railway as early as 1853. The book's four divisions - Railways; Textile Machinery; Metal and Wood Manufacturing Machinery; and "Machinery in General" are each profusely illustrated with both text figures and folding plates. The final plate, at end of text, is a "General Plan of the Western Annex," where mechanical exhibits were housed.
Anbieter: K Books Ltd ABA ILAB, York, YORKS, Vereinigtes Königreich
Buch
No Binding. Zustand: Slight Crease. A fine engraving - printed circa 1860. Mounted and ready to frame. Hand colouring not contempory but delicately and expertly executed. A fine opportunity to purchase an attractive and decorative engraving - The Great Exhibition - Showing the Crystal Palace with Crowd.
Anbieter: K Books Ltd ABA ILAB, York, YORKS, Vereinigtes Königreich
Buch
No Binding. Zustand: Very Good. A fine engraving - printed circa 1860. Mounted and ready to frame. Hand colouring not contempory but delicately and expertly executed. A fine opportunity to purchase an attractive and decorative engraving - The Great Exhibition - Interior View of The Main Avenue.
Anbieter: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgien
Verbandsmitglied: ILAB
London, Spicer Brothers, 1851, 3 vols large in-8°, 25,5 x 17,5 cm, cxcii + 478 pp + 77 plates h.t. + 76 pp (advertiser) ; 480-1002 pp + 48 plates h.t. ; 1006-1469 pp + num. plates h.t. , all vols with num. wood cut ills in text, uniform publisher's blue decorated and gilt cloth, all edges gilt. Although ex-library (with small stamp) a very nice set.official catalogue of the first world exhibition held in Crystal Palace London. (Another two volumes to the catalogue were published, not present here).
Anbieter: JLG_livres anciens et modernes, Saint Maur des Fossés, Frankreich
Verbandsmitglied: ILAB
Zustand: D'occasion - Très bon état.
Verlag: 15 Holland Street Kensington W London. 1 August, 1862
Anbieter: Richard M. Ford Ltd, London, Vereinigtes Königreich
4pp., 12mo. Bifolium with mourning border. In fair condition, on lightly aged and worn paper. He begins: 'My dear Mrs. Roper - | I have been rather long in fulfilling my promise to write - but I must lay all the blame on this most attractive International from which I can hardly tear myself away! My journey was a very pleasant one on Tuesday with agreeable fellow-passengers, there was another Bouquet besides mine in the carriage - but tell dear Annie it would bear no comparison with mine! [.] Ah I do so long for you all to see this Exhibition - it is so delightful - tho' you must not expect to see the Building anything like the last - but it is very beautiful nevertheless - and so nicely ventilated that notwithstanding the brilliant sunshine and the crowds of people we have not found it too hot'. He explains that his party had 'intended to devote this day (1/2 crown day) to the picture galleries as it is useless to attempt them on shilling days when they are so thronged but my friend who accompanies me is engaged so that we must put it off till tomorrow which is also a 1/2 crown day'. He explains that 'the first four in the week are shilling days', and that the following Wednesday 'there will be an addition of 3000 people from the Dockyards at Woolwich when the Queen is going to treat to a sight of it.' They have found the refreshments 'very nice and very moderate', but 'took care to have ours early (12.30!) before the great rush of hungry people!' She will be 'enchanted with the sculpture - the tinted Venus is very beautiful - but I think I must give the preference to the pure white marble - the "Cleopatra" by Storey is very grand. He concludes by stating that he has 'not seen anything of Miss Toller yet', asking her to make sure that a plant 'gets watered' and sending 'a good kiss to dear Edwin'.