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Verlag: Penguin Classics (edition Reprint, Translation), 2005
ISBN 10: 0140455086ISBN 13: 9780140455083
Anbieter: BooksRun, Philadelphia, PA, USA
Buch
Paperback. Zustand: Good. Reprint, Translation. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
Verlag: Penguin Publishing Group, 2005
ISBN 10: 0140455086ISBN 13: 9780140455083
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Verlag: Viking Pr, 1974
ISBN 10: 0140442790ISBN 13: 9780140442793
Buch
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Verlag: Penguin Classics, 2005
ISBN 10: 0140455086ISBN 13: 9780140455083
Anbieter: Monster Bookshop, Fleckney, Vereinigtes Königreich
Buch
Paperback. Zustand: New. BRAND NEW ** SUPER FAST SHIPPING FROM UK WAREHOUSE ** 30 DAY MONEY BACK GUARANTEE.
Verlag: Penguin Books Ltd 2005-09-29, London, 2005
ISBN 10: 0140455086ISBN 13: 9780140455083
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
paperback. Zustand: New. Language: ENG.
Verlag: Penguin Publishing Group, 2005
ISBN 10: 0140455086ISBN 13: 9780140455083
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New. Quintus Horatius Flaccus was born in 6 B.C. at Venusia in Apulia. His father, though once a slave, had made enough money as an auctioneer to send his son to a well-known school in Rome and subsequently to university in Athens. There Horace joined Bru.
Verlag: Penguin Classics 29.09.2005., 2005
ISBN 10: 0140455086ISBN 13: 9780140455083
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Buch
Taschenbuch. Zustand: Wie neu. Auflage: Reprint, Translation. 256 Seiten Very good copy. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). ISBN 9780140455083 Sprache: Englisch Gewicht in Gramm: 257.
A verse translation with an introduction abd notes by Niall Rudd. Penguin Claasics 1987. 302 pages. Paperback. Fine. [#219222].
Verlag: Paris Simon de Colines 1542, 1543
16mo (112 x 70 mm). A-Y8: 176 leaves. Bound with:Juvenalis. Satyrae decem et sex. ? Parisiis, Apud Simonem Colinaeum, 1542.16mo. a-i8 (i8 blank): 71 leaves, (1) blank leaf. Bound with:Persius, Aulus Flaccus. Satyrae sex. ? Parisiis, Apud Simonem Colinaeum, 1542.16mo. a-b8 (b7, 8 blank): 14 leaves, without 2 blanks at the end.Title-pages of Horace and Juvenal with deleted ownership entries. 17th century calf, worn. Titles within Coline's Figura architectonica border.USTC: Horace 149006 (5 copies); Juvenal 140739 (7 copies); Persius 200225 (2 copies).
Verlag: CHIZINE PUBN, 2018
ISBN 10: 1376398877ISBN 13: 9781376398878
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the origina.
Verlag: SWING, 2015
ISBN 10: 1298875447ISBN 13: 9781298875440
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New.
Verlag: Melchisedec Bradwood for John Norton, London, 1607
Anbieter: Hordern House Rare Books, Surry Hills, NSW, Australien
Small octavo, dark brown calf, very cracked and worn but solid in its binding; front endpaper replaced at some time; original printed paper label chipped. Markedly scarce publication of Henri Estienne's edition of Horace's poetical works, with the addition of the Satires of Juvenal and Persius, printed by Melchisedec Bradwood for John Norton. The same printer and publisher had combined to produce an edition of the same combination of texts in 1602, which seems to have purported to be a Paris publication of 1549 (see STC 13787a.5 & 13788), the false imprint somewhat absurd since Henri Estienne's edition did not appear in print until 1575 when his brother Robert published it. The original owner of the book, Samuel (or Samuell) Watts was evidently a student given the amount of scribbling on the rear endpapers and the ink parsing notes and scansions in the first 70 pages of the Odes. Only two copies are recorded in STC, at University Library Cambridge and the Free Library of Philadelphia; OCLC adds a copy at the Bavarian State Library. . Provenance: Samuell Watts (with his inscription "his booke" on title-page and extensive notes and scribbling on rear endpapers including multiple signatures).
Verlag: John Baskerville 1757, 1761, 1770, 1772, 1773, Birmingham, 1757
Anbieter: Phillip J. Pirages Rare Books (ABAA), McMinnville, OR, USA
First Baskerville Quarto Editions. 303 x 228 mm. (11 7/8 x 9"). Seven volumes. EXCELLENT CONTEMPORARY RED STRAIGHT-GRAIN MOROCCO BY BRADEL L'AÎNÉ (his ticket on verso of front free endpaper of Juvenal), covers with gilt fillet frame, raised bands flanked by gilt rules, turn-ins with gilt chain roll, marbled endpapers, all edges gilt. Horace with engraved vignette on title page, frontispiece and four charming plates by Gravelot. Front pastedown of Virgil with morocco bookplate of Jules Janin. Gaskell 1, 15, 39, 43, 44, 46, 51. â Spines uniformly darkened to a pleasing burgundy, a couple of corners a little bumped, trivial blemishes to half a dozen boards, first and last pages of each volume with minor offsetting from turn-in glue, isolated mild browning or foxing, other trivial imperfections, but AN EXTREMELY FINE SET, the text (often found very browned in these volumes) clean, smooth, and mostly bright, the bindings handsome on the shelf and with only minimal wear. This is an uncommon--and uncommonly lovely--complete set of the stately quarto editions of the Latin classics issued by John Baskerville, in handsome bindings by the successor to Derome le jeune. The series begins with the first book to be issued by the press: the renowned Virgil, praised by Renouard, Gaskell, Dibdin, and other critics for its beauty. DNB says the "calligraphic type, the density of the ink, the excellence of the presswork, the smoothness and gloss of the paper--all these elements work in harmony in a design that was unusually sober for a relatively expensive book, since there are no copperplates or ornaments of any kind." In a sheet dated 1760, which Baskerville issued appended to a specimen of his folio Bible, the printer discusses his proposed "Baskerville Classics": "Many gentlemen," he says, "have wished to see a sett of the Classicks . . . in the Manner, Letter, and Paper, of the 'Virgil,' already published," and he vows to print the same, with the poetical classics first. These volumes, says Reed, would "suffice had [Baskerville] printed nothing else, to distinguish him as the first typographer of his time." The beautiful typography, the luxurious paper (looking and feeling much like vellum), and the spacious design combine to give the reader a particularly gratifying feeling of strength and serenity. Baskerville's Virgil was the first book known to be printed on wove paper, made using a mould covered with a fabric of uniformly woven fine brass wires in place of the traditional use of single parallel 'laid' wires stitched at intervals. The result is an extraordinarily smooth surface that provides a tactile experience not available from any other 18th century printer, Bodoni included. Only one of Baskerville's Latin classics is illustrated: the Horace, which has a title vignette and frontispiece by Henriquez and, in about half the copies issued (according to Gaskell), four plates by the great Rococo engraver Hubert-François Gravelot (1699-1773), all fortunately present here. John Baskerville (1706-75) started his career as a writing master, then began cutting letters for gravestones. He patented a process for "japanning," a type of veneer that replicated the popular Japanese lacquer work, and ran a successful business in this manufacture for 10 years before following his desire to cut type and print books. The handsome bindings are by Alexis-Pierre Bradel (often called Bradel l'aîné), the nephew and successor of Derome le jeune and binder to the Bibliothèque Nationale at the end of the 18th century. His ticket in our set gives the workshop's address as rue Saint-Jacques, so we know the work was done before the French revolution. The restrained design of the bindings, combined with flawless workmanship and premium materials, make them a perfect complement to Baskerville's press work. Former owner Jules Janin (1804-74) was a French drama critic whose review of "Les Demoiselles de Saint-Cyr" caused a rupture in his friendship with author Alexandre Dumas père that nearly ended in a duel. However, the two were unable to decide between swords and pistols, and soon called the whole thing off. Uniformly bound complete sets of the Baskerville Latin Classics are quite rare: the last set recorded at auction in RBH and ABPC sold in 1978.