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Verlag: Lexika Würzburg,, 1999
ISBN 10: 3896942522ISBN 13: 9783896942524
Anbieter: Bernhard Kiewel Rare Books, Grünberg, Deutschland
Buch
21 x 15. 4. Auflage. 224 Seiten. OKart. Ordnungsgemäß aus einer Universitäts-Bibliothek ausgesondert (Stempel, Rückenschild). Guter Zustand. Sprache: Deutsch Gewicht in Gramm: 400.
Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Verlag: Lexika Verlag /Krick Fach
ISBN 10: 3896944029ISBN 13: 9783896944023
Anbieter: medimops, Berlin, Deutschland
Buch
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Verlag: München : Lexika-Verl., 1996
ISBN 10: 3892931984ISBN 13: 9783892931980
Anbieter: Martin Preuß / Akademische Buchhandlung Woetzel, Kerzenheim, Deutschland
Verbandsmitglied: BOEV
Buch
kart. Zustand: Wie neu. 3., aktualisierte Aufl. 244 S. ; 21 cm Sprache: Deutsch Gewicht in Gramm: 495.
Verlag: JRP Editions, 2005
ISBN 10: 2940271399ISBN 13: 9782940271399
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
Buch
Zustand: Good. Most items will be dispatched the same or the next working day.
Verlag: jrp|ringier, 2005
ISBN 10: 2940271399ISBN 13: 9782940271399
Anbieter: Rolf Nölkes - kunstinsel.ch, Baar, Schweiz
Buch
Images 110 color / 12 b/w Monograph featuring works from 2001 to 2004 --- --- Olaf Breuning's work use state-of-the-art technology with shock effects from the entertainment industry or the high-gloss quality of advertising. His videos feed off cliches from the media and popular culture and are simultaneously "failed" and accomplished, creating a universe of artificial realities and quoted artificialities. In the large-format photographs that Breuning often displays in conjunction with his installations and performances, the visible method of construction is similarly an equally essential component of the given composition. --- --- "In the process," affirms Philipp Kaiser, "the borders between high art and pop art are entirely erased. Diverse symbolic worlds flow into one another without their elements claiming recognition as quotations. This 'zapping' produces images that are new at first glance, yet also seem familiar. His photographs, however, attempt neither to postulate a rigid and autonomous counter-world nor to expose existing images as a surrogate reality." --- --- In his interviews Breuning often cites as influences Doug Aitken, Matthew Barney's early work, and filmmakers such as John Carpenter and John Waters. --- --- Born in 1970, Breuning lives in New York and Zurich. Solo exhibitions between 2001 and 2004 include the Swiss Institute in New York, Artspace in Auckland (Australia), Museo Garilla Gil in Mexico, the Kunstverein in Freiburg, and his main galleries in Paris, New York, Zurich, and Berlin. --- --- The book is published in collaboration with the Le Magasin, Grenoble, and the Musee d'Art Moderne et Contemporain of Strasbourg, both of which held solo exhibitions by the artist in 2003. --- Seiten: 160.