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Verlag: Routledge, 2008
ISBN 10: 1583605622ISBN 13: 9781583605622
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: Lonely Planet, 2009
ISBN 10: 174104779XISBN 13: 9781741047790
Buch
Zustand: As New. Like New condition. 8th edition. A near perfect copy that may have very minor cosmetic defects.
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Gebraucht ab EUR 5,40
Verlag: Lonely Planet (edition 11), 2018
ISBN 10: 1786575744ISBN 13: 9781786575746
Anbieter: BooksRun, Philadelphia, PA, USA
Buch
Paperback. Zustand: Fair. 11. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
Verlag: Lonely Planet, 2012
ISBN 10: 1741795834ISBN 13: 9781741795837
Buch
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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Verlag: Routledge, 2011
ISBN 10: 1437734855ISBN 13: 9781437734850
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. 7th Edition. Used book that is in clean, average condition without any missing pages.
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Gebraucht ab EUR 5,76
Verlag: Lonely Planet, 2015
ISBN 10: 1742207804ISBN 13: 9781742207803
Buch
Zustand: Good. Good condition. 10th edition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Verlag: Routledge, 2014
ISBN 10: 0323262279ISBN 13: 9780323262279
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: Wadsworth, 2000
ISBN 10: 0534516734ISBN 13: 9780534516734
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: As New. 4th Edition. Used book that is in almost brand-new condition.
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Fine.
Verlag: Oxford University Press, Incorporated, 2010
ISBN 10: 0195378210ISBN 13: 9780195378214
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: Routledge (edition 9), 2017
ISBN 10: 113821020XISBN 13: 9781138210202
Anbieter: BooksRun, Philadelphia, PA, USA
Buch
Paperback. Zustand: Very Good. 9. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
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Gebraucht ab EUR 10,21
Verlag: Mairdumont
ISBN 10: 3829722907ISBN 13: 9783829722902
Anbieter: medimops, Berlin, Deutschland
Buch
Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.
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Gebraucht ab EUR 5,93
Verlag: LONELY PLANET, 2013
ISBN 10: 2816131858ISBN 13: 9782816131857
Anbieter: medimops, Berlin, Deutschland
Buch
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Verlag: Lonely Planet, 2009
ISBN 10: 2840708868ISBN 13: 9782840708865
Anbieter: Ammareal, Morangis, Frankreich
Buch
Softcover. Zustand: Bon. Légères traces d'usure sur la couverture. Tampon ou marque sur la face intérieure de la couverture. Edition 2009. Ammareal reverse jusqu'à 15% du prix net de ce livre à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Slight signs of wear on the cover. Stamp or mark on the inside cover page. Edition 2009. Ammareal gives back up to 15% of this book's net price to charity organizations.
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Gebraucht ab EUR 4,08
Verlag: Maunsel & Company, Dublin, 1918
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Very Good. First edition. 12mo. 52pp. Pefectbound in purpled printed wrappers. Very good with moderate sunning and less than typical wear to the yapped edges.
Verlag: Prison Clothes Press,, London,, 1974
Anbieter: Burwood Books, Wickham Market, Vereinigtes Königreich
Verbandsmitglied: PBFA
Erstausgabe Signiert
Paperback. Zustand: Good. First Edition. Wraps. 4to. pp [13]. Stapled wraps. Original publisher's illustrated covers, lettered black on the front cover. Rare only five copies at WorldCat. With good signed handwritten letter from Bernard J. Kelly loosely inserted. Experimental poetry. Slight wear to covers, otherwise about very good. Signedes.
Verlag: Pavilion Publishing and Media Ltd 2021-01-10, Shoreham-by-Sea, 2021
ISBN 10: 1912755491ISBN 13: 9781912755493
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
paperback. Zustand: New. Language: ENG.
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Neu ab EUR 40,91
Verlag: Ostfildern, Mairdumont., 2013
Anbieter: NORDDEUTSCHES ANTIQUARIAT, Rostock, Deutschland
2. deutsche Auflage. 531, 1 S. mit Abbildungen. Original-Broschur. Nur minimale Lagerspuren.
Verlag: Routledge (edition 10), 2019
ISBN 10: 0367196360ISBN 13: 9780367196363
Anbieter: BooksRun, Philadelphia, PA, USA
Buch
Paperback. Zustand: Good. 10. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
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Gebraucht ab EUR 28,45
Mehr entdecken Softcover
Verlag: Cambridge University Press, 2017
ISBN 10: 1108444717ISBN 13: 9781108444712
Anbieter: Prior Books Ltd, Cheltenham, Vereinigtes Königreich
Buch Erstausgabe
Paperback. Zustand: Like New. First Edition. Firm, square and tight, just showing a few very mild rubs. Hence a non-text page is stamped 'damaged'. Despite such this book looks and feels unread and is actually in nearly new condition. Thus the contents are crisp and fresh. Now offered for sale at a special bargain price.
Verlag: CAMBRIDGE, 2018
ISBN 10: 1108423116ISBN 13: 9781108423113
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New. This second edition is a comprehensive introduction to statistics and research methods. It will help students develop critical thinking skills about research they might encounter, and will help them evaluate claims based on research. The book is intended fo.
Verlag: HMSO, 1937
Anbieter: Cambridge Rare Books, Cambridge, GLOUC, Vereinigtes Königreich
Erstausgabe
PAPERBACK. Zustand: GOOD. 1st Edition. 1937. HMSO. First. Disbound loose sheets with clear protective covers. 7.5x11. Provisional and Complete specification for patent application together with drawings.
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Zustand: Used - Good. 1950. Paperback. Decorated stiff paper wraps with cord tie and translucent glassine jacket. Folio. Unpaginated. Profusely illustrated. Mild wear to wraps, severe chipping & tearing to glassine jacket. Contents very sound. Good.
Verlag: Routledge, 2019
ISBN 10: 0367196301ISBN 13: 9780367196301
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
Buch
Zustand: Good. Most items will be dispatched the same or the next working day. A few small marks or stains to the page edges/pages.
Verlag: Routledge (edition 11), 2023
ISBN 10: 1032353635ISBN 13: 9781032353630
Anbieter: BooksRun, Philadelphia, PA, USA
Buch
Paperback. Zustand: Very Good. 11. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
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Gebraucht ab EUR 63,11
Mehr entdecken Softcover
Verlag: A Samizdat Issue, London, 1973
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Very Good. First edition. [12pp.] Stapled wrappers. Folded illustration bound in center. Lightly stained pages and wrappers, very good. Scarce.
Verlag: After the publication of her autobiography in Argentina?, 1933
Anbieter: Richard M. Ford Ltd, London, Vereinigtes Königreich
Manuskript / Papierantiquität
Carbon typescript. 4pp, 4to. Paginated 1-4. In fair condition, aged and worn, with chipping to edges. The text concerns George Moore and Bernard Shaw, but the introduction suggests that this is the start of a longer piece: 'I will give Mr. Mead, who has done such fine work and who has been so energetic in developing the work of the Associacion de Cultura Inglesa, the full particulars of the E. V. S. A., [i.e. English Verse Speaking Association] and I hope that you will all become Members.' | Mr. Mead has asked me to include in my Radio Programme today, a few short notes from my book entitled "Myself and My Friends" [published in London in 1933] And as my "Friends" include such Poets as John Masefield, W. B. Yeats, Thomas Hardy, and brilliant Dramatists as George Bernard Shaw, Sir James Barrie, and great Novelists as John Galsworthy, H. G. Wells, and even that great explorer Nansen, I feld that could not refuse Mr. Mead's request.' At this point, in McCarthy's autograph: 'The first words of my book are:'. The next paragraph is a transcription of the start of the book. It is followed by loose transcriptions and paraphrases of stories from the book, occasionally lightly reworked with linking passages, comprising reminiscences of her early acquaintance with 'George Moore, the great Irish Novelist, and George Bernard Shaw, the great Irish dramatist'. Both men were present during her first success, in an amateur production of 'Macbeth'. Moore, 'the first to hold out his hand', invites her to his house to discuss a play of his; her father will only allow her to talk to him on the doorstep. Shaw sees her performance from the front row, as drama critic for the Sunday Review. He invites her to play the female lead in 'Man and Superman': 'The romantic dramas in which I had played for 10 years were passing out of fashion, and Bernard Shaw and Sir James Barrie were the two pioneers who restored the English theatre to its right place in national life, and when I played "Ann Whitefield" in "Man and Superman", this new woman made a new woman of me.' The last page ends: 'Shaw was the Perseus who rescued Andromeda from the talons of the dragon!'.
Verlag: Uniform. Without date or place. But one with reference to Wolfit's 'Lear', 1944
Anbieter: Richard M. Ford Ltd, London, Vereinigtes Königreich
Manuskript / Papierantiquität
Three typescripts from the papers of Lillah McCarthy (Lady Keeble). The first two both apparently unpublished are full of interest: they gives personal reminiscences of her work with William Poel, the 'pioneer of modern Shakespeare production', whom she considered the greatest influence on her career. She describes Poel's working methods, his lecture style, rehearsals, use of make up, modern influence (with reminiscences about Wolfit and Olivier), and even his death, at which she was present. The second item discusses Irving, with reference to those of his productions which she attended, and a meeting with him. The Poel items are 9 &8pp., the Irving, 4pp. 4toThe three items uniform in layout and paper stock, each printed on rectos and paginated, and each with the leaves stapled together at one corner. The three in good condition, lightly aged. All three items are scarce: no copies are listed on OCLC WorldCat, and the only copy of Item One traced is noted in Claris Glick, 'William Poel: His Theories and Influence' (1964), as at the 'Royal Shakespeare Library' (now part of the Birmingham Shakespeare Library?). ONE: 'NOTES FROM MEMORY OF WILLIAM POEL. | by Lillah McCarthy. (Lady Keeble).' 9pp, 4to. Begins: 'WILLIAM POEL 1895. | Director, Lecturer and Teacher of the Shakespeare Reading Society which still exists. | Founder, Director and Producer of the Elizabethan Stage Society.' Poel was, McCarthy begins, 'pre-eminently a keen Elizabethan scholar: his special subject: Shakespeare. His ambition was to produce Shakespeare's plays as they were produced and acted in Shakespeare's time, with the Apron Stage and the set scene. But as actresses were and had been very popular William Poel had no need to resort only to boy actors as in Shakespeare's day. Delivery of the verse, rapid and clear: perfect diction, rhythm, voice strong and resonant. | Gestures to be employed sparingly, only when really necessary to the action of play, but then strong and definite.' There follows a section on 'Make Up', with descriptions of that used for Lady Macbeth, Viola and Olivia. Of Lady Macbeth she writes: 'The hair or wig no matter what colour was needed for the part. The forehead must be built up high and broad. Hair dressed high, well back from the ears, swept high from the forehead and up from the neck.' Sections follow on 'Carriage Style' and 'Costumes'. She next turns to Poel's activities around the time when she became a member of the Shakespeare Reading Society in 1895. During weekly lectures Poel 'would stand at his desk on the platform and declare in emphatic tones his determination to get a public together that could appreciate Shakespeare for the genius as a playwright. | There was nothing academic about Poel's way of lecturing. He spoke excitedly, passionately and often violently.' She recalls how she took the part of Romeo in one of Poel's public readings: 'We the actors used to sit in a semi-circle in the way that the Theatre Francaise Presented Moliere, each of us standing up when our turn came. Though we knew our parts by heart; Poel saw to that we had to have the book in our hands because it was a "reading".' A page and a half are devoted to Poel's 'Rehearsals', during which he was 'ruthless': 'He rehearsed each of us one at a time. We were made to repeat after him our lines until we had got the rhythm and then the right expression of the passion or the tenderness or other essential of the part which the character demanded.' She performed three Shakespeare parts under Poel's direction, and 'also played the leading part in his production of Swinburne's LOCRINE. He also produced THE BACCHAE in which I played DIONYSUS.' She recalls how the Greek scholar Gilbert Murray, whose translation was used, was present at rehearsals. Returning to Shakespeare, she gives numerous examples of how 'Poel insisted on the YOUTH of Shakespeare's leading characters': 'Youth was exuberant in Shakespeare and old age only a dim background.' She states that while Poel 'was a lion and a tiger' at rehearsals, 'he was in himself charming, sensitive and kind. Never violent off stage but a fury on the lecture platform . . . A man of passionate beliefs and yet gentle withal. I, like every one of his pupils, am entirely grateful to Poel and every one of us recognised that he was a great master.' She explains why 'Poel's rehearsing of "Macbeth" was the most tremendous dramatic experience I have ever known.' She recounts how she was 'with him during his last days in his little home at Putney were he made poverty gracious. He died from bronchitis and wilst sleeping. Sitting by his side, looking at his beautiful sensitive face, I watched the power which had sustained the great pioneer ebb slowly away [] Poel was always a poor man, but he lived a rich life a Shakespearean life and he looked the part; a reincarnation of Shakespeare. His was a great achievement: to have made the British public of the declining years of the last century alive to the beauty of Shakespeare.' In a long footnote she describes how '[t]he influence of Poel is seen today in the acting of, among others, Donald Wolfit and Lawrence Olivier'. She describes an exchange with Wolfit after his 1944 'Lear' ('the finest I have ever seen'), and states that [in the celebrated 1935 production] 'Olivier WAS Romeo: Youth in love.' She also describes a conversation with 'Elsie Fogerty, the Founder and Principal of the Central School of Speech-training and Dramatic Art' on Olivier's performance. Poel's 'methods of production' were, she states, 'adopted at St. James's and Savoy Theatres [] but the 1914 war put a stop to all that'. TWO: 'SIR HENRY IRVING | in 1895 | from memory by Lillah McCarthy.' 4pp., 4to. Begins: 'Sir Henry Irving, so far as I remember, had no jealousy, nor prejudice. He encouraged and helped all members of his profession. I was a student under the direction of William Poel, who was at that time director of the Shakespeare Reading Society. Willia.