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Verlag: University of Nebraska Press (edition ), 2010
ISBN 10: 0803232810ISBN 13: 9780803232815
Anbieter: BooksRun, Philadelphia, PA, USA
Buch
Paperback. Zustand: Good. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
Verlag: CreateSpace Independent Publishing Platform, 2017
ISBN 10: 1548305227ISBN 13: 9781548305222
Buch
Zustand: Good. Kidalova, Anna (illustrator). Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Verlag: Ohio State University Press, 1998
ISBN 10: 081425005XISBN 13: 9780814250051
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: Ohio State University Press, 1998
ISBN 10: 081425005XISBN 13: 9780814250051
Buch
Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Verlag: Rutgers University Press, New Brunswick, 1997
ISBN 10: 0813523141ISBN 13: 9780813523149
Anbieter: Paule Leon Bisson-Millet, Beilstein, Deutschland
Buch
Softcover. Zustand: Sehr gut. Representing Blackness: Issues in Film and Video. Valerie Smith Hrsg. New Brunswick, Rutgers University Press, 1997. 230:152mm. 240S. Or.-Brosch. Texte u.a. von Donald Bogle, Thomas Cripps, Jane Gaines, Nathan Grant, Stuart Hall, Tommy L. Lott, Wahneema Lubiano, Mike Murashige, Valerie Smith, James Snead, and David Van Leer. "The essays in this collection provide a variety of perspectives on black representation and questions of racial authenticity in mainstream as well as African American independent cinema. This volume includes essays on: Black Beginnings: From Uncle Tom's Cabin to The Birth of a Nation; Spectatorship and Capture in King Kong: The Guilty Look; "Race Movies" as Voices of the Black Bourgeoisie: The Scar of Shame; The Scare of Shame: Skin Color and Caste in Black Silent Melodrama; A No-Theory Theory of Contemporary Black Cinema;But Compared to What?: Reading Realism, Representation, and Essentialism in School Daze, Do the Right Thing, and the Spike Lee Discourse;What Is This "Black" in Black Popular Culture?;Innocence and Ambiguity in the Films of Charles Burnett;Visible Silence: Spectatorship in Black Gay and Lesbian Film; Haile Gerima and the Political Economy of Cinematic Resistance;Telling Family Secrets: Narrative and Ideology in Suzanne Suzanne; Annotated Bibliography; Contributors; Index.Copy As new.