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Verlag: Routledge, 1987
ISBN 10: 0416012612ISBN 13: 9780416012613
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Verlag: Taylor & Francis Ltd, United Kingdom, London, 1994
ISBN 10: 0415905745ISBN 13: 9780415905749
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. Hollywood's representation of blacks has been consistently misleading, promoting an artificially constructed mythology in place of historical fact. But how, James Snead asks, did black skin on screen develop into a complex code for various types of white supremacist discourse? In these essays, completed shortly before his death in 1989, James Snead offers a thoughtful inquiry into the intricate modes of racial coding in Hollywood cinema from 1915 to 1985. Snead presents three major methods through which the racist ideology within film functions: mythification, in which black images are correlated in a larger sceme of semiotic valuation where the dominant I needs the marginal other in order to function effectively; marking, in which the color black is repeatedly over-determined and redundantly marked, as if to force the viewer to register the image's difference from white; and omission--the repetition of black absence from positions of autonomy and importance. White Screens/Black Images offers an array of film texts, drawn from both classical Hollywood cinema and black independent film culture. Individual chapters analyze Birth of a Nation , King Kong , Shirley Temple in The Littlest Rebel and The Little Colonel , Mae West in I'm No Angel , Marlene Dietrich in Blonde Venus , Bette Davis in Jezebel , the racism of Disney's Song of the South , and Taxi Driver . Making skillful use of developments in both structuralist and post-structuralist film theory, Snead's work speaks not only to the centrality of race in Hollywood films, but to its centrality in the formation of modern American culture. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: Taylor & Francis 1994-08-04, London, 1994
ISBN 10: 0415905745ISBN 13: 9780415905749
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
paperback. Zustand: New. Language: ENG.
Verlag: Routledge, 1994
ISBN 10: 0415905737ISBN 13: 9780415905732
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Buch
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:0415905737.
Verlag: Routledge, 1994
ISBN 10: 0415905737ISBN 13: 9780415905732
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Buch
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780415905732.
Verlag: Routledge, 1994
ISBN 10: 0415905745ISBN 13: 9780415905749
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Buch
Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780415905749.
Verlag: Routledge, 1994
ISBN 10: 0415905745ISBN 13: 9780415905749
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Buch
Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780415905749.
Verlag: Taylor & Francis 2019-06-18, London, 2019
ISBN 10: 113810566XISBN 13: 9781138105669
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
paperback. Zustand: New. Language: ENG.
Verlag: Taylor & Francis, 2019
ISBN 10: 113810566XISBN 13: 9781138105669
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: Taylor & Francis 2017-10-26, London, 2017
ISBN 10: 1138105635ISBN 13: 9781138105638
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
hardback. Zustand: New. Language: ENG.
Verlag: Palgrave Macmillan UK, 2003
ISBN 10: 1403911835ISBN 13: 9781403911834
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New. JAMES SNEAD was Assistant Professor of English at the University of Pittsburgh and the author of Figures of Division: William Faulkner s Major Novels and White Screens, Black Images: Hollywood from the Dark Side. He died in 1989.KA.
Verlag: Taylor & Francis, 2017
ISBN 10: 1138105635ISBN 13: 9781138105638
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: Routledge, 1994
ISBN 10: 0415905737ISBN 13: 9780415905732
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Buch
Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780415905732.
Verlag: Cubicle Seven, 2012
ISBN 10: 0857441027ISBN 13: 9780857441027
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
Buch
Zustand: VeryGood. Most items will be dispatched the same or the next working day.
Verlag: Rutgers University Press, New Brunswick, 1997
ISBN 10: 0813523141ISBN 13: 9780813523149
Anbieter: Paule Leon Bisson-Millet, Beilstein, Deutschland
Buch
Softcover. Zustand: Sehr gut. Representing Blackness: Issues in Film and Video. Valerie Smith Hrsg. New Brunswick, Rutgers University Press, 1997. 230:152mm. 240S. Or.-Brosch. Texte u.a. von Donald Bogle, Thomas Cripps, Jane Gaines, Nathan Grant, Stuart Hall, Tommy L. Lott, Wahneema Lubiano, Mike Murashige, Valerie Smith, James Snead, and David Van Leer. "The essays in this collection provide a variety of perspectives on black representation and questions of racial authenticity in mainstream as well as African American independent cinema. This volume includes essays on: Black Beginnings: From Uncle Tom's Cabin to The Birth of a Nation; Spectatorship and Capture in King Kong: The Guilty Look; "Race Movies" as Voices of the Black Bourgeoisie: The Scar of Shame; The Scare of Shame: Skin Color and Caste in Black Silent Melodrama; A No-Theory Theory of Contemporary Black Cinema;But Compared to What?: Reading Realism, Representation, and Essentialism in School Daze, Do the Right Thing, and the Spike Lee Discourse;What Is This "Black" in Black Popular Culture?;Innocence and Ambiguity in the Films of Charles Burnett;Visible Silence: Spectatorship in Black Gay and Lesbian Film; Haile Gerima and the Political Economy of Cinematic Resistance;Telling Family Secrets: Narrative and Ideology in Suzanne Suzanne; Annotated Bibliography; Contributors; Index.Copy As new.