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Verlag: München: Paul List Verlag, 1958, 1958
Anbieter: Steven Wolfe Books, Newton Centre, MA, USA
Stravinsky, Igor, 1882-1971. Mein Leben. München: Paul List Verlag, 1958, 170pp., small PAPERBACK, quite worn old paperback, paper browning, ink stain along top edge, page 68 dog-eared by previous reader, front cover separating and partly reglued. List-Bücher, 117. MINIMAL READING COPY ONLY.
Verlag: Garden City, N.Y.: Doubleday, 1960, 1960
Anbieter: Steven Wolfe Books, Newton Centre, MA, USA
Erstausgabe
Stravinsky, Igor, 1882-1971. Memories and commentaries. By Igor Stravinsky and Robert Craft. Garden City, N.Y.: Doubleday, 1960, stated First Edition, 167pp., good dust-jacket with light wear around edges, original price $3.95, very good black cloth. Dust-jacket design by Tony Palladino.
Verlag: Edition Russe de Musique/Boosey & Hawkes London Paris und Bonn (New revision/nouvelle revision), 1948
Anbieter: Buchstube Tiffany, Barsbüttel, Deutschland
Gebrauchs- u. Abnutzungsspuren, OPBd, abgerieben, sonst gut erhalten, 36 S., Noten, zweisprachig: engl./franz., 4° Symphony of Psalms for Chorus and Orchestra. Vocal Score. 150 gr.
Anbieter: Celler Versandantiquariat, Eicklingen, Deutschland
Verbandsmitglied: GIAQ
Buch
Deutsche Grammophon GmbH, Hamburg, 1997. CD in original Kunststoffhülle##--- - gutes Exemplar/gespielt vom Russian National Orchestra und Mikhail Pletnev - 106 Gramm.
Verlag: J. & W. Chester, Ltd.; Rouart, Lerolle & Cie.; Maison Chester [PN J.W.C. 15521], London, Genève, Paris, Bruxelles, 1925
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Quarto. Ivory wrappers with upper printed in black. 3, [i] (blank) pp. Wrappers worn and slightly soiled with minor tears and creasing to edges and corners. Browned. A re-issue of the first edition. Kirchmeyer 33-2.
Verlag: Monaco, Editions du Rocher 1958., 1958
Anbieter: Buch + Kunst + hommagerie Sabine Koitka, Basel, Schweiz
4°. 210 S. Mit Reproduktionen von 14 Photographien und 1 Zeichnung von Alberto Giacometti. Orig.-Brosch. Edition originale. - Eines von 50 Ex. (Nr. XXXVI) sur vélin pur fil Madagascar des papeteries Navarre. - Mit eigenhändiger Widmung des Schweizer Philosophen Hans Saner an den Musiker und Dirigenten Toni Muhmenthaler. - Mit Textbeiträgen von Igor Stravinsky, Robert Craft, Pierre Boulez, Karlheinz Stockhausen sowie unveröffentlichten Briefen von Claude Debussy, Maurice Ravel , Erik Satie und Dylan Thomas. - Unaufgeschnittenes Exemplar. Lang fr.
Verlag: Édition Russe de Musique - Russischer Musikverlag [PN R.M.V. 581], Berlin, 1934
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Signiert
Folio. Original publisher's wrappers with illustration of Persephone to upper. 1f. (title), 1f. (facsimile inscription by Stravinsky), 82 pp. Ex libris the composer and pianist Ray Green (1908-1997), with his autograph signature to corner of upper wrapper in red pencil. Wrappers slightly worn and stained; minor creases and tears to spine. Slightly browned. First Edition. A full score was not published until 1950. Kirchmeyer 56-1, p. 358. Persephone was first performed in Paris at the Opéra on 30 April 1934, conducted by the composer.
Verlag: Edition Russe de Musique . Boosey & Hawkes {B. & H. 16371], London .
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Signiert
Large octavo. Original ivory wrappers printed in red. 1f. (recto title, verso dedication "to the Boston Symphony Orchestra on the occasion of its fiftieth anniversary" and performance notes), 36 pp. Bound in full red library buckram with gilt titling to upper. With the autograph signature of the composer ("I Stravinsky") to upper wrapper in blue ink and former owner "D. Miller" in pencil to upper outer corner. Occasional performance annotations in both ink and pencil in another hand. Bound with: Oberlin Today. Volume 21, Number 2, Second Quarter, 1963: "Stravinsky at Oberlin." 8 pp. program in honor of Stravinsky's arrival at Oberlin on March 18, 1963 as guest composer-conductor to begin rehearsals for the 13th Festival of Contemporary Music there. Endpapers slightly foxed. Upper wrapper slightly very slightly worn and soiled, with oval "Oberlin Musical Union LIbrary" handstamp in purple ink. Very minor internal wear; library handstamp to first page of music; stains from early tape to inner margins of pp. 16-17 and 20-21; program creased and stained, reinforced with narrow strip of light brown tape to final page. Kirchmeyer 52-1. De Lerma S36. The Symphonie de psaumes, a choral symphony in three movements with psalm texts, was composed in 1930 during Stravinsky's neo-classical period. The work, commissioned by Serge Koussevitzky to celebrate the 50th anniversary of the Boston Symphony Orchestra, was first performed in Brussels on 13 December 1930, conducted by Ernst Ansermet.
Verlag: Hollywood, 1962
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
Signiert
framed. Zustand: very good. Fine content T.L.S., 4to, 1 page, Hollywood, California, December 12th 1962, to singer Jerry McLain, attempting to give him musical advice without hurting his feelings, in full: "I would be certainly glad yo give you advice, but never hearing you singing and not knowing how far you are in the knowledge of works in general (their spirit and technique) I am in difficulty if not in impossibility to help you. The transposition of the Shakespearean songs in a higher or lower key is a ruin of my instrumentation and the piano reduction of them is not for a concert performance only for the study of the music." Placed into a white matte with a black background with two openings - whereby the letter is actually floated while the second opening accommodates a photograph by Weegie, of the composer leaning against a mirror that gives the illusion of a double exposure, and set into a black acrylic frame to 21.5" x 18.5". Excellent condition. Russian composer, pianist and conductor widely considered one of the most important composers of the twentieth century.
Anbieter: Andreas Wiemer Historical Autographs, Kelkheim, Deutschland
Manuskript / Papierantiquität Signiert
Kein Einband. Zustand: Sehr gut. Stravinsky, Igor (1882-1971) - Fine signed photograph and autograph note signed - Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Wonderful signed photograph with a long handwritten note "Igor Stravinsky". Card, 3.75 x 5.75 inch, recto and verso, Paris, 1936 October 6. Photograph by Venturini, Roma. A fine black and white photograph with a fine handwritten note to silent film actress Dagmar Godowsky (1897-1975). Note in Stravinsky's hand, in French: "A Dagmar Godowsky Merci, chère ami de votre mot. Mme. Seligman qui va demain à New York vous apportera et vois remettera avec cette carte le parfum que vous désirez. A bientot, j espère - je viendrai probablement avec les Dushkin s vers Noel.". Translated: "To Dagmar Godowsky Thank you, dear friend for your word. Mrs. Seligman who is going to New York tomorrow will bring you and give you with this card the perfume you want. See you soon, I hope - I will probably come with the Dushkin s around christmas.". Slightly discolored and minor handling wear, else fine condition. Also included is a fine UNSIGNED vintage black and white photograph (9.25 x 6.75 inch) of Stravinsky at the piano, stamped on verso "Studio-Lipnitzki, Paris". COMES WITH A CERTIFICATE OF AUTHENTICITY BY ANDREAS WIEMER HISTORICAL AUTOGRAPHS. Please do not hesitate to contact me with any questions. Signatur des Verfassers.
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Signiert
4 measures from the third number, Pas d'Action. Notated in blue/black ink on music paper, with "No. 1-12 lines" printed at lower left corner; "Igor Stravinsky" typed in red below quotation. Somewhat worn and browned; irregularly trimmed, with upper left corner cropped, not affecting quotation; recto reinforced at upper left corner and left margin with light blue paper; creased and partially split at central fold; margins hand-ruled with double black line; upper margin slightly stained; mounted on printed excerpt with remnants of adhesive to verso. Apollon Musagète, a neoclassical ballet in two tableaux, was commissioned in 1927 by Elizabeth Sprague Coolidge for a festival of contemporary music to be held in 1928 at the Library of Congress in Washington, D.C. Composed between 1927 and 1928, the work was choreographed by the 24-year-old George Balanchine to a libretto by the composer; scenery and costumes were by André Bauchant, with new costumes designed by Coco Chanel in 1929.
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Signiert
Four measures containing the theme of the closing of the first scene of the composer's Danse Russe. Notated, unbarred, on dark ivory music paper in blue ink, signed and dated Hollywood 23 January 1966. On an album leaf 141 x 199, laid down to backing board. Small hole to blank upper margin; two light vertical creases. Petrushka, a ballet in 4 scenes with music by Stravinsky, choreography by Michel Fokine, and set and costume designs by Alexandre Benois, was written for the 1911 season of Diaghilev's Ballets Russes and first performed in Paris at the Châtelet on 13 June 1911. The premiere was conducted by Pierre Monteux, with Vaslav Nijinsky as Petrushka, Tamar Karsavina as lead ballerina, and Enrico Cecchetti as the charlatan. The work became one of the most popular productions of the revolutionary Ballets Russes and one of Stravinsky's best-loved compositions.
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Signiert
1 measure from the opening of the first movement. Notated in black ink on an album leaf, 203 x 123 mm. Dated "Montevideo le 27. v.[19]36." Inscribed to the Uruguayan political figure Alejandro Zorilla de San Martin (1909-1987), prominent member of the Uruguayan National Party, with a reproduction photograph of Stravinsky and Zorilla to head. Slightly browned; horizontal crease to upper portion just below Stravinsky's signature; manuscript identification and minor remnants of former mount to verso. The Firebird (L'Oiseau de feu; Zhar-ptitsa), a fairy tale ballet in two scenes, was first performed by Diaghilev's Ballets Russes in Paris at the Opéra on 25 June 1910, conducted by Gabriel Pierné. The original choreography was by Michel Fokine, with sets and costumes by Alexandre Benois; this seminal work led to further important Stravinsky-Diaghilev collaborations including Petrushka (1911) and The Rite of Spring (1913).
Verlag: Édition Russe de Musique [PN R.M.V. 127], Berlin, Moscou, St. Pétersbourg ., 1912
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Folio. Original publisher's ivory linen-backed printed boards. 1f. (recto title, verso blank), [i] (named cast list), [ii] (synopsis), [i] (orchestration), [i] (recto dedication "À Alexandre Benois," verso blank), 7-156 pp. + errata leaf tipped in to rear pastedown. With text in Russian and French. With a named cast for the first performance by Diaghilev's Ballets Russes at the Théâtre du Chatelet in Paris on 13 June 1911 including Tamar Karsavina (Le Ballerine), Vaslav Nijinsky (Petrushka), Orlow (Le Maure), and Enrico Ceccheti (Le vieux Charlatan), conducted by Monteux, with maître du ballet Fokine, and sets and costumes designed by Benois and executed by Anisfeld (sets) and Caffi and Worobiew (costumes). Boards slightly worn, rubbed, bumped, and warped; spine slightly frayed; hinges partially split; front free endpaper partially detached. Minor internal wear; light uniform browning; blank upper outer corners slightly creased. First Edition, first issue. Rare. Kirchmeyer 12-1; 12-2. Hirsch II, 905. De Lerma, P15. White, p. 193. Crawford, p. 533. "The emergence of Stravinsky as a modernist, with an individual manner unlike any other, can be dated with some precision to his early work on Petrushka. In March 1910, during the later stages of composing The Firebird, he had experienced the famous 'fleeting vision' out of which The Rite of Spring was to grow. But when Diaghilev and Nijinsky visited him in Lausanne in September 1910 they found him at work on something quite different, a concert piece for piano and orchestra called 'Petrushka's Cry'. Together with a 'Russian Dance' composed soon afterwards, this music was to form the basis of the ballet which Diaghilev instinctively urged him to write instead. . It is from the systematic attempt to render [the] particular flavour of traditional Russian life into music that Petrushka derives many of its freshest and most original qualities. . Looked at in general terms, [the] opening sequence of Petrushka is a prototype of later Stravinskian form. Its underlying rhythmic design may not be complex in the same way as that of The Rite of Spring or the later Russian works, but its intricacy of rhythmic detailing and its mixture of a highly fluid pattern of melodic stress with an inert background harmony laid the groundwork for a technique which, through many changes of superficial style, was to serve him for the rest of his life." Walsh: The Music of Stravinsky, pp. 24-9. "Petroushka proved just as successful with the public and critics as The Firebird had been; but it was undoubtedly a more original work. In the first place, Stravinsky had been able to play a leading part in the construction of the scenario, which had not been the case with The Firebird. Secondly, whereas the music of The Firebird showed that the pupil had learnt all that his master had had to teach him, in Petrushka for the first time the authentic voice of the new master is heard." TNG, Vol. 18, pp. 244-45. The rare first edition, first issue of Stravinsky's colorful and well-loved ballet, inspired by the St. Petersburg Shrove-tide Fair.
Anbieter: Eberhard Köstler Autographen&Bücher oHG, Tutzing, Deutschland
Manuskript / Papierantiquität
Santa Fe, 8. VIII. 1962., Quer-8°. 1 Seite. An seinen Rechtsanwalt Arnold Weissberg in New York: [.] answering yours of July 25 a book was sent me over here. Here I stay until the 29 of August (hope to see you in NY [ergänzt:] Park hotel the 23 or 24 before flying to Israel the 28). Please tell Schuyler Chapin (Columbia Records) that he can send me a new contract for 3 years similar to the lost one and I will start [.]" - Schuyler Chapin (1923-2009) war Manager der Metropolitan Opera. Seit 1959 war er Vizepräsident der Columbia Records und arbeitete in dieser Funktion eng mit Strawinsky zusammen. - Die Ansichtskarte zeigt das La Ronda Hotel in Santa Fe. - Gelocht. Gewicht (Gramm): 20.
Verlag: Paris, 11. VI. 1937., 1937
Anbieter: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Österreich
Manuskript / Papierantiquität
4to. 1 p. With an autograph envelope. Charming letter in French and German to the silent film star Dagmar Godowsky, thanking her for a "pharmaceutical package" and informing her about a conversation with her brother and his imminent departure for Lake Geneva: "Mille merci de votre envoi pharmaceutique votre frère avec lequel j'ai eu eine telephonische conversation reste ici 2, 3 jours et moi qui pars aujourd'hui au Lac de Genève pour 3 jours (afin de décider pour l'été). En toute hâte. Mille meilleures choses à vous, chère amie, küsse die Hand". Above the text, Stravinsky adds in German that he is in sufficient health: "Gesundheit Got [!] sei bedankt ganz gut". - In her memoir, Dagmar Godowsky (1897-1975) named Stravinsky as one of her great lovers. Little is known of the relationship, but the letter bears beautiful testimony to Stravinsky's familiarity with the actress. Her younger brother Leopold Godowsky Jr. was a violinist and chemist who, together with Leopold Mannes, created the first practical colour transparency film, Kodachrome. - Traces of folds. With tears to the folds and minimal browning.
Verlag: Paris, 1936., 1936
Anbieter: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Österreich
Manuskript / Papierantiquität
Small oblong 8vo (114 x 88 mm). 1 p. A particularly fine quotation from his second ballet "Petrushka", first performed by Sergei Diaghilev's "Ballets Russes" at the Théâtre du Châtelet in Paris on 13 June 1911. - In pencil; small traces of mounting on reverse.
Verlag: Geneva, Ad. Henn, 1917., 1917
Anbieter: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Österreich
Manuskript / Papierantiquität Erstausgabe
Oblong 4to. 19 pp. Original wrappers. First edition, inscribed "pour Madame René Auberjonois, en grande sympathie, Igor Strawinsky, Morges 17-IX-17". - The present volume constitutes an impressive document of Stravinsky's life during the October Revolution. A composition for his children, this work was penned in 1914/15, shortly after leaving Russia forever and settling down into Swiss exile, all connections to his Russian homeland having been severed by the Great War. The events of the war also meant that Stravinsky was unable to solicit commissions, receive royalties, or even contact his publishers; his collaboration with Djaghilev had more or less ground to a halt, their tour having returned hardly any profit. It was at this time that Stravinsky had to rely upon the generosity of wealthy Swiss patrons such as Madame Auberjonois, who was the first wife of the post-Impressionist Swiss painter René Auberjonois, mother of author Fernand Auberjonois, and later grandmother of the American actor René Murat Auberjonois. Stravinsky had met René Auberjonois in the fall of 1917, during the planning stages of "Histoire du Soldat", and he later became an important acquaintance of Stravinsky's. The present copy must have been presented during the early years of their friendship.