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Verlag: Backwoods Broadsides, Ellsworth, ME, 1996
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Erstausgabe
First edition. Single sheet folded three times. Printed in an edition of 750 copies. Number 20 in this series. A very near fine copy. Uncommon as it wasn't well distributed.
Verlag: Granary Books, New York, 2003
ISBN 10: 188712361XISBN 13: 9781887123617
Anbieter: Brian Cassidy Books at Type Punch Matrix, Silver Spring, MD, USA
Buch Erstausgabe
Zustand: Near fine. First Edition. First printing collection of prose, poetry, images, and performance scores by Tardos. Wraps. 8vo. Photographic wraps. Minimal corner bump, else fine. Clean, bright throughout. Tight. Errata slip laid in. 317pp.
Verlag: self-published circa 1990, New York, 1990
Anbieter: Lorne Bair Rare Books, ABAA, Winchester, VA, USA
Erstausgabe
First Edition. Five 8 1/2 x 11 inch sheets, stapled (printed rectos only) listing books, and other items, including artwork by both Tardos and Mac Low, for sale. The first and least expensive item: TWENTIES 8-25, Potes & Poets,1990, signed for $4.50; paintings listed for upwards of $5000. Twenty-0ne books by Mac Low are listed including Like STANZAS FOR IRIS LEZAK, with "new dedicated holograph poem on flyleaf" - $300. Numerous recordings and artwork are listed. Folded twice for mailing, a collector's pencil checkmark on most items, else fine.
Verlag: BlazeVOX Books, New York, 2015
ISBN 10: 1609642260ISBN 13: 9781609642266
Anbieter: Brian Cassidy Books at Type Punch Matrix, Silver Spring, MD, USA
Buch Erstausgabe
Zustand: Near fine. First Edition. First printing of this poem series, written with the constraint of nine words per line and nine lines per poem. Wraps. Small 4to. Photographic wraps. Near fine. Mild traces of rubbing to wraps. Bright, clean, unmarked throughout. Tight. 146pp.
Verlag: University of California Press 2009-05-29, Berkeley, Calif. |London, 2009
ISBN 10: 0520260023ISBN 13: 9780520260023
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
paperback. Zustand: New. Language: ENG.
Verlag: Dominique Lévy Gallery, New York, London, 2015
Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USA
Erstausgabe
Softcover. Zustand: Fine condition. First edition. Folio. [5] 168pp. Original textured off-white stiff wraps with gray lettering on cover and spine. Photo-illustrated endpapers. Frontispiece photograph. Half-title printed in brown, title page in brown and black. Two folding plates. "In the present exhibition's title, Autobiography of a Line, we find the poetic reverbarations of one of Gego's closest friends: Alfredo Silva Estrada, a Venezuelan pioneer of cocrete poetry. Silva Estrada once referred to Gego's work as tejida luz (woven light), and he is one of the main sources of the lyricism that surrounds her work-a lyricism that she must have enjoyed, given her manifest love for language. Today, from our point of view, such lyrical language remains relevant, since it offers a historical explanation for the continuous metaphorical projections that are so common in the readings og Gego's oeuvre." (Antelo-Suarez/Fuenmayor). This spectacular exhibition catalog is illustrated with high quality reproductions of Gego's installations, objects and works on paper in color and b/w as well as b/w photographs provided by the Gego Foundation, institutions and private lenders. A detailed list of photographs with credits and provenance on imprint page. Contains a selected chronology and checklist of the exhibition as well as a list of public collections containing works of Gego. Gego (Gertrud Goldschmidt) was born in 1912 in Hambrug, Germany. She graduated in engineering and architecture at the University of Stuttgart. With the advent of W. W. II she migrated to Caracas, Venezuela, in 1939 to excape Nazism. During the 1960s and 1970s she was a leading figure of Venezuelan abstract art. With firm grounding in the universal laws and language of physics, she devoted her artistic career to exploring the line. Her unique geometric understandings were expressed in configurations of various materials that allowed viewers to enter an unlimited, fascinating space of perceptual interaction.