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Verlag: William Morrow Paperbacks, 2017
ISBN 10: 0062469045ISBN 13: 9780062469045
Buch
Zustand: Very Good. Very Good condition. With remainder mark. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Mehr Angebote von anderen Verkäufern bei ZVAB
Neu ab EUR 20,56
Gebraucht ab EUR 5,42
Mehr entdecken Softcover
Verlag: HarperCollins Publishers, 2016
ISBN 10: 0062495852ISBN 13: 9780062495853
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Lgr. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Mehr Angebote von anderen Verkäufern bei ZVAB
Neu ab EUR 31,68
Gebraucht ab EUR 5,65
Mehr entdecken Softcover
Verlag: HarperCollins Publishers, 2016
ISBN 10: 0062469037ISBN 13: 9780062469038
Anbieter: Better World Books, Mishawaka, IN, USA
Buch Erstausgabe
Zustand: Very Good. 1st. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Mehr Angebote von anderen Verkäufern bei ZVAB
Gebraucht ab EUR 5,76
Mehr entdecken Hardcover Softcover Erstausgabe
Zustand: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Mehr Angebote von anderen Verkäufern bei ZVAB
Gebraucht ab EUR 10,44
Mehr entdecken Hardcover Erstausgabe Signiert
Verlag: Cinema Releasing, N.p., 1973
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage British front-of-house card from the 1973 film. With "The Silver Screen" and "Not for Sale" stamps on the verso. Based on Robert Rimmer's 1966 novel. James Whitmore and Tippi Hedren star as the married couple that runs the fictional Harrad College which is experimenting with ideas about open sexuality and "free love." Featuring a young Don Johnson in his fourth motion picture. Shot on location in Pasadena, California. 8 x 10 inches. Near Fine.
Verlag: Universal Pictures, Universal City, 1964
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage photograph from the 1964 film, a publicity shot of Sean Connery and Tippi Hedren. Based on Winston Graham's 1961 novel. Set in and shot on location in California, Pennsylvania, New Jersey, Virginia and Maryland. 8 x 10 inches. Near FIne. Collation details available on request.
Verlag: Morrow, New York, 2016
ISBN 10: 0062469037ISBN 13: 9780062469038
Anbieter: Old Book Shop of Bordentown (ABAA, ILAB), Bordentown, NJ, USA
Buch Erstausgabe
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: fine. First edition. First edition, first printing. A fine, fresh, unread copy (rem. dot bottom edge)in equally fine dust jacket. Hardcover. 275 pp. Illustrated with photographs in color and black and white. Memoirs of one of Hollywood's iconic screen beauties, Tippi Hedren. She details her humble beginnings in Depression-era, small town Minnesota, the chance meeting that brought her to New York as an Eileen Ford model, the TV commercial that caught Alfred Hitchcock's eye--she shares the entire story of her complicated relationship with Hitchcock, the man who discoveerd her talent but who also became her obsessive tormenter. Hedren's most famous roles were in "The Birds" and "Marnie"; she also starred in the controversial "Roar". Her daughter is Melanie Griffith and her granddaughter Dakota Johnson.
Verlag: Alfred J. Hitchcock Produktion
Anbieter: Versandantiquariat Felix Mücke, Grasellenbach - Hammelbach, Deutschland
Buch
Videokassette. Zustand: Gut. außen mit Gebrauchsspuren, Artikel stammt aus Nichtraucherhaushalt! NB-VHS3777 Sprache: Deutsch Gewicht in Gramm: 500.
Verlag: Simon & Schuster, 1985
ISBN 10: 0671532014ISBN 13: 9780671532017
Buch Signiert
Zustand: Good. Signed Copy . Acceptable dust jacket. Signed by author on first blank. Stamped on first blank.
Verlag: Universal Pictures, 2014
Anbieter: Druckwaren Antiquariat, Salzwedel, Deutschland
Verbandsmitglied: GIAQ
Blu-ray. Zustand: Sehr gut. FSK 16. Blu-ray sehr gut erhalten. LÄUFT! TOP!! Altersfreigabe FSK ab 16 Jahre Sprache: Deutsch Gewicht in Gramm: 550.
Verlag: Harper Collins, 2016
ISBN 10: 0062653040ISBN 13: 9780062653048
Buch Erstausgabe Signiert
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Illus. With Photos (illustrator). 1st Edition. A fine first edition in a fine dust jacket, signed by the author on a page designed and tipped in by the publisher. Ms. Hedren has also drawn some birds with her signature.
Verlag: Soulfood Music Distribution / DVD 06.12.2013., 2013
Anbieter: ABC Versand e.K., Aarbergen, Deutschland
13,7 x 1,7 x 1,9 cm, DVD. Zustand: Gut. Auflage: Deluxe Edition. 1 DVD Kleine Gebrauchsspuren H103F2DVD39 Altersfreigabe FSK ab 12 Jahre Sprache: Deutsch Gewicht in Gramm: 808.
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Illus. With Photos (illustrator). 1st Edition. A fine first edition in a fine dust jacket, signed by the author on a special page, on which she has also drawn some birds.
Verlag: MCA TV, Hollywood, 1993
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Revised Draft script for the 1994 television film. Sequel to the 1963 film by Alfred Hitchcok. A family grieving the death of their son relocates to a summer house on a remote East Coast island, where flocks of birds begin to attack the town. Director Rick Rosenthal's dissatisfaction with the final film led him to remove his name from the credits, attributing his work instead to Alan Smithee. Shot on location in North Carolina. White untitled wrappers. Title page present, dated May 21, 1993, noted as Revised, with credits for screenwriters Ken & Jim Wheat, novelist Daphne du Maurier, and original screenwriter Robert Eisele. 100 leaves, with last page of text numbered 99. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two gold brads. Reyes, 23, 311.
Anbieter: Herbst-Auktionen, Detmold, Deutschland
Manuskript / Papierantiquität Signiert
GROSSFOTO, EIGENHÄNDIG SIGNIERT - mit gezeichneten Vögeln, SCHÖN !.
Anbieter: Herbst-Auktionen, Detmold, Deutschland
Manuskript / Papierantiquität Signiert
Großfoto (4°), eigenhändig signiert Szene in Something Wild (1986) ! (dito zum gleichen Preis: Großes Porträtfoto (s/w GF,4°) mit eigenhändiger Empfehlung, Unterschrift signiert).
Verlag: O. O. u. J. [die Signatur wohl von 2015 auf der Vienale]., 2015
Anbieter: Antiquariat Knöll, Lüneburg, Deutschland
26 x 20,5 cm. Die Farbfotografie zeigt die Schauspielerin zur Zeit der Dreharbeiten zu Alfred Hitchcocks Film Die Vögel" (1963), in dem Hedren in genau jenem hellgrünen Kostüm die weibliche Hauptrolle spielte.
Verlag: Universal Pictures, Universal City, 1963
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage borderless reference photograph from the 1963 film, showing director Alfred Hitchcock and screenwriter Evan Hunter walking along the pier which would be used later in the film for Melanie Daniel's (Tippi Hedren) visit to the Brenner farm, with what appears to be Hedren herself visible to the far left, in a fur coat at the end of the pier. With manuscript ink annotations on the verso. Hitchcock's last great film, a grim psychological study, made all the more terrifying by the lack of motivation assigned to its violence. Shot in various locations throughout California, including Bodega Bay, Bloomfield, Valley Ford, the Venice Canals, and Union Square in San Francisco. 10 x 8 inches. Near Fine. National Film Registry. Clover, Men, Women, and Chainsaws. Godard, Histoires du cinema.
Verlag: N.p., N.p., 1963
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage borderless press photograph of director Alfred Hitchcock and actor Tippi Hedren attending Cannes in 1963, with Hitchcock making a bird gesture. With a stamp for photographer Luc Fournol on the verso noting the date 14 Mai 1963. Loosely based on a 1952 short story by Daphne du Maurier. Often regarded as Hitchcock's last great film, made all the more terrifying by the lack of motivation or explanation given to the violence. The first film screened at a prestigious invitational showing at Cannes in 1963, attended by both Hitchcock and Hedren. 11 x 8 inches. Very Good plus, with light curling and a diagonal crease to the lower left corner.
Verlag: Universal Pictures, Universal City, 1963
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage borderless reference photograph from the 1963 film, showing director Alfred Hitchcock talking with electronic musician Oskar Sala, who composed the film's iconic soundtrack. Printed mimeo snipe in French affixed to the verso. Hitchcock's last great film, a grim psychological study, made all the more terrifying by the lack of motivation assigned to its violence. Shot in various locations throughout California, including Bodega Bay, Bloomfield, Valley Ford, the Venice Canals, and Union Square in San Francisco. 7.5 x 9.5 inches. Very Good plus, lightly edgeworn. National Film Registry. Clover, Men, Women, and Chainsaws. Godard, Histoire(s) du cinema.
Verlag: Universal Pictures, Universal City, CA, 1964
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage black-and-white still photograph from the 1964 film. In the photo, Hitchcock leans over Tippi Hedren, who sits at a typewriter, portraying her character in the office where she works as a secretary. With a mimeograph snipe on the verso. 8 x 10 inches. Near Fine.
Verlag: Universal Pictures, Universal City, 1964
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage studio still photograph from the set of the 1964 film, showing director Alfred Hitchcock and a camera crew capturing a shot of actress Tippi Hedren at a desk in the publishing company office. With a printed mimeo snipe affixed to the verso, along with the stamp of Culver Pictures and a stamp noting No. 75147. Based on Winston Graham's 1961 novel, which follows a wealthy businessman's unwanted, often cruel attempts to help a troubled young woman come to terms with her dark past. The production faced several setbacks in its development, most relating to Hitchcock's insistence on including a rape scene present in the novel, and the subsequent troubles in casting the lead role, given the emotional complexity demanded for the character. Set and shot on location in California, Pennsylvania, New Jersey, Virginia and Maryland. 10 x 8 inches. Near Fine. Godard, Histoire(s) du cinema. Grant US. Spicer US.
Verlag: Universal Pictures, Universal City, CA, 1986
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Archive of three title card maquettes hand lettered by Harold Adler for the 1963 film. Also included are two fascinating autograph letters, both elaborately designed and executed in a calligraphic style, from Adler to author, illustrator, and editor Fridolf Johnson relating to Adler's work with Hitchcock. Harold Adler was a calligrapher who created hand lettered titles on over 100 films, worked frequently with Alfred Hitchcock, and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "The Birds" (1963), his credits include "Comanche!" (1956), "The Man with the Golden Arm" (1955), "The Seven Year Itch" (1955), "Carmen Jones" (1954), "Psycho" (1960), "In the Heat of the Night" (1967), and "Justine" (1969). In 2012, an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation, Kansas City. In the first letter, dated May 16, 1986, Adler describes, after touching on other topics, meeting Hitchcock and then presenting him with layout ideas for the titles. He then goes into detail regarding his answer to a question about the techniques of artist Eric Gill, stating that Hitchcock "was amazed" by this answer, and after that would "request 'to be sure to bring that nice you[ng] man along" (meaning Adler) whenever he had a job for Adler's firm. The second letter, dated June 10th, 1986, focuses almost exclusively on Adler's work on "The Birds," going into some detail regarding both the creative and technical processes of producing hand lettered titles for films. He also describes Hitchcock as "an unusual person to work with. He was a master at what he did, knew what he wanted [and] smoked the finest cigars." He then concludes the letter with some brief remarks on how his approach to title lettering evolved over the course of his career. The letters themselves are works of art, executed in a variety of inks in Adler's detailed penmanship, with Johnson's name on each in particular receiving full calligraphic treatment. Also included are draft title cards for the film, stylistically similar to each other, but much different from the titles used in the finished film. Two of the cards are marked as "camera ready" in manuscript colored pencil, with titles executed in white paint on black board. The third card, photo stat on black paper, which accompanied the June 10th letter, has been annotated by Adler on both the recto and verso, explaining the in more detail the technical process of putting the lettering on film. Overall, a significant collection of material illuminating a little explored aspect of film design, with a direct and significant connection to a seminal work by a director known for personally overseeing all aspects of production. Each letter 19 x 24 inches, single leaf, rectos only. May 16th letter folded twice for mailing, June 10th letter folded. Two long diagonal creases to the May 16th letter, else both are Fine. Original mailing envelope for the May 16th letter included. "Camera ready" title cards 22 x 14 inches. Lightly rubbed and about Near Fine. Third card 18 x 4 inches. Near Fine. National Film Registry. Clover, Men, Women, and Chainsaws. Godard, Histoires du cinema.