worm ole (17 Ergebnisse)

K., 1948. Lex8vo. XXXVII,553 pp. (Bibl.Arnamagn.vol.7).

Copenhagen, 1948. Lex8vo. Privat hldrbd. i brunt gedeskind. Rygforgyldning. (Harry Larsen). XXXVII,553 pp. (Bibliotheca Arnamagnæana).

Havniæ, 1751. 8vo. 2 lidt senere marmorerede papbd. med titeletiketter forgyldt på rygge. Lettere brugsspor. (10),XLVIII,1134 pp. + Index & Corrigenda (62) pp. 9 blade mangler, men indsat i xerox-kopi. Indvendig frisk på skrivepapir. Anden udgave af Worms korrespondance med samtidens lærde udgivet af Langebæk. Så godt som hele oplaget af udgaven fra 1728 (besørget af Hans Gram) brændte ved Københavns brand. Første bind indeholder Worms levnedsbeskrivelse ved Thomas Bartholin og brevsamlingen er iøvrigt fyldt med emner fra nordisk arkæologi, runologi og med et omfattende norrønt stof. Eksemplaret her har et indsat kobberstukket portræt af Worm som efter alt at dømme ikke er trykt til udgaven, men rester fra det brændte originaltryk - Bibl. Danica IV:177. - Fiske p. 641 (uden portræt).

2 samt. helldrbd. med rygforgyldning. Ryg og kapitæler slidt. (8),XLVIII,1134 pp. + Index Rerum ac Nominum. Portrættet mangler. Noget brunplettet. Dette er 2. udgaven af W's lærde korrespondance, fortrinsvis med udenlandske lærde. Udgaven er foranstaltet af Luxdorph, Langebek og Hielmstierne.

Hafnia (Copenhagen), 1751. 8vo. Uniformly bound in two nice contemporary Cambridge-style mirror bindings with five raised bands and richly gilt spines. Small paper-label pasted on to top of both spines. Light wear to extremities. Front board of vol. 1 with light misolouring to upper margin and with a bit of loss of leather to the center frame, otherwise a nice and clean set. (10), XLVIII, 590 pp. + frontispiece (2), 591-1134, (60) pp. Second edition of Worm's learned corresponds with his, primarily, international colleagues.

Hafnia, Joachim Moltke, 1643 + Melchior Martzan, 1642. Small folio. Bound in a nice contemporary full calf binding with raised bands to richly gilt spine. Spine worn and corners bumped. A damp stain throughout, mostly faint. Title-page of "Danicorum Moumentorum" with a contemporary presentation-inscription to verso: "Ex donatione amici et fautoris nei Secretarii Rejersen./ Wedege." Contemporary handwritten corrections and additions to the Index. Engraved title-page (by Simon de Pas). (24), 526, (16) pp. + large folded woodcut plate (the Golden Horn). Large woodcuts in the text + (12), 36 pp. The text is in two columns, in Latin and runes. Captions and some runic letters printed in red. Scarce first editions of both of Worm's famous masterpieces on runes - 1) "Danicorum Monumentorum" being Worm's runic magnum opus, which not only constitutes the first written study of runestones and the first scientific analysis of them, but also one of the only surviving sources for depictions of numerous runestones and inscriptions from Denmark, many of which are now lost" 2) "Regum Daniae", which contains the highly important reproduction of The Law of Scania in runes as well as in Latin translation with commentaries. The "Danicorum Monumentorum", with its numerous woodcut renderings of monuments with rune-inscriptions - including the world-famous folded plate of the Golden Horn, which had been found only five year previously, and which is now lost - is arguably the most significant work on runes ever written, founding the study of runes and runic monuments. Most of the woodcuts were done after drawings by the Norwegian student Jonas Skonvig" they are now of monumental importance to the study of runes and runic monuments, not only because they appeared here for the first time in print, but also because many of the monuments are now lost and these illustrations are the only surviving remains that we have. Ole Worm (Olaus Wormius) (1588-1655) was a famous Danish polymath, who was widely travelled and who had studied at a range of different European universities. Like many of the great intellectuals of the Early Modern era, Worm's primary occupation was as a physician, for which he gained wide renown. He later became court doctor to King Christian IV of Denmark. In 1621, Worm had become professor of physics, but already the year before, in 1620, had he begun the famous collection that would become one of the greatest cabinets of curiosites in Europe (and one of the first museums) and which would earn him the position as the first great systematic collector (within natural history) in Scandinavia. It was his then newly begun collection that enabled him, as professor of physics, to introduce demonstrative subject teaching at the university, as something completely new. He continued building and adding to his magnificent collection, now known as "Museum Wormianum", throughout the rest of his life. Worm's fascination for antiquarian subjects not only resulted in his famous "Museum Wormianum", but also in a deep fascination with early Scandinavian and runic literature and the history and meaning of runestones. These monuments found throughout Scandinavia, were carved with runic inscriptions and set in place from about the fourth to the twelfth centuries. In most cases, they are burial headstones, presumably for heroes and warriors.Worm published works on the runic calendar, translations of runic texts and explications of folklore associated with the runestone histories. By far his most extensive and important work was the "Danicorum Monumentorum", which was the first serious attempt at scientifically analyzing and recording all 144 then known runestone sites in Denmark. With the King's blessing and support, Worm contacted bishops all over the country who were instructed to provide details and drawings of the barrows, stone circles and carved inscriptions in their regions.Many of the monuments recorded in this splendid work have since disappeared. Some of them appeared in the fire of Copenhagen, to which they were brought at the request of Worm himself. The book thus contains highly valuable data about missing sites in Scandinavian archaeology and is an invaluable source to anyone studying runes and runic monuments. Included in the work are Worm's three earlier, small treatises on runes, here collected for the first time and set into a systematic an scientific context, among them his 1641 treatise on the Golden Horn. For Danes, the Golden Horns, discovered on 1639 and 1734 respectively, with their amazing, complicated, and tragic story, constitute the Scandinavian equivalent to the Egyptian pyramids and have been the object of the same kind of fascination here in the North, causing a wealth of fantastical interpretations, both historical, literary, mystical, linguistic, and artistic. The two golden horns constitute the greatest National treasure that we have. They are both from abound 400 AD and are thought to have been a pair. A span of almost 100 years elapsed between the finding of the first horn and the finding of the second. Both findings are now a fundamental part of Danish heritage. In 1802 the horns were stolen, and the story of this theft constitutes the greatest Danish detective story of all times. The thief was eventually caught, but it turned out that he had melted both of the horns and used the gold for other purposes.Before the horns were stolen, a copy of the horns was made and shipped to the King of Italy, but the cast which was used to make this copy was destroyed, before news had reached the kingdom of Denmark that the copies made from the cast were lost on their way to Italy, in a shipwreck. Worm's work constitutes not only the earliest description of the seminal first horn, but also the most important source that we now have to the knowledge of the horn. It is on the basis of the description and depiction in the present work that the later copies of the first horn were made. Both horns were.

Hafniae (Copenhagen), Melchior Matzan, Joachim Moltke, 1641. Small folio. Bound in an newer absolutely exquisite full mottled calf pastiche-binding with five raised bands and gilt title-label to richly gilt spine. Gilt ornamental borders with gilt corner-pieces to boards, all edges of boards gilt, and inner gilt dentelles. Title-page restored at inner hinge, far from affecting print. Some leaves slighly dusty and some mostly light brownspotting. Overall very nice indeed. The folded plate neatly re-enforced at the foldings, from verso, and on stub. "Dupl" written in hand to upper right corner of title-page and with two stamps to verso: "Museum Britannicum" and "British Museum Sale Duplicate 1787". (8), 72 pp. + large folded engraved plate of the horn. Exceedingly scarce first printing of one of the most important works in Scandinavian history. Worm?s monumental 1641-treatise is the first and single most important work on what is arguably the most famous Danish cultural artifact, namely the first Golden Horn, and constitutes our primary source of knowledge of that now lost treasure. For Danes, the Golden Horns, discovered on 1639 and 1734 respectively, with their amazing, complicated, and tragic story, constitute the Scandinavian equivalent to the Egyptian pyramids and have been the object of the same kind of fascination here in the North, causing a wealth of fantastical interpretations, both historical, literary, mystical, linguistic, and artistic. The two golden horns constitute the greatest National treasure that we have. They are both from abound 400 AD and are thought to have been a pair. A span of almost 100 years elapsed between the finding of the first horn and the finding of the second. Although the first was by far the most important, both findings are now a fundamental part of Danish cultural heritage. In 1802 the horns were stolen, and the story of this theft became the greatest Danish detective story of all times. The thief was eventually caught, but it turned out that he had melted both of the horns and used the gold for other purposes. Before the horns were stolen, a copy of the horns was made and shipped to the King of Italy, but the cast which was used to make this copy was destroyed, before news had reached the kingdom of Denmark that the copies made from the cast were lost on their way to Italy, in a shipwreck. Worm's work constitutes not only the earliest description of the seminal first horn, but also the most important source that we now have to the knowledge of the horn. It is on the basis of the description and depiction in the present work that the later copies of the first horn were made. Both horns were found in Gallehus near Møgeltønder, the first in 1639, by Kirsten Svendsdatter, the second in 1734, by Jerk (Erik) Lassen. Kirsten Svendsdatter made her discovery on a small path near her house, initially thinking that she had stumbled upon a root. When she returned to the same place the following week, she dug up the alleged root with a stick, and mistook it for an old hunting horn. She brought it back home and began polishing it. During the polishing of it, a small piece broke off, which she brought to a goldsmith in Tønder. It turned out that the horn was made of pure gold, and rumors of Kirsten's find quickly spread. The horn was eventually brought to the King, Christian IV, and Kirsten was given a reward corresponding to the gold value of the horn. The king gave the horn to his son, who had a lid made for it so that he could use it as a drinking horn. An excavation of the site where the horn was found was begun immediately after, but nothing more was found - that is until 95 years later when Jerk Larsen was digging clay on his grounds - merely 25 paces from where Kirsten had found the first horn. The year was now 1734. The horn that Larsen found was a bit smaller in size and was lacking the tip, but it still weighed 3,666 kg. After the horn had been authenticated, it was sent to King Christian VI, where it was placed in a glass case in the royal art chamber, together with the first horn. Before being placed here, a copy was made of both horns. These copies were the ones lost in the ship wreck, however, and as mentioned the casts had already been destroyed. In the fatal year of 1802, the gold smith and counterfeiter Niels Heldenreich broke in to the royal art chamber and stole the horns. By the time the culprit was discovered, the horns were irrevocably lost - Heldenreich had melted them and used the gold to make other things, such as jewellery. A pair of earrings that are still preserved are thought to have been made with gold from the horns, but this is all that we have now have of the original horns. New horns were produced on the basis of the descriptions and engraved illustrations that were made after the finding of the horns. The plate in the present work constitutes our main source of knowledge of the appearance of the first horn and is the single most important depiction of it, forming the basis of the reproductions. "The longest of the golden horns was found in 1639 and described by Ole Worm in the book 'De Aureo Cornu', 1641 (a treatise which is also included in his greater "Danicorum Monumentorum" [1643]). The German professor at Soro Academy Hendrich Ernst, disagreed with Worm?s interpretation of the horn. Ernst believed that the horn came from Svantevits temple on Rügen, while Worm interpreted it as a war trumpet from the time of Frode Fredegods, decorated with pictures, calling for virtue and good morals. Worm immediately sent his book to Prince Christian and the scholars at home and abroad. You can see in his letters, that not only did the horn make an impression, but also the letter and the interpretation. In that same year there were such lively discussions on the horn among the scholars of Königsberg, now Kaliningrad! In 1643 Worm reiterated the description of the golden horn in his great work on Danish runic inscriptions, 'Monumenta Danica'.

Lugduni Batavorum (Leiden), Ex Officina Elzeviriorum, 1655. Folio. 18th century full calf with gilt spine. Gilding worn and some overall wear to boards, but fine and tight. Capitals restored. Internally very nice and clean, with just a bit of light brownspotting to the first and last leaves (dedication and index). Generally unusally nice, clean, and crisp. A small discreet stamp (Doublette der L.U. Bibl. Erl.) to title-page and a neat contemporary owner's inscription. Good margins. Bound without the portrait, which is often the case. Otherwise complete, with the magnificent double-page engaved plate showing the interior of the museum by Wingendorp, 11 beautiful engraved illustrations (one of which consisting in two illustrations), two of which are full-page (one being the famous one of the horn), and numerous lovely, and elaborate woodcut illustrations in the text. Woodcut title-vignette, woodcut vignettes and initials. Title-page, (4) pp. of dedication, (6) pp. of preface and index, double-page plate, 389, 3 (index) pp. A lovely copy, rarely seen in such nice condition. The scarce first edition of this monumental work in early modern museum literature, constituting the catalogue of the first Danish museum and one of the most important cabinets of curiosities in Europe. The magnificent double-page engraved plate depicting the interior and outlay of the museum is one of the most well known and famous illustrations from any "Wunderkammer"-book, iconographically summizing what we understand by the genre.The Museum Wormianum was filled with preserved animals, horns, tusks, skeletons, minerals, as well as various man-made objects that Worm found equally fascinating and interesting, either due to their age, their beauty, the wonder of their execution, their being exotic, etc., many of them depicted here in the finest manner. The text of the "Museum Wormianum" is divided into four books, the first three dealing with minerals, plants, and animals respectively. The fourth comprises man-made objects, e.g. archeological and ethnographical items, coins and some original works of art. This, Worm's magnum opus, is not merely a catalogue of the numerous wondrous items in the collection, however, it is a scientifically based scholarly work that also contains references to, and quotations from, other writers. The famous Danish doctor, Ole Worm (1588-1654), who was professor of medicine throughout the last thirty years of his life, had become professor of physics in 1621. Already the year before, in 1620, had he begun the famous collection that would become one of the greatest cabinets of curiosites in Europe (and one of the first museums) and which would earn him the position as the first great systematic collector (within natural history) in Scandinavia. It was his then newly begun collection that enabled him, as professor of physics, to introduce demonstrative subject teaching at the university, as something completely new. He continued building and adding to his magnificent collection, now known as "Museum Wormianum", throughout the rest of his life. Worm used his collection, not only in his teaching (for which he was famous), but also as a starting point for his speculations on philosophy, science, natural history, etc. He is responsible for many great discoveries, e.g. for identifying the narwhal's tusk as coming from a whale rather than a unicorn, as was generally believed at the time. As was also the case with other great cabinets of curiosities, the "Museum Wormianum" greatly served scientific advancement, not least when the images of its content were printed, as they were here, in 1655.As Worm visited other famous cabinets of curiosities, so many foreign visitors came to see his, which was famous throughout Europe. After his death, the collection was bought by the Danish King, Frederik III, and was thus included in Det Kongelige Kunstkammer (The Royal Art Chamber). The collection is now in Statens Naturhistoriske Museum (Natural History Museum), which in November 2011 famously reprodced the "Museum Wormianum", from what they could see it looked like on the great double-page plate in the fabulous catalogue, as a permanent exhibition. The magnificent folio catalogue of the collection was edited and seen through press by Worm's son Willum and was published by the Elzeviers. Willems 772" Paul Grinke: From Wunderkammer to Museum: no. 75.

Leather. Zustand: Good. Not Stated (illustrator). First edition. A very scarce first edition of Ole Worm's important work studying the ancient runestones in Scandinavia, his work being the beginning of Danish research into runes, with information on runestones now lost. Illustrated throughout, including with a folding The first edition of this work. A very scarce work. In the original Latin. Two volumes in one, containing 'Danicorum Monumentorum Libri Sex', published in 1643, and 'Regum Daniae', published in 1642. This work is a quarto. The signatures run as a-c4, A-Z4, Aa-Zz4, Aaa-Xxx4, Yyy3, *6, A-D4, E2. Illustrated with a folding plate, and one-hundred and forty-eight in-text woodcuts. Text in Latin with quotations and examples in Runic, Danish and Greek. Includes index. With an engraved allegorical title to 'Danicorum Monumentorum'. Pages 1, and 28-9 of 'Reum Daniae' printed in red and black. Collated from Jisc from copies held at the University of Oxford Libraries, and King's College London Library, bound without rear endpaper, otherwise complete. A fascinating work on Scandinavian runes, being Ole Worm's magnum opus on runes. 'Danicorum Monumentorum' was the first written study of runestones, and the first scientific analysis of runestones. It is also one of the only surviving sources for depictions of various runestones and inscriptions from Denmark, some of which are now lost. To create 'Danicorum Monumentorum', Worm sent various artists around the Danish kingdom, tasking them with providing accurate sketches of the monuments and their engraved runes. Most runestones are located in Scandinavia, particularly in modern day Sweden, and the tradition of making them began in the fourth century, continuing until the twelfth century. Runestones are raised stones with runic inscriptions, often memorials to dead men. They were typically brightly coloured when built, but the colour has worn off. 'Regum Daniae' is a part of the oldest surviving manuscript of the Scanian law codex, a medieval manuscript of provincial law. The manuscript in question was peculiar, as it had been written in runes, and provided evidence to Worm that runes were the common medieval letters in Scandinavia. In this work are also two lists on Danish kings, and short medieval treatises which states that Scania belongs to Denmark. Scania is a province in the south of Sweden. The Codex Runicus, which is written in medieval runes, was a codex from around the year 1300. Worm is known as the founder of Danish research into runes. He was given letters of introduction by the King of Denmark, to introduce Worm to the bishops of Denmark and Norway. However, Worm is now best known for his 'Museum Wormianum', a cabinet of curiosities in his home in Copenhagen. His curiosities ranged from objects from the natural world, to scientific instruments, to global cultural objects. It provided the foundation for what became Denmark's National Museum. Worm was also the professor of Greek, Latin, Physics, and Medicine at the University of Copenhagen. He wrote other works on Danish runes, including his 1626 work 'Fasti Danici'. In science, his speciality was in embryology, and the Wormian bones are names after him. Two important works by the Danish antiquarian Ole Worm. In a full contemporary calf binding. Externally, sound. Some rubbing to the boards and spine. Loss to the head and tail of the spine and to the spine label. Surface cracks to the spine. Bumping and small loss to the extremities. Crack to the head of the front joint. Front hinge is starting but firm. Rear hinge has failed, though is still attached by the leather to the spine. Possibly lacking pages to the rear, could have been another work bound in with the other two. Label to the rear pastedown. Internally, firmly bound. Pages are age-toned and generally clean. Light spots to the folding plate. Tidemarks from the title page to page 15 of 'Danicorum Monumentorum', and to a few pages to the rear. Closed tear to tail of page 22, and leaves Q1 and Cc2, not affecting text. INk mark to leaf Kkk1. Loss to the bottom edge of leaf Qqq3, not affecting text. Small hole to leaf Yy4, affecting six words. Good. book.

4°. 12 nn. Bl., 526 S., 8 nn. Bl., mit gestochener Titelbordüre und zahlreichen Holzschnittillustrationen (ohne die gefaltete Tafel). Pergament der Zeit mit handschriftlichem Rückentitel, (etwas fleckig, Gelenk restauriert). Angebunden: II) Ders. Regum Daniae Series duplex et Limitum inter Daniam & Sveciam descriptio. Ex vetustissimo Legum Scanicarum Literis Runicis in membrana exarato Codice eruta. Et Notis illustrata. Kopenhagen, Moltke, 1662. 6 nn. Bl., 35 S. III) Ders. De Aureo Serenissimi domini Christiani Quinti Daniae, Norvegiae & c. electi Principis Cornu. Dissertatio. Kopenhagen, Moltke, 1641. 4 nn. Bl., 72 S., mit 1 gefalteten Kupfertafel, gedruckt von 2 Platten, und 2 Holzschnittillustrationen im Text. IV) Ders. Fasti Danici. Universam tempora computandirationem antiquitus i Dania et Vicinis Regionibus observatam Libris Tribus exhibentos. Kopenhagen, S. Sartorius, 1626. 8 nn. Bl., 148 S., 4 nn. Bl., mit gestochener Titelbordüre, gestochenem Porträt, 6 Kupferstichen im Text und einigen Textholzschnitten. Sammelband mit 4 seltenen Schriften des dänischen Gelehrten Ole Worm (Olaus Wormius) in erster Ausgabe. Worm wurde insbesondere durch seine Arbeiten zur Runenkunde und dänischen Altertumskunde bekannt, er gilt als der Begründer der skandinavischen Archäologie. Die im ersten Teil fehlende Kupfertafel wäre eine Wiederholung der in Teil III beigebundenen Tafel. Die wichtige Darstellung des Wunderhorns ist also demzufolge vorhanden. - I) Bibl. Dan. II, 585ff. - Hauptwerk zur Runengeschichte Dänemarks. - Ohne die Falttafel mit der Darstellung des Goldenen Horns (siehe Teil III). II) Bibl. Dan. III, 23. - Druck teils in Rot und Schwarz. III) Bibl. Dan. II, 583. - "Die wichtigste Beschreibung des . Horns liefert der universalgelehrte Altertumsforscher Olaus Wormius 1641 in einer Abhandlung mit dem Titel De aureo cornu, die auch einen Kupferstich von Simon de Pas beinhaltet." (Wikipedia). - Der berühmte Kupferstich mit der Darstellung des Goldenen Horns wurde 1643 in "Danicorum Monumentorum" wiederverwand. IV) Sehr seltene erste Ausgabe. - Bibl. Dan. II, 579; vgl. Graesse VI, 2, 475 (Ausg. 1643). - Sehr frühes Werk zur Runengeschichte, das in dieser Ausgabe in den wenigsten Bibliographien zu finden ist. - Druck teilweise in Rot und Schwarz. Einige Seiten mit Wurmgang am unteren Rand. - Besitzeintrag von 1839 auf Vorsatz. - Leicht stockfleckig. Gutes Exemplar. // I) With engraved title bordure and numerous woodcut illustrations (folded plate lacking). Contemporary parchment with handwritten title on spine, (slight spottings, hinges restored). Bound with: II) Idem; Regum Daniae Series duplex et Limitum inter Daniam & Sveciam descriptio. Ex vetustissimo Legum Scanicarum Literis Runicis in membrana exarato Codice eruta. Et Notis illustrata. Kopenhagen, Moltke, 1662. 6 unn. ll., 35 pp. III) Idem; De Aureo Serenissimi domini Christiani Quinti Daniae, Norvegiae & c. electi Principis Cornu. Dissertatio. Kopenhagen, Moltke, 1641. 4 unn. ll., 72 pp., with 2 folded engraved plates and 1 woodcut illustration. IV) Idem; Fasti Danici. Universam tempora computandirationem antiquitus i Dania et Vicinis Regionibus observatam Libris Tribus exhibentos. Kopenhagen, S. Sartorius, 1626. 8 unn. ll., 148 pp., 4 nn. ll., with engraved title bordure, engraved portrait, 6 engravings in text and some woodcuts. Miscellany volume with 4 rare extracts by the Danish savant Ole Worm (Olaus Wormius) in first editions. Worm was well-known for his studies on runic writing and Danish archeology. He is considered as the founder of Scandinavian archeology. I) Bibl. Dan. II, 585ff. - Mainwork on the runic writing of Denmark. - Without the folding map with the "Golden Horn" (siehe Teil III). II) Bibl. Dan. III, 23. - Printing partly in red and black. III) Bibl. Dan. II, 583. - "Die wichtigste Beschreibung des . Horns liefert der universalgelehrte Altertumsforscher Olaus Wormius 1641 in einer Abhandlung mit dem Titel De aureo cornu, die auch einen Kupferstich von Simon de Pas beinhaltet." (Wikipedia). - The important engraving with the "Golden Horn" was included once again 1643 in "Danicorum Monumentorum". IV) Very rare edition. - Bibl. Dan. II, 579; vgl. Graesse VI, 2, 475 (Ausg. 1643). - Very early work on runic writing, which is rarely listed in the bibliolographies. - Partly printed in red and black. Some leaves with wormtraces to lower margin. - Owner's entry of 1839 on endpaper. - Slight foxing. Good copy.

Couverture rigide. Zustand: Bon. Amstelodami, Apud ludovicum , 1655, in-folio, Amstelodami, Apud ludovicum et Danielem Elsevirios, Veau granité, dos à 6 nerfs orné de caissons à grotesques aux petits fers, tranches jaspées de rouges. Reliure de l'époque, . quæ Hafniæ Danorum in ædibus Authoris servantur. Adornata ab.Variis & accuratis Iconibus illustrata. Édition originale rare de cette somme magnifique, l'une des premières consacrées à la description d'un cabinet de curiosités. Elle dépeint le musée d'histoire naturelle du médecin et savant danois Ole Worm (1588- 1654) en quatre parties : minéraux, plantes, animaux et "artificialia" manufacturés par l'homme. L'ouvrage a paru après la mort de son auteur, son fils Willum Worm se chargeant de l'édition, qu'il dédie au roi de Danemark Frédéric III. L'ouvrage est célèbre pour l'illustration figurant l'intérieur du cabinet, gravure devenue emblématique des cabinets de curiosités, avec la belle planche gravée par Wingendorp. Le titre du catalogue et l'adresse "Ex officina Elzeviriorum" sont inscrits, sur la table au premier plan, reposant sur un dallage en damier. Tout autour, sur des étagères, au mur et entre les solives du plafond, sont exposés les objets de la collection : carapaces de tortues, poissons, crustacés et mammifères naturalisés, roste et défense de narval, caissettes de coquillages et de minéraux, vêtements du Nouveau monde et autres lances ou pagaies, statuettes de facture occidentale, etc. Le reste du volume est illustré d'un portrait d'Ole Worm d'après Carl van Mander et outre de nombreux bois dans le texte , de 11 gravures en taille- douce, dont 2 à pleine page. Précieux exemplaire de Cuvier, avec son timbre humide, le cachet "Legs de G. Cuvier à M. Valenciennes" recouvert à l'encre noire, et le timbre du Muséum d'histoire naturelle. Il provient de la collection de Melvin Edward Jahn (avec son étiquette ex-libris, acquis par ce dernier chez Quaritch en 1961.) Reliure restaurée. Rousseurs éparses en début et fin de volumes, 1 cahier un peu bruni. Références : Willems 772. Nissen ZBI, 4473 (à l'adresse de Daniel et Louis Elzevier).

Wormianum, Århus 1971. 431 sider. Illustreret i s/h og farver. Orig. kartonbind. Let læseskæv og med få brugsspor på bindet. * Disputats. Banebrydende for synet på polyhistoren Ole Worms seriøsitet som samler, vel at mærke på 1600-tallet forudsætninger. Det fantastiske museum indgik siden i Frederik IIIs Kunstkammer, og enkelte af Worms genstande lader sig spore på nutidens danske museer, der alle er tipoldebørn af Museum Wormianum.

In 12° (13,1×7,4 cm); tre tomi in un volume: (16), 114, (14) pp. e una c. di tav. più volte ripiegata (rilegato nella seconda parte), 40 pp., (16), 148, (2), 17, (9) pp. Legatura coeva in piena pergamena rigida con titolo manoscritto al dorso. Bellissima antiporta figurata alla prima opera. Testatine, finalini ed iniziali xilografiche. Prima edizione completa, un edizione precedente dove era presente solo il primo volume, uscì nel 1647 e priva anche di parte delle illustrazioni. Bartholin Thomas e Ole Worm sono stati due dei medici e professori più famosi della Danimarca del seicento dando grandi contributi alla medicina mondiale. Bartholin in particolare portò avanti le ricerche di Harvey sulla circolazione sanguigna e diventando uno dei pionieri dell analisi del sistema linfatico. Ma unire i due grandi studiosi era la passione per la storia e l archeologia mettendo insieme due delle più ampie ed interessanti collezioni di reperti archeologici e curiosità d Europa. L opera qui presentata, completa di tutte le sue parti, è uno dei più importanti repertori sui braccialetti, gioielli, monili antichi pubblicati fino a quel momento. Ricchissimo di immagini, il volume descrive dettagliatamente diversi gioielli antichi nella loro forma, materiale, utilizzo e valore rituale. Per i numerosi riferimenti ai simboli segreti di alcuni gioielli l opera è citata anche nella Biblioteca Esoterica n. 233 "est question dans cet ouvrage non seulement de la licorne, mais aussi d animaux cornus et de monstres humains, par exemple de François Trouillet qui vivait aux environs de 1599 et avait au milieu du front une véritable corne de bélier". Infatti Worm fu uno dei principali sostenitori del fatto che i corni venduti come corni di Unicorno fossero in verità corni di Narvalo. Curioso però notare che Worm fece esperimenti per testare le qualità magiche curative dei corni arrivando a concludere che essi avevano la capacità di combattere gli avvelenamenti se ingeritisbriciolati. Esemplare i ottime condizioni di conservazione. A very goog copy. Rif. Bibl.: Bibl. Danica II:446 (third edition). Inavribus Bibl. Danica II:446 (second edition). Antiquitatum Bibl. Danica II:445 (third edition).

2 bind. Landbohistorisk Selskab, København 1970-74. 295;330 sider. Illustreret i s/h. Orig. blå hellærredsbind. Ganske let hyldeslid. * Bind I: Indberetninger fra Ålborg og Ribe Stifter 1625-42. Bind II: Indberetninger fra Århus, Fyns og Lunde Stifter 1623-25.

2 bind. Landbohistorisk Selskab, København 1970-74. 295;330 sider. Illustreret i s/h. Orig. blå hellærredsbind. Ryggene lidt blegede. * Bind I: Indberetninger fra Ålborg og Ribe Stifter 1625-42. Bind II: Indberetninger fra Århus, Fyns og Lunde Stifter 1623-25.

Kbhvn., 1619-1739. 4to. Et hldrbd. fra omkring 1750, ryg slidt. Ialt ca. 500 pp. Af Ole Worm kan fremhæves: Laurea I Philosophica. Summa. Waldkirch, 1619 og "Jubileum Evangelium.Salomon Sartor, 1619".

Hafniæ, Melchior Martzan, apud Georgium Holst, 1636. 4to. Bound in one fine later (around 1950) hcalf, raised bands, titlelabel with gilt lettering on spine. (20),249,(6) pp. and in the text many illustrations in woodcut. + (Trygveldensi:) (16) pp. and 1 full page illustr. of the stone. First work with browning to titlepage and small tears to margins, no loss. Some scattered brownspots. Both works scarce. In the first work - Worms first larger runic work - he investigates the origin of the runic characters based on Danish sources. He derives the runic characters from the Hebrew characters. - In the second work Worm describes the runic stone, called "Tryggevældestenen", which was erected in the yard of Tyge Brahe - not the astronomer, but his brothers son. This stone is now in The Danish National Museum. - Bibl. Danica II: 585 - Thesaurus II: 734 a. 729.