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Verlag: Cambridge University Press, 2005
ISBN 10: 052130007XISBN 13: 9780521300070
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Buch
Zustand: Good. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:9780521300070.
Verlag: Cambridge Univ. Press, 2005
ISBN 10: 052130007XISBN 13: 9780521300070
Anbieter: 84 Charing Cross Road Books, IOBA, Cambridge, CAMBS, Vereinigtes Königreich
Verbandsmitglied: IOBA
Buch Erstausgabe
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. Near Fine/Near Fine 1st ed 2005 Cambridge hardback, unclipped DJ. Top of backing of spine loosening a little otherwise Fine and bright, unmarked. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Literature & Literary; ISBN: 052130007X. ISBN/EAN: 9780521300070. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 090613.
Verlag: Cambridge University Press, 2005
ISBN 10: 052130007XISBN 13: 9780521300070
Anbieter: Buchpark, Trebbin, Deutschland
Buch
Zustand: Wie neu. Zustand: Wie neu | Seiten: 882 | Sprache: Englisch.
Verlag: Cambridge University Press, 2009
ISBN 10: 052130007XISBN 13: 9780521300070
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This is the first-ever history of the literary theory and criticism produced during the Middle Ages that covers all the main traditions in Latin, the major European vernaculars and Byzantine Greek. Starting with the study of grammar and the formal 'arts' of poetry, letter-writing and preaching, it proceeds to offer a full description of the Latin commentary tradition on classical and classicising literature, followed by explanations of medieval views on literary imagination and memory and the ways in which certain texts were believed to achieve moral profit through pleasure. Subsequent essays explore the diverse theoretical and critical traditions which developed in the vernacular languages, ranging from Medieval Irish to Old Norse, Occitan to Middle High German, concentrating particularly on Dante and his commentators and Italian humanist criticism. The volume concludes with an examination of the attitudes to literature and its uses in Greek Byzantium.