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Verlag: Cambridge University Press, 1991
ISBN 10: 0521369495ISBN 13: 9780521369497
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: -, 1991
ISBN 10: 0521369495ISBN 13: 9780521369497
Anbieter: AwesomeBooks, Wallingford, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. W. A. Mozart: La Clemenza di Tito (Cambridge Opera Handbooks) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.
Verlag: Cambridge University Press, 1991
ISBN 10: 0521369495ISBN 13: 9780521369497
Anbieter: Plurabelle Books Ltd, Cambridge, Vereinigtes Königreich
Verbandsmitglied: GIAQ
Buch
Paperback. Zustand: Very Good. Series: Cambridge Opera Handbooks xii 181p black paperback, minimal wear to covers, pencil mark on title page, pages like new Language: English.
Verlag: Cambridge: Cambridge University Press, 1991. *, 1991
ISBN 10: 0521369495ISBN 13: 9780521369497
Anbieter: Travis & Emery Music Bookshop ABA, London, Vereinigtes Königreich
Buch
8vo xii, 193 pages. Paperback, VG. Illustrations and music examples.
Verlag: Cambridge University Press, 1991
ISBN 10: 0521369495ISBN 13: 9780521369497
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This is the first book to be devoted to Mozart's 'La Clemenza di Tito.' John A. Rice considers the opera from a variety of historical and critical viewpoints. 'Tito' is a political opera. The author examines its origins in the politically unstable Habsburg Empire of 1791, interpreting it as a response to revolutionary threats both inside and outside the monarchy. 'Tito' is also a literary opera: much of its dramatic power lies in its libretto. Rice analyses Metatasio's libretto and the revised version that Mozart set. The volume also explores aspects of Mozart's compositional process, the premiere in Prague, and subsequent critical reception through the nineteenth and twentieth centuries. In a concluding chapter Rice reviews recent performances as well as scholarly research that sheds light on interpretation of the opera. The volume, which contains illustrations of recent productions, music examples, a discography, and a bibliography, will be of interest to students, scholars, and opera-goers.