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Verlag: Cambridge University Press, 1995
ISBN 10: 0521461723ISBN 13: 9780521461726
Anbieter: AwesomeBooks, Wallingford, Vereinigtes Königreich
Buch
Hardcover. Zustand: Very Good. Opera and the Enlightenment This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
Verlag: Cambridge University Press, 1995
ISBN 10: 0521461723ISBN 13: 9780521461726
Anbieter: Prior Books Ltd, Cheltenham, Vereinigtes Königreich
Buch Erstausgabe
Hardcover. Zustand: Like New. Zustand des Schutzumschlags: Like New. First Edition. A firm and square hardback with sharp corners and strong joints, complete with original dustjacket, just showing a few very minor rubs. Hence a non-text page has a small 'damaged' stamp. Despite such this book is actually in nearly new condition. Thus the contents are crisp, fresh and tight; no pen-marks. Now offered for sale at a very sensible price.
Verlag: Cambridge University Press, 1995
ISBN 10: 0521461723ISBN 13: 9780521461726
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This is the first collection of essays to explore the wide dimensions and influence of eighteenth-century opera. In a series of fresh articles by leading scholars in the field, new perspectives are offered on the important figures of the day, including Handel, Vivaldi, Gluck, Rameau, and Mozart, and on the fundamental problems of creation, revision, borrowing, influence, and intertextuality. Other essays reinterpret librettos of serious opera in the French and Italian theater during the later eighteenth century. Sister arts, notably painting, the novel, ballet, and the spoken stage are also examined in their relationship to the development of opera. Bracketing the collection are studies of the early pastoral opera and of Prokofief, which expand our historical view of operatic life during the Age of Reason. The book contains numerous rare illustrations, and will be of interest to scholars and students of opera and theater history.