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Verlag: Pallas Athene, 2020
ISBN 10: 1843681978ISBN 13: 9781843681977
Anbieter: Books From California, Simi Valley, CA, USA
Buch
Hardcover. Zustand: Good.
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Gebraucht ab EUR 3,78
Mehr entdecken Hardcover
Verlag: Legare Street Press, 2022
ISBN 10: 101554083XISBN 13: 9781015540835
Anbieter: moluna, Greven, Deutschland
Buch
Kartoniert / Broschiert. Zustand: New.
Verlag: Cambridge University Press, 2013
ISBN 10: 1108066895ISBN 13: 9781108066891
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Published in 1782, this work was the first in a series exploring the concept of the picturesque in British landscapes.
Verlag: London: Printed by A. Strahan, 1800
Anbieter: Francis Edwards ABA ILAB, Hay on Wye, Vereinigtes Königreich
Erstausgabe
5th Ed. xvi + 154pp. 17 tinted aquatint plates (offset). Light age toning, ex.-libris John Phillips Esq. Edstone, inscription to front free end paper, half pigskin with marbled boards, gilt lettered lable to faded spine, minor wear to boards. Abbey lists 16 plates, Prideaux lists 17, in our experience issued with anywhere between 15-17 plates.ESTC T149236; Abbey Scenery 546 (First Edition); Prideaux p.337 (First Edition); Upcott 330.William Gilpin (17241804) English artist, Church of England cleric, schoolmaster and author. Gilpin travelled widely in Britain, with his notebook and sketching materials, in order to identify locations which offered that particular kind of beauty in landscape 'which is agreeable in a picture'. Picturesque tourism constituted 'a new object of pursuit', as he wrote the practice recommended was 'that of not merely describing; but of adapting the description of natural scenery to the principles of artificial landscape'. US$119.
Verlag: R. Blamire, London, 1792
Anbieter: Rooke Books PBFA, Bath, Vereinigtes Königreich
Verbandsmitglied: PBFA
Hardback. Zustand: Good. William Gilpin (illustrator). The third edition of one of William Gilpin's popular works exploring the concept of the picturesque, this volume in South Wales, with lovely aquatint plates. The third edition.ESTC citation number T41848.Illustrated with seventeen aquatint plates, in warming tones of pink.Collated, all plates are present. Bound without the publisher's adverts.A beautiful work on the 'picturesque' by William Gilpin, in which the renowned landscape painter explores the beauties of South Wales, in particular the River Wye.Gilpin undertook this tour of South Wales in the summer of 1770.Including a list of translations of Latin quotations Gilpin uses in his text. In a full calf binding. Externally, generally smart. Light rubbing to the spine and extremities. Minor bumping to the extremities. Front joint is starting. Small cracks to the head and tail of the rear joint. A few light marks to the boards. Front hinge is weak. Front endpaper is detaching. Rear hinge is starting but firm. Internally, firmly bound. Pages are bright and generally clean with the occasional scattered spot. Good. book.
Verlag: A. Straham, London, 1800
Anbieter: Rooke Books PBFA, Bath, Vereinigtes Königreich
Verbandsmitglied: PBFA
Cloth. Zustand: Good. None (illustrator). A fifth edition of this collection of observation on Southern Wales, from William Gilpin. Fifth edition. Illustrated with sixteen aquatints plates. Collated complete. A commentary on the picturesque beauty of Southern Wales, particularly the scenery of the River Wye, as made by the author in the summer of 1770. This work includes references to the source of the Wye, Chepstow, Ragland Castle, Llandilo, and the road to Bristol. Written by William Gilpin, an English artist, cleric, schoolmaster, and author best known as a travel writer who originated the idea of the picturesque. Bound in quarter cloth with patterned paper covered boards. Externally, worn with rubbing and chipping to the extremities. Light loss to the edges of the boards. The odd mark to the board. Hinges have been sympathetically reinforced with cloth tape. Internally, generally firmly bound. Pages are bright with light age toning and the odd spot. Good. book.
Verlag: London : printed for R. Blamire in the Strand, 1792
Anbieter: Francis Edwards ABA ILAB, Hay on Wye, Vereinigtes Königreich
Erstausgabe
3rd Ed. 152pp. + [i] publ. advert. 17 tinted aquatint plates. Some light browning, marbled e.ps., inner gilt dentelles, contemporary mottled calf, intricate gilt tooling to edges of boards, corners sl. rubbed, joints lightly cracked, gilt tooled bands and motifs with modern gilt lettered title label to spine with loss at head and tail and with sm. ink stain. Abbey lists 16 plates, Prideaux lists 17, in our experience issued with anywhere between 15-17 plates.ESTC T41848; Abbey Scenery 546 (First Edition); Prideaux p.337 (First Edition).William Gilpin (17241804) English artist, Church of England cleric, schoolmaster and author. Gilpin travelled widely in Britain, with his notebook and sketching materials, in order to identify locations which offered that particular kind of beauty in landscape 'which is agreeable in a picture'. Picturesque tourism constituted 'a new object of pursuit', as he wrote the practice recommended was 'that of not merely describing; but of adapting the description of natural scenery to the principles of artificial landscape'. US$279.
Verlag: London : printed for R. Blamire in the Strand, 1789
Anbieter: Francis Edwards ABA ILAB, Hay on Wye, Vereinigtes Königreich
Erstausgabe
2nd Ed. 152pp. 15 tinted aquatint plates. Some light browning, marbled e.ps., ex.-libris William Wetenhall, contemporary mottled calf, gilt tooling to edges of boards (some wear), corners rubbed, intricate gilt tooled spine sl. rubbed with gilt loss and with gilt lettered title label to spine with loss at head and tail. Abbey lists 16 plates, Prideaux lists 17, in our experience issued with anywhere between 15-17 plates.ESTC T149236; Abbey Scenery 546 (First Edition); Prideaux p.337 (First Edition); Upcott 330.William Gilpin (17241804) English artist, Church of England cleric, schoolmaster and author. Gilpin travelled widely in Britain, with his notebook and sketching materials, in order to identify locations which offered that particular kind of beauty in landscape 'which is agreeable in a picture'. Picturesque tourism constituted 'a new object of pursuit', as he wrote the practice recommended was 'that of not merely describing; but of adapting the description of natural scenery to the principles of artificial landscape'. US$349.
Verlag: Blamire, London, 1789
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
hardcover. Zustand: very good(+). Second. 17 full page oval sepia aquatints. 152 pages, slim 8vo, rebound in 3/4 brown morocco, marbled boards. London: Blamire, 1789. Second Edition. Near fine.
Verlag: T. Cadell and W. Davies 1800-09, London, 1800
Anbieter: Rooke Books PBFA, Bath, Vereinigtes Königreich
Verbandsmitglied: PBFA
Erstausgabe
Leather. Zustand: Very Good Indeed. William Gilpin (illustrator). First edition. A Sotheran bound collection of two topographical studies by William Gilplin, a beautiful work with his original landscape paintings shown in aquatint plates throughout. In a Sotheran binding.Two volumes bound in one, two topographical journeys by William Gilpin.Gilpin vividly describes the life in urban and rural England during the 1770s in the Georgian era. This was a budding time for English history, as the Industrial Revolution was beginning and making vast changes to both the cities and countryside of the nation.'Observations on Several Parts of the Counties of Cambridge, Norfolk, Suffolk, and Essex', published in 1809, the first edition of this work. Illustrated with twenty aquatint plates. Bound without half-title.'Observations on the River Wye', published in 1800, the fifth edition of this work. Illustrated with seventeen aquatint plates. Bound without the final advertisement leaf.Gilpin was a renowned landscape painter, this work containing many of his paintings.Collated, all plates are present. In a full tree calf Sotheran binding, rebacked with the original boards and spine restored. Externally, generally, smart. Light bumping and wear to the extremities. Small crack to the head of the front joint. A few light marks to the boards and spine. Front hinge is starting a little but remains firm. Internally, firmly bound. Pages are lightly age-toned and generally clean with some odd spots, and a little offsetting due to the plates. Very Good Indeed. book.