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Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Couverture souple. Zustand: bon. R160190470: 1972. In-8. Broché. Etat d'usage, Couv. convenable, Dos plié, Intérieur frais. 220 Pages - Quelques planches photos en noir et blanc. . . . Classification Dewey : 791.43-Cinéma.
Zustand: New. Inhaltsverzeichnisrnrn- Geschnittene Szenen- Trailer- WendecoverKlappentextrnrnMit einem ebenso fesselnden wie persoenlichen Portrait seines geliebten Rom setzte Federico Fellini (Fellini Satyricon, La Dolce Vi.
Anbieter: Celler Versandantiquariat, Eicklingen, Deutschland
Verbandsmitglied: GIAQ
Buch
MGM Home Entertainment, Frankfurt/M., 2003. 2 DVDs in original Kunststoffhüllen---Verlag: MGM Home Entertainment Verlag: MGM Home Entertainment - gute Exemplare - 226 Gramm.
Verlag: CAPPELLI EDITORE
Anbieter: Antiquariat Bookfarm, Löbnitz, Deutschland
Buch
Hardcover. Ehemaliges Bibliotheksexemplar mit Signatur und Stempel in gutem Zustand. 1 Sprache: Deutsch Gewicht in Gramm: 550.
Verlag: Roma : Fondazione Scuola Nazionale di Cinema - Centro Sperimentale di Cinnematografia, 2003. Un volume in-4° carré, broché, photographies., 2003
Bel exemplaire. [20054].
Verlag: Giulio Bolaffi, Torino, 1977
Anbieter: BACCHETTA GIORGIO - ALFEA RARE BOOKS, Milano, Italien
Volume: 1 48.1x34.2 cm., [48] pp., 5 tavv. a colori f.t., legatura edit. in mezza tela, piatti in cartonato ill., cofanetto edit., ottime condizioni La cartella contiene cinque articoli di Andreotti, Arbasino, Argan, Fellini e Moravia, tutti firmati a matita dagli Autori; le cinque tavv., incorniciate in passepartout, sono 1 acquatinta e acquaforte, 1 serigrafia e offset, 1 serigrafia, 2 litografie eseguite espressamente per la Giulio Bolaffi Spa di Torino da Flavio Costantini, Franco Gentilini, Piero Guccione, Mario Schifano e Riccardo Tommasi Ferroni. Ogni opera ha come tema 'Roma'; anche le tavv. sono numerate e firmate a matita dagli Artisti (la tiratura è di 250 esemplari numerati, il ns. è il nr 33). A tiratura ultimata le lastre litografiche sono state biffate dagli artisti e i telai serigrafici distrutti dagli stampatori. Su ogni tavola e apposto il marchio a secco di garanzia dell'Editore.
Anbieter: Biblion Antiquariat, Zürich, ZH, Schweiz
30,3x23,8 cm. Der Film kam im März 1972 in die Kinos.
Verlag: United Artists, Beverly Hills, CA, 1972
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage reference photograph of Federico Fellini on the set of the 1972 film. A semi-autobiographical, impressionistic portrait of Rome, featuring two contrasting sections, one based on Fellini's first journey to the city as a young man under Mussolini, the other featuring scenes of contemporary city life. Set and shot on location in Rome. 8 x 10 inches. Near Fine. Criterion Collection 848. Eureka! 86. Rosenbaum 1000. Vogel, Film as a Subversive Art.
Verlag: N.p., N.p., 1972
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage reference photograph of Federico Fellini on the set of the 1972 film. A semi-autobiographical, impressionistic portrait of Rome, featuring two contrasting sections, one based on Fellini's first journey to the city as a young man under Mussolini, the other featuring scenes of contemporary city life. Set and shot on location in Rome, Italy. 8 x 10 inches. Light even fading, else Near Fine.
Verlag: N.p., N.p., 1972
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage borderless reference photograph of Federico Fellini demonstrating how to stab Julius Caear (Feodor Chaliapin, Jr.) on the set of the 1972 film. "Peter W. Engelmeier provenance label on verso. A semi-autobiographical, impressionistic portrait of Rome, featuring two contrasting sections, one based on Fellini's first journey to the city as a young man under Mussolini, the other featuring scenes of contemporary city life. Set and shot on location in Rome, Italy. 8.5 x 6.5 inches. Near Fine. Criterion Collection 848. Eureka! 86. Rosenbaum 1000. Vogel, Film as a Subversive Art.