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Verlag: University of Chicago Press, 2006
ISBN 10: 0226532488ISBN 13: 9780226532486
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
Buch
Zustand: VeryGood. Most items will be dispatched the same or the next working day.
Verlag: University of Chicago, Chicago, 2005
ISBN 10: 0226532453ISBN 13: 9780226532455
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
Buch
hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Black & white and color illustrations. xxi, 380 pages. 8vo, black cloth with gilt lettering at spine, pictorial d.w. Chicago: University of Chicago Press, (2005). A fine copy in a fine dust wrapper.
Verlag: University of Chicago Press, 2006
ISBN 10: 0226532488ISBN 13: 9780226532486
Anbieter: medimops, Berlin, Deutschland
Buch
Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Verlag: University of Chicago Press, 2006
ISBN 10: 0226532488ISBN 13: 9780226532486
Anbieter: Monster Bookshop, Fleckney, Vereinigtes Königreich
Buch
Paperback. Zustand: New. BRAND NEW ** SUPER FAST SHIPPING FROM UK WAREHOUSE ** 30 DAY MONEY BACK GUARANTEE.
Verlag: University of Chicago Press, 2005
ISBN 10: 0226532453ISBN 13: 9780226532455
Anbieter: medimops, Berlin, Deutschland
Buch
Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Verlag: Nov 2006, 2006
ISBN 10: 0226532488ISBN 13: 9780226532486
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Taschenbuch. Zustand: Neu. Neuware - Why do we have such powerful responses toward the images and pictures we see in everyday life Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep--who, as a clone, fulfills the ancient dream of creating a living image--and the destruction of the World Trade Center on September 11, 2001, which, among other things, signifies a new and virulent form of iconoclasm.What Do Pictures Want offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike.