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Verlag: National Gallery Company Ltd, United Kingdom, London, 2004
ISBN 10: 1857093151ISBN 13: 9781857093155
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2011
ISBN 10: 1857095235ISBN 13: 9781857095234
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Paperback. Zustand: Very Good. "Forests, Rocks, and Torrents" brings together an array of Norway and Switzerland's most talented 19th-century artists, who shared an interest in capturing their native dramatic alpine landscapes. This richly illustrated book also examines the differences that climate, character, and political regimes have imposed on artistic practices. Distinct social and political situations in Norway and Switzerland yielded fundamental differences in the two countries' painting traditions. As Norway endured a long struggle for freedom, Switzerland remained proudly independent. While Norway was poor, isolated, and dependent for survival on its natural resources, the Swiss enjoyed prosperity, a cosmopolitan society, and prestige as an early center of industry. The authors examine how this was manifested in the landscape paintings of such prominent artists as Johan Christian Dahl, Thomas Fearnley, Peder Balke, and Alexandra Calame. This book also supplies a helpful chronology and brief artist biographies. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1997
ISBN 10: 1857091655ISBN 13: 9781857091656
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1991
ISBN 10: 094764587XISBN 13: 9780947645878
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Paperback. Zustand: Very Good. The completion of the Sainsbury Wing by the American architects Venturi, Rauch and Scott Brown, marks the end of a lengthy architectural debate that has excited interest from both the Prince of Wales and the public. This book, by architectural historian and critic Colin Amery, is the authorized account of the story of this building, which has been designed to house the Early Renaissance Collection of the National Gallery. In it Amery describes the evolution of the design, placing it in the context of the architectural history of the National Gallery. He includes a full visual account of the new buildings, an updated set of plans and architects' drawings, a list of consultants and a technical appendix. He covers new ideas about the lighting and display of pictures and the technical qualities of the controlled environment suitable for the preservation of delicate works of art. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2007
ISBN 10: 1857093739ISBN 13: 9781857093735
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Paperback. Zustand: Very Good. This handsomely designed and illustrated book presents thirty-six masterpieces from the National Gallery's remarkable and unparalleled collection, introducing major artists through their most renowned works. Each of the featured paintings----which together outline the main innovations in art history----is discussed in fascinating detail. Among those included are Van Eyck's Portrait of Giovanni Arnolfini and his Wife, Piero della Francesca's The Baptism of Christ, Botticelli's Venus and Mars, Leonardo da Vinci's The Virgin of the Rocks, Durer's Saint Jerome, Michelangelo's The Entombment, Titian's Bacchus and Ariadne, Bronzino's An Allegory with Venus and Cupid, Caravaggio's The Supper at Emmaus, Rembrandt's Belshazzar's Feast, Poussin's A Bacchanalian Revel before a Term of Pan, Velazquez's 'The Rokeby Venus', Vermeer's A Young Woman Standing at a Virginal, Turner's The Fighting Temeraire, Ingres' Madame Moitessier, Monet's Bathers at La Grenouillere, Degas' Miss La La at the Cirque Fernando, Cezanne's Self Portrait, Seurat's Bathers at Asnieres, and Van Gogh's Sunflowers. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2012
ISBN 10: 1857095340ISBN 13: 9781857095340
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Paperback. Zustand: Very Good. How do artists create different effects when painting?The medium they choosesuch as oil, watercolor, or egg temperaplays an important part. So too does the material they paint on, the pigments used, and even the type of brush. Using examples from the National Gallery Collection, Jo Kirby shows how a painting is made, and reveals the processes behind an array of fascinating techniques. With clear explanations and close-up photography, this book will help you see paintings with a fresh eye. Published by National Gallery Company / Distributed by Yale University Press. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2000
ISBN 10: 1857092953ISBN 13: 9781857092950
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Paperback. Zustand: Very Good. The National Gallery Technical Bulletin is a unique record of research carried out at the National Gallery, London. Published annually, and beautifully produced and illustrated, it covers all aspects of the conservation, technical study and care of the paintings in the collection. Drawing on the combined expertise of curators, conservators and scientists, it brings together a wealth of information about artists' materials, working practices and techniques. The Technical Bulletin is an invaluable resource for art historians, collectors, museum curators, and all those with an interest in old master paintings, as well as essential reading for conservators. Contents: A Virgin and Child in the Style of Albrecht Durer. The authors readdress the question of attribution of this picture in the light of new information on the underdrawing, painting technique, and materials, obtained during recent conservation treatment. The technique and materials of the Virgin and Child Enthroned with Saints by Michael Pacher, a fifteenth-century painter and sculptor from the Tyrol. A note on occurrences of the purple pigment fluorite. The discovery and identification of an original varnish on a panel by Carlo Crivelli. Lorenzo Monaco's Coronation of the Virgin: its restoration and presentation. The restoration of two panels by Cima from the Wallace Collection, London. Pollutant monitoring at the National Gallery: a review of past and present monitoring of the main pollutants that affect paintings, and the implications for works displayed at the National Gallery. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2009
ISBN 10: 1857094425ISBN 13: 9781857094428
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Paperback. Zustand: Very Good. A Closer Look is the new series title for the updated and refreshed National Gallery Pocket Guide range. The series has been enhanced with a stronger format, attractive design, new photography, and additional information. It is self-evident that colour is fundamental to painting, but it is not always obvious from looking at pictures what kinds of materials may be used by an artist to make colour. This Pocket Guide explains how coloured pigments are combined with a medium to form a paint layer, and how this affects our perception of the appearance of colour. It not only describes the materials of colour but also explains colour theories and examines writings about colour, including painters treatises. Through a selection of superb pictures from the National Gallery, London, including works by Piero della Francesca, Leonardo, Titian, Caravaggio, Canaletto, Rembrandt, Velazquez, Monet, and Seurat, the authors demonstrate how painters through the centuries have exploited the characteristics of colour in paint. Published by National Gallery Company/Distributed by Yale University Press. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1986
ISBN 10: 0947645071ISBN 13: 9780947645076
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1994
ISBN 10: 1857090152ISBN 13: 9781857090154
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Paperback. Zustand: Very Good. A team of international scholars analyze and illuminate a crucial period of Munch's development, as he became the catalyst of modern Expressionism. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2015
ISBN 10: 1857094174ISBN 13: 9781857094176
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Paperback. Zustand: Very Good. Profusely Illustrated (illustrator). View-painting in eighteenth-century Venice began with the emergence of Luca Carlevarijs and ended with the death of Francesco Guardi in 1793, followed by Napoleon's invasion and the fall of the Venetian Republic in 1797. In between, a constellation of remarkable painters captured the city in dazzling pictures which are among the greatest achievements in eighteenth-century art. Canaletto may be the artist popularly associated with Venice, but he had many rivals who competed for commissions, often from foreigners whose patronage was to determine the later course of Venetian view-painting. All the major figures are represented here - Bellotto, Carlevarijs, Guardi, Joli, Marieschi and Vanvitelli - together with fascinating contemporaries such as Cimaroli and Tironi. Charles Beddington sets the scene with an overview of the artists then working in the city, and draws on the latest research and scholarship to illuminate the complex stylistic relationships between them. Succinct, lively biographies for each artist are followed by short introductions to the works, grouped chronologically by artist. Each painter saw the same topography with his own unique vision; this beautiful book demonstrates the varied responses to the cityscape, with its ever-changing light, as well as to its spectacles and ceremonies. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1996
ISBN 10: 185709154XISBN 13: 9781857091540
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Paperback. Zustand: Very Good. Focuses on the landscapes of Rubens, in particular Landscape with Het Steen, a view by Rubens of his own country house and the surrounding countryside. After an introduction to Rubens as a landscapist, this book also places the works in the tradition of Flemish landscape painting. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1994
ISBN 10: 0947645497ISBN 13: 9780947645496
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Buch
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1997
ISBN 10: 1857092007ISBN 13: 9781857092004
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1990
ISBN 10: 0300050364ISBN 13: 9780300050363
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2004
ISBN 10: 1857099036ISBN 13: 9781857099034
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1999
ISBN 10: 185709266XISBN 13: 9781857092660
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1996
ISBN 10: 1857091299ISBN 13: 9781857091298
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2011
ISBN 10: 1857094514ISBN 13: 9781857094510
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Paperback. Zustand: Very Good. This thought-provoking book presents a lively introduction to the 20th century's most important artist, Pablo Picasso. Picasso was a passionate student of the European painting tradition, and his memory for images was voracious. Naturally drawn to Spanish masters Velázquez and Goya, he also engaged with such figures as Rembrandt, Delacroix, Ingres, Manet, and Cà zanne. Picasso repeatedly pitted himself against these masters, taking up their signature themes, techniques, and artistic concerns in audacious paintings of his own. Sometimes his "quotations" were direct, other times highly allusive. Always, Picasso made the implicit case that it was he in the 20th century who most forcefully reinvigorated the European tradition. This book showcases his extraordinary work, where we witness the daring transformation of the art of the past into, in Picasso's own words, "something else entirely." Published by the National Gallery Company/Distributed by Yale University Press. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1994
ISBN 10: 0300061358ISBN 13: 9780300061352
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1997
ISBN 10: 1857091698ISBN 13: 9781857091694
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2006
ISBN 10: 1857093038ISBN 13: 9781857093032
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Paperback. Zustand: Very Good. Renowned for his physical and psychological naturalism, Diego Rodriguez de Silva y Velazquez (15991660) is considered one of the greatest painters to have ever lived. Official court painter to King Philip IV (16051665), he created astounding effects of illusion in his minimalist and elegantly composed workswhich range from genre and history scenes to portraits. His paintings had an enormous impact on 19th- and early-20th-century artists such as Degas, Renoir, and Picasso, and Manet famously first described him as the painters painter. With over 150 illustrations and an in-depth chronology, this beautifully produced and comprehensive book surveys Velazquezs entire career and explores his universal popularity. Fascinating essays by world-class Velazquez scholars address the artists life and technique, examining his studies in Seville and Italy to his final great works at the court of Philip IV. They also place his works in the context of 17th-century European painting and discuss how and why his works have resonated so strongly with the generations of Post-Impressionist and modernist artists. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: National Gallery, London (October 18, 2006 January 21, 2007). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2011
ISBN 10: 1857095251ISBN 13: 9781857095258
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Paperback. Zustand: Very Good. Museum visitors today usually see pre-16th-century Italian painted altarpieces exhibited alone, as single paintings. Yet this beautiful catalogue shows that these works were once part of decorative, integrated schemes, and the original experience for viewers of the paintings was significantly different from our own. Focusing on Italian altarpieces from the second half of the 13th century to the very end of the 15th, the book investigates the original functions and locations of altarpieces as well as the circumstances of their dislocations, dismantlings, and reconstructions. Regional variations are also analyzed, and the author examines altarpieces' formal and typological development, taking into account the wealth of related scholarship undertaken in the past thirty years. Published by National Gallery Company / Distributed by Yale University Press Exhibition Schedule: The National Gallery, London (07/6/11-10/02/11). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2002
ISBN 10: 1857092066ISBN 13: 9781857092066
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2001
ISBN 10: 1857099567ISBN 13: 9781857099560
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Paperback. Zustand: Good. For almost four decades, R.B. Kitaj played an integral role in British art. His enigmatic and highly personal paintings engage with contemporary culture, his Jewish identity and horror of the Holocaust. Shortly after his controversial retrospective at the Tate Gallery, London in 1994, he moved back to his native United States and now lives and works in Los Angeles. His great hero is Cezanne: He is my greatest painter of all and the three last Bathers are my favourite art of all. He recently embarked upon a series of six major new pictures inspired by Cezanne's Bathers for an exhibition at the National Gallery, London. In this fully illustrated book, Kitaj's new paintings are reproduced for the first time, together with a series of beautiful black chalk drawings, directly inspired by Cezanne. The new paintings are discussed in the context of earlier works by Kitaj, which reveal his constant preoccupation with the Old Masters. The book includes a short essay about Kitaj's work, plus a new and previously unpublished interview with the artist. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2009
ISBN 10: 1857094506ISBN 13: 9781857094503
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Paperback. Zustand: Very Good. By the late 18th century, the practice of painting outdoors (en plein air) was widespread, especially in Italy, where picturesque views of Tivoli and the Campagna were irresistible to French and British artists. Fifty years later in France, the Barbizon group----including Jean-Baptiste-Camille Corot, Theodore Rousseau, and Charles-Francois Daubigny----eagerly escaped the studio to paint landscapes, rivers, and beach scenes of their native land. These painters were a crucial influence on a new generation of artists who would eventually become known as the Impressionists. In this delightful and accessible exploration of the National Gallery's collection of 18th- and 19th-century landscape paintings, Sarah Herring introduces and explains the enduring appeal of these charming small works of art, both to their original collectors and to the present-day viewer. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2011
ISBN 10: 1857095006ISBN 13: 9781857095005
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Paperback. Zustand: Very Good. What is still life? We are familiar with the objects portrayed but have difficulty explaining the essence of this popular art form. Erika Langmuir examines the special fascination of still life, and what distinguishes it from other categories of painting. She discusses its evolution from the trompe loeil wall paintings of antiquity, through its revival in the age of Caravaggio and Velazquez, and again in the works of Cezanne and Picasso. Originally published as Pocket Guide Still Life, this eloquent survey benefits from a wider format, new reproductions, and updated references. Published by National Gallery Company/Distributed by Yale University Press. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2010
ISBN 10: 1857094859ISBN 13: 9781857094855
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Paperback. Zustand: Very Good. Painters in the past and commercial artists in our own day have relied on allegory to create "message pictures." Once thought to rival literary works or political oratory in influence and prestige, such paintings, with their references to ancient myth, the Bible, or medieval astrology, all too often puzzle modern viewers. This Closer Look guide illustrates and explains the main types of visual allegory in Western art and the contexts in which they were originally created and viewed. Published by the National Gallery Company/Distributed by Yale University Press. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2019
ISBN 10: 1857096452ISBN 13: 9781857096453
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Paperback. Zustand: Very Good. Sean Scully (b.1945) is an Irish-born, American-based painter and printmaker, best known for his monumental oil paintings which draw on the traditions of Abstract Expressionism. This catalogue showcases a recent body of work inspired by the National Gallerys own collection and in particular by J.M.W. Turners The Evening Star (c.1830). For Scully, this elegiac picture constitutes one of Turners most profound paintings, leading to new departures in his own work. Using the motif of stripes or chequerboards, Scully evokes landscapes and architecture, horizons, fields, and coastlines, in which his contemplative forms become reminders of personal experiences and distinctive moments. Vast, bold panel paintings with richly textured surfaces are illustrated together with delicate works on paper: aquatints and luminous pastels. The accompanying text includes newly commissioned essays, and poetry by Vahni Capildeo and Kelly Grovier, while a unique photo essay by Irish novelist Eimear McBride highlights the sweeping impasto, strong brushstrokes, and vivid colors that distinguish Scullys painting. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: National Gallery, London (04/13/1908/11/19). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1987
ISBN 10: 0947645187ISBN 13: 9780947645182
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Buch
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.