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Verlag: House Of Queens Publishing, 2018
ISBN 10: 0648244709ISBN 13: 9780648244707
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: House Of Queens Publishing, 2018
ISBN 10: 0648244709ISBN 13: 9780648244707
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Verlag: Queens House, 1990
ISBN 10: 185605070XISBN 13: 9781856050708
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Verlag: Queens House/Focus Service, 1976
ISBN 10: 089244018XISBN 13: 9780892440184
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: House Of Queens Publishing, 2018
ISBN 10: 0648244709ISBN 13: 9780648244707
Anbieter: medimops, Berlin, Deutschland
Buch
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Verlag: House Of Queens Publishing, 2018
ISBN 10: 0648244709ISBN 13: 9780648244707
Anbieter: medimops, Berlin, Deutschland
Buch
Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Verlag: Queens House, 1977
ISBN 10: 0892440562ISBN 13: 9780892440566
Anbieter: ThriftBooksVintage, Tukwila, WA, USA
Buch
Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Ex-Library copy with typical library marks and stamps. Dust jacket in good condition. Shelf and handling wear to cover and binding, with general signs of previous use. ASIDE FROM LIBRARY MARKINGS, FREE OF EXTRANEOUS WRITING IN SECURE BINDING. Secure packaging for safe delivery. 1.05.
Verlag: Queens House, 1990
ISBN 10: 185605070XISBN 13: 9781856050708
Anbieter: HALCYON BOOKS, LONDON, Vereinigtes Königreich
Buch
Hardcover. Zustand: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.
Hardcover. Zustand: Good. No Jacket. Dust jacket missing. Limited edition. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Light scuffing and smudging across boards and spine strip. One of three hundred copies of this reprinting. Secure packaging for safe delivery. 1.05.
Verlag: Queens House, Larchmont, NY
Anbieter: Second Story Books, ABAA, Rockville, MD, USA
Hardcover. 287/300. Octavo; pp 50; VG/no-DJ; dark beige spine with gilt text; full title: Gene Stratton-Porter: A Little Story of the Life and Work and ideals of the "The Bird Woman"; originally published in 1915; encased in white box with paper label to front; limited edition, 287 of 300; green illustration and black text to front; cloth has light wear to exterior; sturdy boards; text block shows light toning; interior clean; illustrated; frontispiece. 1315794. FP New Rockville Stock.
Verlag: Queens House, Mattituck, NY, 1922
Anbieter: Second Story Books, ABAA, Rockville, MD, USA
Hardcover. 264/300. Octavo; pp 71; VG-/no-DJ; dark beige spine with gilt text; encased in white box with paper label to front; limited edition, 264 of 300; originally published 1922; green illustration and black text to front; cloth has light wear to exterior; light smudges to front; sturdy boards; orange and green design and text to front text block shows light toning; pictorial endpapers; interior clean; illustrated; frontispiece. 1315795. FP New Rockville Stock.
Verlag: Four from the other undated but from the same period. Four from 2 St John's Wood Studios Queens Terrace London N.W.8. three of them on letterheads; the other from Merrieweathers House Mayfield Sussex, 1920
Anbieter: Richard M. Ford Ltd, London, Vereinigtes Königreich
Manuskript / Papierantiquität Signiert
An interesting correspondence, casting light on the practicalities of early twentieth-century English portrait-painting. The recipient is Colonel Frederick Hugh Langston Oldham, D.S.O., D.L., of Overley Hall, near Wellington, Shropshire, eldest son of the Archdeacon of Ludlow, and the letter concerns Brock's portrait of Oldham's wife Christabel Josephine Oldham. The five letters in good condition, lightly aged. The four dated letters are dated between 25 February and 13 July 1920. The total 9pp (seven in 8vo and two in 12mo). In the first letter he thanks Oldham for sending the 'charming' photographs of his wife, whom he thinks 'would make a really interesting subject to paint, & under the circumstances it would be a pleasure to do the portrait for you at your fee of £123, this would be exclusive of the frame'. In accepting the commission he does not wish to 'bind' himself 'in making a promise to send the portrait to the R.A.' He explains: 'We are only entitled to send in three each year and as a rule I only send in one portrait of a lady, so I have to disappoint many.' The rest of the letter concerns proposals for the date of painting. The second letter, 30 March 1920, is written after the completion of the portrait, and in addition to discussing the frame and payment Brock writes: 'I had some artists here on Sunday & they selected your wife's as the best - it was remarkable the way it came on just when I thought I had failed again. I had another sitting on Sunday morning & managed to soften off the features especially the chin, & am only waiting for the paint to dry before putting in the final touches.' He has 'decided to leave the face & background alone, it is the drapery only that requires qualifying, at present it is a little heavy in places.' In the third letter, 5 April 1920, he writes: 'On seeing the portrait after my short list I thought it looked quite my best - it does not show in any way the trouble I had over it & I am only sorry that I was unable to send it to the R.A.' He also discusses the possibility of visiting the Oldhams in Shropshire. In a postscript signed 'E. B.' he states that there is 'certainly a possibility that I might be able to send the portrait to the R. A. next year'. In the fourth letter, 13 July 1920, he writes: 'It is very kind of you to suggest that I should visit you & bring the portrait with me but unfortunately I shall be unable to get away - I shall be returning to the Studio on Saturday the 17th. & shall arrange to have the portrait packed & forwarded on to you.' Before sending it he proposes 'using a special medium to bring out the colours as quite six months must pass before the pictures can be varnished properly'. In the final letter, only dated 'Monday' and signed 'E. Brock', Brock again declines the invitation to visit the Oldhams, adding: 'I have so much to do.' He concludes with regard to the varnishing of the picture: 'it is best that it should be done in the summer months. The varnish to me is drastic - it is preferable to the other kinds - it should be painted very thinly with a hog's hair brush. & it is preferable to slightly heat the varnish & it is also important that the brush & canvas be free from damp - I am letting you have these particulars so that in the event of my being unable to get away, you could attend to the matter yourself.'.